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The Visual Language of Technique

The Visual Language of Technique
Author: Luigi Cocchiarella
Publisher: Springer
Total Pages: 182
Release: 2015-03-14
Genre: Mathematics
ISBN: 3319053507

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The book is inspired by the first seminar in a cycle connected to the celebrations of the 150th anniversary of the Politecnico di Milano. "Dealing with the Image Ivory Towers and Virtual Bridges" was the motto of this meeting, aiming to stimulate a discussion among engineers, designers and architects, all of whom are traditionally involved in the use of the Image as a specialized language supporting their work, their research activities and their educational tasks. The book will also include the essays of invited or interviewed authors from other disciplines, namely Philosophy, Mathematics and Semiotics. According to Regis Debray, in the present "Visual Age", which he has significantly defined as a "Video-Sphere", all the information tends to be processed and controlled by means of visual devices. This occurs especially in the various branches of many technical studies and activities, one of the most sensitive areas to the use of Visual Language in the past and even more in the present.


Visual Language for Designers

Visual Language for Designers
Author: Connie Malamed
Publisher: Rockport Pub
Total Pages: 241
Release: 2011-10
Genre: Design
ISBN: 1592537413

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Within every picture is a hidden language that conveys a message, whether it is intended or not. This language is based on the ways people perceive and process visual information. By understanding visual language as the interface between a graphic and a viewer, designers and illustrators can learn to inform with accuracy and power. In a time of unprecedented competition for audience attention and with an increasing demand for complex graphics, Visual Language for Designers explains how to achieve quick and effective communications. New in paperback, this book presents ways to design for the strengths of our innate mental capacities and to compensate for our cognitive limitations. Visual Language for Designers includes: —How to organize graphics for quick perception —How to direct the eyes to essential information —How to use visual shorthand for efficient communication —How to make abstract ideas concrete —How to best express visual complexity —How to charge a graphic with energy and emotion


The Visual Language of Drawing

The Visual Language of Drawing
Author: James Lancel McElhinney
Publisher:
Total Pages: 0
Release: 2012
Genre: Art
ISBN: 9781402768484

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Featuring the insights of 15 current and former Art Students League instructors, this stunning volume reassesses the art of drawing not as a technique, but as the essential grammar of all visual thinking. In an illuminating introductory essay, James Lancel McElhinney punctures the myth that learning to draw is something for experts only, and presents methods for making, appreciating, and teaching drawing. The 15 contributors then offer a broad range of stylistic approaches and methodologies, accompanied by examples of their own and their students' artwork. A final section of basic exercises, along with information on materials, techniques, and resources, completes this inspirational study.


Handbook of Visual Languages for Instructional Design: Theories and Practices

Handbook of Visual Languages for Instructional Design: Theories and Practices
Author: Botturi, Luca
Publisher: IGI Global
Total Pages: 504
Release: 2007-12-31
Genre: Language Arts & Disciplines
ISBN: 1599047314

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Presents languages and notation systems of ID and the integration of these technologies in education.


The Visual Language of Technique

The Visual Language of Technique
Author: Luigi Cocchiarella
Publisher: Springer
Total Pages: 178
Release: 2015-03-14
Genre: Mathematics
ISBN: 3319053418

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The book is inspired by the second seminar in a cycle connected to the celebrations of the 150th anniversary of the Politecnico di Milano. "Working with the Image Description Processing Prediction" was the motto of this meeting, aiming to point out the role of Visual Language not only in describing reality, but also in supporting the thinking processes in Science (prediction), in Art (invention), in Technical studies (prevision) and in identifying and working on both visible and invisible phenomena. As John Barrow states, "So often a picture is better than a thousand words" and "The visual language is the most natural, while the other language could reasonably be considered as 'postscripts' to the human story". The essays included in the volume (from lectures, the poster session, interviews and round table) will show the wide range of technical possibilities connected with the present use of the Image, especially thanks to Computer Graphics, from 3D Modeling to Augmented Reality, while also offering a glimpse of interesting theoretical perspectives. In the end, as noted by Martin Heidegger, the word "theory" not only comes from the Ancient Greek verb "theoreo", that is "to see, to observe", but it also echoes the words "theos" and "thea", namely "god" and "goddess", and above all, it shares the root with the term "aletheia", which is the "truth", which is not far from the ultimate goal of research.


Visual Language

Visual Language
Author: Robert E. Horn
Publisher: Macrovu Incorporated
Total Pages: 0
Release: 1998
Genre: Kommunikation
ISBN: 9781892637093

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Learning with a Visual Brain in an Auditory World

Learning with a Visual Brain in an Auditory World
Author: Ellyn Lucas Arwood
Publisher: AAPC Publishing
Total Pages: 340
Release: 2007
Genre: Education
ISBN: 9781931282383

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Children diagnosed with an autism spectrum disorder (ASD) often present parents and educators with perplexing symptoms. This book presents strategies that are based on the language of the way individuals with ASD learn.


The Visual Language of Painting

The Visual Language of Painting
Author: Robert Nelson
Publisher:
Total Pages: 198
Release: 2010
Genre: Aesthetic
ISBN: 9781921509506

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Painting is a language that communicates visually. But how can we speak of it, when its intelligence is embedded in sensory mysteries? Using his own evocative language, Robert Nelson analyses what the language of painting is made of, revealing how verbal language not only unlocks the unspoken but how it keeps painting alive.