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| Author | : Amelia Gere Mason |
| Publisher | : |
| Total Pages | : 312 |
| Release | : 1891 |
| Genre | : French literature |
| ISBN | : |
Biographical sketches of French women who participated in salons which reveal their intellectual and cultural influence.
| Author | : Steven D. Kale |
| Publisher | : JHU Press |
| Total Pages | : 328 |
| Release | : 2006-01-24 |
| Genre | : History |
| ISBN | : 9780801883866 |
Challenging many of the conclusions of recent historiography, including the depiction of salonnières as influential power brokers, French Salons offers an original, penetrating, and engaging analysis of elite culture and society in France before, during, and after the Revolution.
| Author | : Amelia Gere Mason |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 370 |
| Release | : 2022-11-24 |
| Genre | : Fiction |
| ISBN | : 3368437690 |
Reproduction of the original.
| Author | : Antoine Lilti |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 345 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0199772347 |
The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.
| Author | : |
| Publisher | : |
| Total Pages | : 290 |
| Release | : 2007 |
| Genre | : French literature |
| ISBN | : 9781421897110 |
| Author | : Amelia Ruth Gere Mason |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2018-05-08 |
| Genre | : |
| ISBN | : 9783337532505 |
| Author | : Benedetta Craveri |
| Publisher | : New York Review of Books |
| Total Pages | : 524 |
| Release | : 2006-08-01 |
| Genre | : History |
| ISBN | : 9781590172148 |
Now in paperback, an award-winning look at French salons and the women who presided over them In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners. Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modern French language, new literary forms, and debates over philosophical and scientific ideas. With a cast of characters both famous and unknown, ranging from the Marquise de Rambouillet to Madame de Sta‘l, and including figures like Ninon de Lenclos, the Marquise de Sevigne, and Madame de Lafayette, as well as Pascal, La Rochefoucauld, Diderot, and Voltaire, Benedetta Craveri traces the history of this worldly society that carried the art of sociability to its supreme perfection–and ultimately helped bring on the Revolution that swept it all away.
| Author | : Laurence Madeline |
| Publisher | : Yale University Press |
| Total Pages | : 289 |
| Release | : 2017-01-01 |
| Genre | : Art |
| ISBN | : 0300223935 |
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
| Author | : Amelia Ruth Gere Mason |
| Publisher | : Wentworth Press |
| Total Pages | : 308 |
| Release | : 2016-08-28 |
| Genre | : History |
| ISBN | : 9781373182289 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Faith E. Beasley |
| Publisher | : Routledge |
| Total Pages | : 557 |
| Release | : 2017-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 1351902202 |
The first half of the book is a detailed study of how the salons influenced the development of literature. Beasley argues that many women were not only writers, they also served as critics for the literary sphere as a whole. In the second half of the book Beasley examines how historians and literary critics subsequently portrayed the seventeenth century literary realm, which became identified with the great reign of Louis XIV and designated the official canon of French literature. Beasley argues that in a rewriting of this past, the salons were reconfigured in order to advance an alternative view of this premier moment of French culture and of the literary masterpieces that developed out of it. Through her analysis of how the seventeenth century salon has been defined and transmitted to posterity, Beasley illuminates facets of France's collective memory, and the powers that constituted it in the past and that are still working to define it today.
