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The University of Denver Quarterly

The University of Denver Quarterly
Author: University of Denver
Publisher:
Total Pages: 724
Release: 1976
Genre: American literature
ISBN:

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The Denver Quarterly

The Denver Quarterly
Author: Burton Raffel
Publisher:
Total Pages: 0
Release: 1976
Genre: Women's literature (Special issue
ISBN:

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Denver Quarterly

Denver Quarterly
Author:
Publisher:
Total Pages: 444
Release: 2001
Genre: American literature
ISBN:

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The University of Denver Quarterly

The University of Denver Quarterly
Author: University of Denver
Publisher:
Total Pages: 562
Release: 1972
Genre: American literature
ISBN:

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Catalog of Unabashed Gratitude

Catalog of Unabashed Gratitude
Author: Ross Gay
Publisher: University of Pittsburgh Press
Total Pages: 109
Release: 2015-01-08
Genre: Poetry
ISBN: 0822980401

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Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.


High Ground Coward

High Ground Coward
Author: Alicia Mountain
Publisher: University of Iowa Press
Total Pages: 112
Release: 2018-04-15
Genre: Poetry
ISBN: 1609385454

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Alicia Mountain’s urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual, defiant and inviting. With a voice that beckons while it howls, Mountain nimbly traverses lyric, confessional, and narrative modes, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil, leftovers for breakfast, road trip as ritual, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail, its speakers asking us to consider what it will take to satisfy our own appetites while simultaneously trying to nourish one another. “Ferocious, even the softest part,” Mountain shows us “a way to fall in love with wanting,” leaving us “ravenous, but gradually.” Bearing witness to identity formation in solitude and communion, High Ground Coward is an almanac of emotional and relational seasons. Mountain’s speakers question the meaning of inheritance, illness, violence, mythology, and family architecture. Whether Mountain is at work revealing the divinity of doubt, the entanglement of devotion, or the dominion that place holds over us, High Ground Coward heralds a thrilling poetic debut. From “Scavenger” We three eat food and are in love. This is the easy way to say there are stores beneath the floor. Potatoes and shallots, hard-necked garlic streaked purple, jars beside jars, themselves each staving globes of suction. Preservation, a guardian hunger. In the evening I whisper to the boiled beet, like a naked organ in my flushed hand: You are ground blood, you are new born, you have never been nothing— thawfruit seedflower greenstart rootbulb handpull shedscrub mouthsweet and again.


Adulterous Nations

Adulterous Nations
Author: Tatiana Kuzmic
Publisher: Northwestern University Press
Total Pages: 354
Release: 2016-11-15
Genre: Literary Criticism
ISBN: 0810133997

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In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery, showing how it often served as a metaphor for relationships between the imperialistic and the colonized. In the context of the long-standing practice of gendering nations as female, the novels under discussion here—George Eliot’s Middlemarch, Theodor Fontane’s Effi Briest, and Leo Tolstoy’s Anna Karenina, along with August Šenoa’s The Goldsmith’s Gold and Henryk Sienkiewicz’s Quo Vadis—can be understood as depicting international crises on the scale of the nuclear family. In each example, an outsider figure is responsible for the disruption experienced by the family. Kuzmic deftly argues that the hopes, anxieties, and interests of European nations during this period can be discerned in the destabilizing force of adultery. Reading the work of Šenoa and Sienkiewicz, from Croatia and Poland, respectively, Kuzmic illuminates the relationship between the literature of dominant nations and that of the semicolonized territories that posed a threat to them. Ultimately, Kuzmic’s study enhances our understanding of not only these five novels but nineteenth-century European literature more generally.