The Unacknowledged Legislators [and] For Ever [poem].
Author | : Dallas Kenmare |
Publisher | : |
Total Pages | : 6 |
Release | : 1944 |
Genre | : |
ISBN | : |
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Author | : Dallas Kenmare |
Publisher | : |
Total Pages | : 6 |
Release | : 1944 |
Genre | : |
ISBN | : |
Author | : Percy Bysshe Shelley |
Publisher | : MacMillan Publishing Company |
Total Pages | : 124 |
Release | : 1965 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Percy Bysshe Shelley |
Publisher | : |
Total Pages | : 108 |
Release | : 1904 |
Genre | : Poetry |
ISBN | : |
Author | : Christopher Montague Woodhouse |
Publisher | : |
Total Pages | : 74 |
Release | : 1956 |
Genre | : Politics in literature |
ISBN | : |
Author | : Roger Pearson |
Publisher | : Oxford University Press |
Total Pages | : 624 |
Release | : 2016-04-21 |
Genre | : Literary Criticism |
ISBN | : 0191069418 |
What is the public value of poetry? How do poets envisage their own role and function within society? How do we? Do poets seek to shape public opinion and behaviour? Should they? Or do they offer alternatives—perhaps sacred alternatives—to political and religious ideologies? Are they what Shelley in 1821 called 'the unacknowledged legislators of the World'? And what might that mean? During the decades immediately preceding the Revolution of 1789 the status of contemporary poetry in France was at its lowest ebb. At the same time the perceived power of the writer to influence public events reached a high-water mark with Voltaire's triumphant return to Paris in 1778. In the course of the next century French poetry enjoyed an extraordinary renaissance and flowering, perhaps its greatest. But what of the poet's public influence? In 1881 the people of Paris processed for six hours past the home of Victor Hugo on the occasion of his 79th birthday, and in 1885 an estimated two million people witnessed his state funeral. But who or what were they acknowledging? Poetry or republicanism? Or perhaps their own power? For with each Revolution that passed—1789, 1830, 1848—French poets themselves felt increasingly marginalised. This study addresses the first part of this story and focuses on the role and function of the poet during the so-called Romantic Period. Beginning with an account of the literary climate in pre-revolutionary France it then maps the changes in that climate wrought by the events of the 1789 Revolution. It describes the new politico-literary agendas set by Chateaubriand and others on the monarchist Right, and by Staël and others on the liberal Left. Against this background it then analyses in detail the poetic output and public exploits of the three major French poets of the period: Lamartine, Hugo, and Vigny. The Romantic figure of the poet as prophet and magus is habitually dismissed as a cliché. But by focusing on the role of the poet as lawgiver this book reveals the rich and complex terms in which the public function of poetry was debated in post-revolutionary France - and how amidst the centenary celebrations of 1889, as Romanticism gave way to Symbolism, the poet as lawgiver continued to play a central part in that debate.
Author | : Bernard O'Donoghue |
Publisher | : Oxford University Press |
Total Pages | : 143 |
Release | : 2019-09-26 |
Genre | : Literary Criticism |
ISBN | : 0192545280 |
Poetry, arguably, has a greater range of conceptual meaning than perhaps any other term in English. At the most basic level everyone can recognise it—it is a kind of literature that uses special linguistic devices of organization and expression for aesthetic effect. However, far grander claims have been made for poetry than this—such as Shelley's that the poets 'are the unacknowledged legislators of the world', and that poetry is 'a higher truth'. In this Very Short Introduction, Bernard O'Donoghue provides a fascinating look at the many different forms of writing which have been called 'poetry'—from the Greeks to the present day. As well as questioning what poetry is, he asks what poetry is for, and considers contemporary debates on its value. Is there a universality to poetry? And does it have a duty of public utility and responsibility? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author | : P. M. S. Dawson |
Publisher | : Oxford : Clarendon Press ; New York : Oxford University Press |
Total Pages | : 328 |
Release | : 1980 |
Genre | : Architecture |
ISBN | : |
Author | : Edward J. Carvalho |
Publisher | : Rowman & Littlefield |
Total Pages | : 357 |
Release | : 2014-04-17 |
Genre | : Literary Criticism |
ISBN | : 1611476429 |
Acknowledged Legislator: Critical Essays on the Poetry of Martín Espada stands as the first-ever collection of essays on poet and activist Martín Espada. It is also, to date, the only published book-length, single-author study of Espada currently in existence. Relying on innovative, highly original contributions from thirteen Espada scholars, its principal aim is to argue for a long overdue critical awareness of and cultural appreciation for Espada and his body of writing. Acknowledged Legislator accomplishes this task in three fundamental ways: by providing readers with background information on the poet’s life and work; offering an examination into the subject matter and dominant themes that are frequently contained in his writing; and finally, by advocating, in a variety of ways, for why we should be reading, discussing, and teaching the Espada canon. Divided into four distinct sections that modulate through several theoretical frames—from Espada’s attention to resistance poetics and concerns for historical memory to his oppositional critique of neoliberalism and support for a class consciousness grounded in labor rights—Acknowledged Legislator offers a cohesive, forward-thinking interpretive statement of the poet’s vision and proposes a critical (re)assessment for how we read Espada, now and in the future.
Author | : Staceyann Chin |
Publisher | : Simon and Schuster |
Total Pages | : 291 |
Release | : 2009-04-14 |
Genre | : Biography & Autobiography |
ISBN | : 1439159378 |
Staceyann Chin has appeared on television and radio discussing issues of race and sexuality, but it is her extraordinary voice that launched her career as a performer, poet, and activist—here, she shares her unforgettable story of triumph against all odds in this brave and fiercely candid memoir. No one knew Staceyann's mother was pregnant until a dangerously small baby was born on the floor of her grandmother's house in Lottery, Jamaica on Christmas Day. Staceyann's mother did not want her and her father was not present—no one, except her grandmother, thought Staceyann would survive. It was her grandmother who nurtured and protected and provided for Staceyann and her older brother in the early years. But when the three were separated, Staceyann was thrust, alone, into an unfamiliar and dysfunctional home in Paradise, Jamaica. There, she faced far greater troubles than absent parents. So, armed with a fierce determination and exceptional intelligence, she discovered a way to break out of this harshly unforgiving world. Staceyann Chin, acclaimed and iconic performance artist, now brings her extraordinary talents to the page in a brave, lyrical, and fiercely candid memoir about growing up in Jamaica. She plumbs tender and unsettling memories as she writes about drifting from one home to the next, coming out as a lesbian, and finding the man she believes to be her father and ultimately her voice. Hers is an unforgettable story told with grace, humor, and courage.
Author | : Mary Ruefle |
Publisher | : Wave Books |
Total Pages | : 346 |
Release | : 2023-12-05 |
Genre | : Literary Criticism |
ISBN | : |
This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.