The Vulgarization of Art
Author | : Linda C. Dowling |
Publisher | : University of Virginia Press |
Total Pages | : 178 |
Release | : 1996 |
Genre | : Aesthetic movement (Art) |
ISBN | : 9780813916347 |
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Author | : Linda C. Dowling |
Publisher | : University of Virginia Press |
Total Pages | : 178 |
Release | : 1996 |
Genre | : Aesthetic movement (Art) |
ISBN | : 9780813916347 |
Author | : Richard Leo Enos |
Publisher | : Parlor Press LLC |
Total Pages | : 386 |
Release | : 2007-12-15 |
Genre | : Literary Criticism |
ISBN | : 1602358052 |
Advances in the History of Rhetoric: The First Six Years is a comprehensive collection of 29 scholarly essays published during the first phase of the journal’s history. Research from prominent and developing scholars that was once difficult to acquire is now offered in a coherent and comprehensive collection that is complemented by a detailed index and unified bibliography. This collection covers a range of periods and topics in the history of rhetoric, including Greek and Roman rhetoric, rhetoric and religion, women in the history of rhetoric, rhetoric and science, Renaissance and British rhetorical theory, rhetoric and culture, and the development of American rhetoric and composition. The editors, Richard Leo Enos and David E. Beard, provide a preface and afterword that synthesize the mission and meaning of this work for students and scholars of the history of rhetoric.
Author | : Amy Woodson-Boulton |
Publisher | : Routledge |
Total Pages | : 515 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351537571 |
Providing a comprehensive interdisciplinary assessment, and with a particular focus on expressions of tension and anxiety about modernity, this collection examines visual culture in nineteenth-century Europe as it attempted to redefine itself in the face of social change and new technologies. Contributing scholars from the fields of history, art, literature and the history of science investigate the role of visual representation and the dominance of the image by looking at changing ideas expressed in representations of science, technology, politics, and culture in advertising, art, periodicals, and novels. They investigate how, during the period, new emphasis was placed on the visual with emerging forms of mass communication?photography, lithography, newspapers, advertising, and cinema?while older forms as varied as poetry, the novel, painting, interior decoration, and architecture became transformed. The volume includes investigations into new innovations and scientific development such as the steam engine, transportation and engineering, the microscope, "spirit photography," and the orrery, as well as how this new technology is reproduced in illustrated periodicals. The essays also look at more traditional forms of creative expression to show that the same concerns and anxieties about science, technology and the changing perceptions of the natural world can be seen in the art of Armand Guillaumin, Auguste Rodin, Gustave Caillebotte, and Camille Pissarro, in colonial nineteenth-century novels, in design manuals, in museums, and in the decorations of domestic interior spaces. Visions of the Industrial Age, 1830-1914 offers a thorough exploration of both the nature of modernity, and the nature of the visual.
Author | : Daphne Patai |
Publisher | : Columbia University Press |
Total Pages | : 739 |
Release | : 2005-04-20 |
Genre | : Literary Criticism |
ISBN | : 0231508697 |
Not too long ago, literary theorists were writing about the death of the novel and the death of the author; today many are talking about the death of Theory. Theory, as the many theoretical ism's (among them postcolonialism, postmodernism, and New Historicism) are now known, once seemed so exciting but has become ossified and insular. This iconoclastic collection is an excellent companion to current anthologies of literary theory, which have embraced an uncritical stance toward Theory and its practitioners. Written by nearly fifty prominent scholars, the essays in Theory's Empire question the ideas, catchphrases, and excesses that have let Theory congeal into a predictable orthodoxy. More than just a critique, however, this collection provides readers with effective tools to redeem the study of literature, restore reason to our intellectual life, and redefine the role and place of Theory in the academy.
Author | : Heather Bozant Witcher |
Publisher | : Cambridge University Press |
Total Pages | : 281 |
Release | : 2022-03-17 |
Genre | : Literary Criticism |
ISBN | : 1009075500 |
Bringing the collaborative process to life through an array of examples, Heather Witcher shows that sympathetic co-creation is far more than the mere act of writing together. While foregrounding the material aspects of collaboration – hands uniting on the page, blank space left for fellow contributors, the writing and exchanging of drafts – this study also illuminates its social aspects and its reliance on Victorian liberalism: dialogue, the circulation of correspondence, the lived experience of collaboration, and, on a less material plane, transhistorical collaborations with figures of the past. Witcher takes a broad approach to these partnerships and, in doing so, challenges traditional expectations surrounding the nature of authorship itself, not least its typical classification as a solitary activity. Within this new framework, collaboration enables the titles of 'coauthor,' 'influencer,' 'editor,' 'critic,' and 'inspiration' to coexist. This book celebrates the plurality of collaboration and underscores the truly social nature of nineteenth-century writing.
Author | : |
Publisher | : |
Total Pages | : 392 |
Release | : 1997 |
Genre | : English literature |
ISBN | : |
Author | : Jonah Siegel |
Publisher | : Princeton University Press |
Total Pages | : 381 |
Release | : 2021-05-11 |
Genre | : Art |
ISBN | : 1400849829 |
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Author | : James Gregory |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2018-10-09 |
Genre | : History |
ISBN | : 135140069X |
This volume concerns judges, judgment and judgmentalism. It studies the Victorians as judges across a range of important fields, including the legal and aesthetic spheres, and within literature. It examines how various specialist forms of judgment were conceived and operated, and how the propensity to be judgmental was viewed.
Author | : Ronnie W. Rogers |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 244 |
Release | : 2017-04-14 |
Genre | : Philosophy |
ISBN | : 1532616333 |
This book seeks to clarify and demonstrate the incalculable and injurious influence that progressive education has had and is having upon preaching, thinking Christianly, and the local church. Progressive education began at the turn of the twentieth century, replacing classical education with what is purportedly a science-based education, which necessarily results in scientism. This seismic shift in public education has not only affected what we learn but how we think. In order to enable the church to detect progressivism's deleterious sway and protect herself by being equipped with the progressive revelation of God, and thereby counter the influence of progressive education of man, I seek to highlight some of the underlying intolerable essentials of progressive education. In the companion book to this one, The Equipping Church: Somewhere Between Fundamentalism and Fluff, I explain the biblical model for the local church and how to build such a church.
Author | : Larry E. Shiner |
Publisher | : University of Chicago Press |
Total Pages | : 386 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780226753430 |
"Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of ine art is a modern invention - and that the lines drawn between art and craft emerged only as the result of key European social transformations during the long eighteenth century"--Publisher's description.