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The Vision of Modern Dance

The Vision of Modern Dance
Author: Jean Morrison Brown
Publisher:
Total Pages: 244
Release: 1998
Genre: Dancers
ISBN: 9781852730581

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Vision of Modern Dance comprises the selecte d writings of 33 important American modern dancers, from Isa dora Duncan through Martha Graham to Trisha Brown. '


The Vision of Modern Dance

The Vision of Modern Dance
Author: Jean Morrison Brown
Publisher: Princeton, N.J. : Princeton Book Company
Total Pages: 220
Release: 1979
Genre: Performing Arts
ISBN:

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A collection of writings by 21 major figures in modern dance.


The Vision of Modern Dance

The Vision of Modern Dance
Author: Jean Morrison Brown
Publisher:
Total Pages: 0
Release: 2023-03
Genre:
ISBN: 9780871274045

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Dance is a non-verbal art form, often subject to the interpretation of the viewer.The Vision of Modern Dance is the moving story of the development of modern dance as told by the visionary artists who created it. They were revolutionaries, with each succeeding generation rebelling against the last. It begins with Isadora Duncan who rejected ballet as unnatural land clothed herself in Greek tunics. It continues with statements by the early moderns, Martha Graham and Doris Humphrey, Ted Shawn, and Charles Weidman.Though modern dance was considered to be American, there was a paralleldevelopment in Germany known as expressive dance, represented in thiscollection by Mary Wigman and Hanya Holm. The Nazi era curtailedGerman expressionism, but it later reemerged as dance theater, notably inthe iconoclastic works of Pina Bausch, who is represented here. True to itsliberating heritage, modern dance has spread around the world with its message of freedom of expression. One of the foremost contemporary exponents, the Belgian choreographer Anne Teresa de Keersmaeker, has the last word.


The Vision of Modern Dance

The Vision of Modern Dance
Author: Jean Morrison Brown
Publisher:
Total Pages: 260
Release: 1998
Genre: Performing Arts
ISBN:

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The essential thinking of the most prominent exponents of modern dance.


The Dancer's World, 1920 - 1945

The Dancer's World, 1920 - 1945
Author: M. Huxley
Publisher: Springer
Total Pages: 133
Release: 2015-05-12
Genre: Performing Arts
ISBN: 1137439211

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The Dancer's World 1920-1945 focuses on modern dancers as they saw themselves. Five chapters describe a narrative arc that encompasses Europe and the USA with a focus between 1920 and 1945. A final chapter considers contemporary relevance for dancers, dance artists, choreographers, dance students and scholars alike.


Moving History/Dancing Cultures

Moving History/Dancing Cultures
Author: Ann Dils
Publisher: Wesleyan University Press
Total Pages: 544
Release: 2013-06-01
Genre: Performing Arts
ISBN: 0819574252

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This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including “The Belly Dance: Ancient Ritual to Cabaret Performance,” by Shawna Helland; “Epitome of Korean Folk Dance”, by Lee Kyong-Hee; “Juba and American Minstrelsy,” by Marian Hannah Winter; “The Natural Body,” by Ann Daly; and “Butoh: ‘Twenty Years Ago We Were Crazy, Dirty, and Mad’,”by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.


Sharing the Dance

Sharing the Dance
Author: Cynthia J. Novack
Publisher: Univ of Wisconsin Press
Total Pages: 277
Release: 1990-08-15
Genre: Performing Arts
ISBN: 0299124444

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In Sharing the Dance, Cynthia Novack considers the development of contact improvisation within its web of historical, social, and cultural contexts. This book examines the ways contact improvisers (and their surrounding communities) encode sexuality, spontaneity, and gender roles, as well as concepts of the self and society in their dancing. While focusing on the changing practice of contact improvisation through two decades of social transformation, Novack’s work incorporates the history of rock dancing and disco, the modern and experimental dance movements of Merce Cunningham, Anna Halprin, and Judson Church, among others, and a variety of other physical activities, such as martial arts, aerobics, and wrestling.


Critical Race Theory and Copyright in American Dance

Critical Race Theory and Copyright in American Dance
Author: Caroline Joan S. Picart
Publisher: Springer
Total Pages: 252
Release: 2013-11-07
Genre: Art
ISBN: 1137321970

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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.


Shiva Onstage

Shiva Onstage
Author: Diana Brenscheidt gen. Jost
Publisher: LIT Verlag Münster
Total Pages: 317
Release: 2011
Genre: Music
ISBN: 3643901089

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When Uday Shanker and his company launched their inaugural world tour in Paris in 1931, European and American audiences received the ensemble enthusiastically. How could this group of foreigners have been so successful on Western stages? This book explores why.