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The Two Art Histories

The Two Art Histories
Author: Charles Werner Haxthausen
Publisher: Clark Art Institute
Total Pages: 195
Release: 2002
Genre: Art
ISBN: 9780300097757

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Many museum professionals today believe that university-based art history focuses too much on theory and the social agency of art, neglecting the aesthetic dimensions of the art object. Conversely, many academics feel that museums have become preoccupied with the quest for money and audiences, making them an increasingly unlikely source of innovative scholarship. In this provocative book, seventeen eminent figures from both sides of the art world--museum professionals and university scholars--explore the questions underlying the often tense relationship between the two main branches of the discipline.


The Two Art Histories

The Two Art Histories
Author: Charles Werner Haxthausen
Publisher: Clark Art Inst
Total Pages: 195
Release: 2002-01-01
Genre: Art
ISBN: 9780931102448

Download The Two Art Histories Book in PDF, ePub and Kindle

Many museum professionals today believe that university-based art history focuses too much on theory and the social agency of art, neglecting the aesthetic dimensions of the art object. Conversely, many academics feel that museums have become preoccupied with the quest for money and audiences, making them an increasingly unlikely source of innovative scholarship. In this collection of essays, 17 figures from both sides of the art world - museum professionals and university scholars - explore the questions underlying the often tense relationship between the two main branches of the discipline. The contributors to this work include Dawn Ades, Andreas Beyer, Richard R. Brettell, Stephen Deuchar, Sybille Ebert-Schifferer, Ivan Gaskell, Eckhard Gillen, Richard Kendall, John House, Patricia Mainardi, Griselda Pollock, Mark Rosenthal, Barbara Maria Stafford, Gary Tinterow, William H. Truettner and Michael F. Zimmermann. The afterword is by Richard Brilliant.


Art and Public History

Art and Public History
Author: Rebecca Bush
Publisher: Rowman & Littlefield
Total Pages: 273
Release: 2017-05-11
Genre: Art
ISBN: 144226845X

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Art and Public History: Approaches, Opportunities, and Challenges examines the relationship between art and public history, outlining opportunities, challenges, and insights drawn from recent initiatives. With a special eye towards audience engagement and challenging historical narratives, all of the case studies and projects combine historical interpretation with contemporary and historical forms of visual art in unique and insightful ways. In addition to emphasizing the kind of practical advice found in the best case studies, this volume also offers a critical discussion of the concepts, tools, skills and technologies that contribute to fruitful interdisciplinary collaboration. These issues are addressed through sections on projects related to historical artworks; contemporary art and artists; and public art and the built environment. It addresses how public historians can incorporate art into their practice by outlining opportunities, challenges, and insights drawn from recent projects in the United States and Britain. These projects have taken place across a variety of platforms, including local and national history museums; art galleries; digital archives; classrooms; historical markers; and public art projects. The case studies incorporate the perspectives of different stakeholders, including public historians, artists, and audiences. The book will provide both public history practitioners and academics with useful guidance on how art can be integrated into public history initiatives, through critical discussion of tools, strategies, and technologies that contribute to fruitful collaboration and audience engagement across a variety of platforms. Readers will walk away with new ideas, strategies, and practical considerations for interdisciplinary projects to attract audiences in new ways.


MediaArtHistories

MediaArtHistories
Author: Oliver Grau
Publisher: MIT Press
Total Pages: 489
Release: 2010-08-13
Genre: Art
ISBN: 0262514982

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Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel


Critical Terms for Art History, Second Edition

Critical Terms for Art History, Second Edition
Author: Robert S. Nelson
Publisher: University of Chicago Press
Total Pages: 541
Release: 2010-03-15
Genre: Art
ISBN: 0226571696

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"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young


Art History's History

Art History's History
Author: Vernon Hyde Minor
Publisher:
Total Pages: 211
Release: 1994
Genre: Art
ISBN: 9780131946064

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This undergraduate text covers the standard (old and new) methodological approaches to art history, in a clear, direct and understandable way.


Art History

Art History
Author: Marilyn Stokstad
Publisher: Discontinued 3pd
Total Pages: 0
Release: 2004-06-29
Genre: Art
ISBN: 9780131893009

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"Art History gives today's readers cultural and social context for art along with visual explanations of art's special qualities and particular vocabularies. Its narrative tells the many-sided story of art, starting with the earliest prehistoric paintings and sculpture through today's wildly varying works in new mediums." "In addition to offering an outstanding collection of color illustrations. Art History features maps, chronologies, and scores of labeled line drawings and architectural plans. Special essays called "The Object Speaks" offer insights on topics such as authenticity, patronage, and artistic intention." "Thoroughly updated to reflect the latest in scholarship, this revised Second Edition features even more works in color and more newly cleaned or restored works. Many works of art are completely new to the book. More attention has been paid to the art and culture of the Islamic world and specifically the Ottoman Empire."--BOOK JACKET.


Dr. Seuss's Horse Museum

Dr. Seuss's Horse Museum
Author: Dr. Seuss
Publisher: Random House Books for Young Readers
Total Pages: 81
Release: 2019-09-03
Genre: Juvenile Nonfiction
ISBN: 0399559124

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This #1 New York Times bestseller is the perfect gift for the young artist in your life! A never-before-published Dr. Seuss non-fiction book about creating and looking at art! Based on an unrhymed manuscript and sketches discovered in 2013, this book is like a visit to a museum—with a horse as your guide! Explore how different artists have seen horses, and maybe even find a new way of looking at them yourself. Discover full-color photographic art reproductions of pieces by Picasso, George Stubbs, Rosa Bonheur, Alexander Calder, Jacob Lawrence, Deborah Butterfield, Franz Marc, Jackson Pollock, and many others—all of which feature a horse! Young readers will find themselves delightfully transported by the engaging equines as they learn about the creative process and how to see art in new ways. Taking inspiration from Dr. Seuss’s original sketches, acclaimed illustrator Andrew Joyner has created a look that is both subtly Seussian and wholly his own. His whimsical illustrations are combined throughout with “real-life” art. Cameo appearances by classic Dr. Seuss characters (among them the Cat in the Hat, the Grinch, and Horton the Elephant) make Dr. Seuss’s Horse Museum a playful picture book that is totally unique. Ideal for home or classroom use, it encourages critical thinking and makes a great gift for Seuss fans, artists, and horse lovers of all ages. Publisher’s Notes discuss the discovery of the manuscript and sketches, Dr. Seuss’s interest in understanding modern art, the process of creating the book, and information about each of the artists and art reproductions in the book.


The Expressionist Turn in Art History

The Expressionist Turn in Art History
Author: KimberlyA. Smith
Publisher: Routledge
Total Pages: 578
Release: 2017-07-05
Genre: Art
ISBN: 1351544713

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During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.