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The Venice Biennale, 1895-1968

The Venice Biennale, 1895-1968
Author: Lawrence Alloway
Publisher:
Total Pages: 202
Release: 1968
Genre: Biennale di Venezia
ISBN:

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The Venice Biennale, 1895-1968

The Venice Biennale, 1895-1968
Author: Lawrence Alloway
Publisher:
Total Pages: 202
Release: 1968
Genre: Biennale di Venezia
ISBN:

Download The Venice Biennale, 1895-1968 Book in PDF, ePub and Kindle


ǂThe ǂVenice Biennale 1895-1968

ǂThe ǂVenice Biennale 1895-1968
Author: Lawrence Alloway
Publisher:
Total Pages: 202
Release: 1968
Genre:
ISBN:

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A historical and critical account of the international art exhibition.


Austria and the Venice Biennale 1895-2013

Austria and the Venice Biennale 1895-2013
Author: Jasper Sharp
Publisher: Moderne Kunst Verlag Fur
Total Pages: 554
Release: 2013
Genre: Art
ISBN:

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To accompany the exhibition in the Austrian Pavilion for the 55th Biennale di Venezia, a landmark publication titled "Austria and the Venice Biennale 1895-2013" will be launched in May 2013. This scholarly, 400-page publication will present, for the first time, a comprehensive overview of each individual exhibition, with the help of previously unpublished photographs, plans and correspondence drawn from public and private archives in several different countries. The list of artists presented by Austria at the Venice Biennale over the last 120 years includes most, if not all, of the leading figures of its cultural avantgarde: from Gustav Klimt, Egon Schiele and Oskar Kokoschka, Hermann Nitsch and Arnulf Rainer to VALIE EXPORT, Maria Lassnig and Franz West.


Just another exhibition

Just another exhibition
Author: Federica Martini
Publisher: postmediabooks
Total Pages: 160
Release: 2011
Genre: Art
ISBN: 8874900600

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Modern Art: A Critical Introduction

Modern Art: A Critical Introduction
Author: Pam Meecham
Publisher: Routledge
Total Pages: 384
Release: 2013-11-26
Genre: Art
ISBN: 1317972473

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A revised and updated edition of one of the most successful 'Critical Introductions' textbooks New features include marginal notes and colour photos New innovative structure, based on feed-back from teachers, focusing on how modern art has been understood rather than a straight chronological account of movements


A Dictionary of Modern and Contemporary Art

A Dictionary of Modern and Contemporary Art
Author: Ian Chilvers
Publisher: Oxford University Press, USA
Total Pages: 786
Release: 2009
Genre: Art
ISBN: 0199239657

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This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.


Sargent, Whistler, and Venetian Glass

Sargent, Whistler, and Venetian Glass
Author: Sheldon Barr
Publisher: Princeton University Press
Total Pages: 336
Release: 2021-12-14
Genre: Art
ISBN: 0691222673

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Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.


Imagining the Present

Imagining the Present
Author: Richard Kalina
Publisher: Routledge
Total Pages: 309
Release: 2012-11-12
Genre: Art
ISBN: 1135655391

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Bringing together twenty-nine of Lawrence Alloway’s most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century. Lawrence Alloway ranks among the most important critics of his time, and his contributions to the spirited and contentious dialogue of his era make for fascinating reading. These twenty-nine provocative essays from 1956 to 1980 from the man who invented the term ‘pop art’ bring art, film, iconography, cybernetics and culture together for analysis and investigation, and do indeed examine the context, content and role of the critic in art and visual culture. Featuring a critical commentary by Richard Kalina, and preface by series editor Saul Ostrow, Imagining the Present will be an enthralling read for all art and visual culture students.


Forming Abstraction

Forming Abstraction
Author: Adele Nelson
Publisher: Univ of California Press
Total Pages: 392
Release: 2022-02-22
Genre: Art
ISBN: 0520385209

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Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.