The Vinyl Ain't Final
| Author | : Dipannita Basu |
| Publisher | : Pluto Press (UK) |
| Total Pages | : 296 |
| Release | : 2006-04-20 |
| Genre | : Music |
| ISBN | : |
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Explores the impact of hip hop on culture worldwide.
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The Vinyl Ain't Final
| Author | : Dipannita Basu |
| Publisher | : Pluto Press (UK) |
| Total Pages | : 296 |
| Release | : 2006-04-20 |
| Genre | : Music |
| ISBN | : |
Download The Vinyl Ain't Final Book in PDF, ePub and Kindle
Explores the impact of hip hop on culture worldwide.
Hip-Hop in Europe
| Author | : Sina A. Nitzsche |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 481 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 3643904134 |
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This is the first collection of essays to take a pan-European perspective in the study of hip-hop. How has it traveled to Europe? How has it developed in the various cultural contexts? How does it reference the American cultures of origin? The book's 21 authors and artists provide a comprehensive overview of hip-hop cultures in Europe, from the fringes to the centers. They address hip-hop in a variety of contexts, such as class, ethnicity, gender, history, pedagogy, performance, and (post-) communism. (Series: Transnational and Transatlantic American Studies - Vol. 13)
Music Publishing
| Author | : Ron Sobel |
| Publisher | : Routledge |
| Total Pages | : 181 |
| Release | : 2008-08-18 |
| Genre | : Music |
| ISBN | : 1135921989 |
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Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.
Close to the Edge
| Author | : Sujatha Fernandes |
| Publisher | : Verso Books |
| Total Pages | : 218 |
| Release | : 2011-09-12 |
| Genre | : Music |
| ISBN | : 184467827X |
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“Fernandes brilliantly captures the moment when a global generation curved toward a unifying language and culture and found something that was both much more and much less than what it was searching for. Close to the Edge is a beautifully told tale of the collective and the personal, the cultural and political—a classic of hip hop writing and a poignant tribute to urban youth.” —Jeff Chang, author of Can’t Stop Won’t Stop: A History of the Hip Hop Generation At its rhythmic, beating heart, Close to the Edge asks whether hip hop can change the world. Hip hop—rapping, beat-making, b-boying, deejaying, graffiti—captured the imagination of the teenage Sujatha Fernandes in the 1980s, inspiring her and politicizing her along the way. Years later, armed with mc-ing skills and an urge to immerse herself in global hip hop, she embarks on a journey into street culture around the world. From the south side of Chicago to the barrios of Caracas and Havana and the sprawling periphery of Sydney, she grapples with questions of global voices and local critiques, and the rage that underlies both. An engrossing read and an exhilarating travelogue, this punchy book also asks hard questions about dispossession, racism, poverty and the quest for change through a microphone.
Made in Australia and Aotearoa/New Zealand
| Author | : Shelley Brunt |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2018-05-20 |
| Genre | : Music |
| ISBN | : 1317270479 |
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Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.
Global Hiphopography
| Author | : Quentin Williams |
| Publisher | : Springer Nature |
| Total Pages | : 474 |
| Release | : 2023-07-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3031219554 |
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This book brings together a range of hip hop scholars, artists and activists working on Hip Hop in the Global North and South with the goal of advancing Hiphopographic research as a critical methodology with critical fieldwork methods that can provide a critical perspective of our world. The authors’ focus in this volume is to present an anthology of essays that expand the remit of Hiphopography as an approach to the study of Hip Hop that is not only sensitive to the social, economic, political and cultural lives of Hip Hop Culture participants as interpreters and theorists, but one that continues to humanize the “whole person” behind the decks, on the mic, rocking on the linoleum floor, painting in front of a wall, and seeking that Knowledge of Self. This book will be relevant to Hip Hop scholars in fields such as cultural studies and history, sociolinguistics, linguistic anthropology and ethnography, and race studies, while Hip Hop heads themselves will find parts of this book that represent their culture in ethical and informative ways.
Filipinos Represent
| Author | : Antonio T. Tiongson Jr. |
| Publisher | : U of Minnesota Press |
| Total Pages | : 177 |
| Release | : 2013-07-01 |
| Genre | : Social Science |
| ISBN | : 0816687846 |
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The “Hip-hop Nation” has been scouted, staked out, and settled by journalists and scholars alike. Antonio T. Tiongson Jr. steps into this well-mapped territory with questions aimed at interrogating how nation is conceptualized within the context of hip-hop. What happens, Tiongson asks, to notions of authenticity based on hip-hop’s apparent blackness when Filipino youth make hip-hop their own? Tiongson draws on interviews with Bay Area–based Filipino American DJs to explore the authenticating strategies they rely on to carve out a niche within DJ culture. He shows how Filipino American youth involvement in DJing reconfigures the normal boundaries of Filipinoness predicated on nostalgia and cultural links with an idealized homeland. Filipinos Represent makes the case that while the engagement of Filipino youth with DJ culture speaks to the broadening racial scope of hip-hop—and of what it means to be Filipino—such involvement is also problematic in that it upholds deracialized accounts of hip-hop and renders difference benign. Looking at the ways in which Filipino DJs legitimize their place in an expressive form historically associated with African Americans, Tiongson examines what these complex forms of identification reveal about the contours and trajectory of contemporary U.S. racial formations and discourses in the post–civil rights era.
The SAGE Handbook of Popular Music
| Author | : Andy Bennett |
| Publisher | : SAGE |
| Total Pages | : 1027 |
| Release | : 2015-01-19 |
| Genre | : Social Science |
| ISBN | : 147391440X |
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"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
Rocking Islam
| Author | : Fatma Sagir |
| Publisher | : Waxmann Verlag |
| Total Pages | : 190 |
| Release | : 2021 |
| Genre | : Political Science |
| ISBN | : 383099396X |
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Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today's globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
