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| Author | : Donald R. Hill |
| Publisher | : |
| Total Pages | : 342 |
| Release | : 1993 |
| Genre | : Music |
| ISBN | : 9780813012216 |
Classic calypso, one of the greatest creations of Caribbean culture, is more than the frivolous music played for tourists in pink hotels overlooking tropical beaches. Much traditional calypso is also social commentary and has reflected, sometimes not so subtly, Trinidad's difficult social and political evolution.
| Author | : |
| Publisher | : McFarland |
| Total Pages | : 393 |
| Release | : 2015-05-11 |
| Genre | : Music |
| ISBN | : 147661931X |
Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.
| Author | : Jocelyne Guilbault |
| Publisher | : University of Chicago Press |
| Total Pages | : 372 |
| Release | : 2007-09-15 |
| Genre | : History |
| ISBN | : 0226310604 |
Written in two parts, part 1 explores the development of Calypso, from it's emergence in the pre-colonial period to the post colonial period. In part 2, the focus is on the new Carnival musical practices of soca, rapso, chutney, soca and ragga soca, and the ways in which they contirbuted to the redefination of Trinidadian cultural politics in the neoliberal era. The new rationailities, contigencies, desires and musical experments that animated the new musics and enabled them to gradually displace calypso from its centrality as national expression is examined.
| Author | : Shannon Dudley |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 132 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9780195138337 |
'Music in Trinidad: Carnival', appropriate for use in undergraduate, introductory courses on world music or ethnomusicology, describes the musical conventions, modes of performance, and social dynamics of Trinidadian music, placing the music of Carnival within the context of Trinidad's rich history and culture.
| Author | : Jocelyne Guilbault |
| Publisher | : Duke University Press |
| Total Pages | : 329 |
| Release | : 2014-10-07 |
| Genre | : Music |
| ISBN | : 0822376164 |
Roy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty. He is known throughout the islands and the Caribbean diasporas in North America and Europe. Part ethnography, part biography, and part Caribbean music history, Roy Cape is about the making of reputation and circulation, and about the meaning of labor and work ethics. An experiment in storytelling, it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault. The idea for the book emerged from an exchange they had while discussing Roy's journey as a performer and bandleader. In conversation, they began experimenting with voice, with who takes the lead, who says what, when, to whom, and why. Their book reflects that dynamic, combining first-person narrative, dialogue, and the polyphony of Roy's bandmates' voices. Listening to recordings and looking at old photographs elicited more recollections, which allowed Roy to expand on recurring themes and motifs. This congenial, candid book offers different ways of knowing Roy's labor of love—his sound and work through sound, his reputation and circulation as a renowned musician and bandleader in the world.
| Author | : Jacob Delworth Elder |
| Publisher | : |
| Total Pages | : 836 |
| Release | : 1967 |
| Genre | : Calypso (Music) |
| ISBN | : |
| Author | : Keith Q. Warner |
| Publisher | : Three Continents |
| Total Pages | : 176 |
| Release | : 1982 |
| Genre | : Music |
| ISBN | : |
A study of calypso music from its early days to the latest victory songs of carnival. With discography, photos of leading calypsonians, and updated bibliography from original 1982 edition.
| Author | : Garth L. Green |
| Publisher | : Indiana University Press |
| Total Pages | : 546 |
| Release | : 2007-03-28 |
| Genre | : Social Science |
| ISBN | : 0253116724 |
Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere. Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.
| Author | : Louis Regis |
| Publisher | : University Press of Florida |
| Total Pages | : 277 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : 9780813015804 |
"A significant contribution to the field of calypso studies. . . . Few published works have taken this extensive a look at the political calypsos and what informs them."--Keith Q. Warner, George Mason University, author of Kaiso! The Trinidad Calypso Calypso, a traditional form of music in the Caribbean, began in Trinidad and Tobago as a subtle protest against British rule. Influenced by African and native Caribbean rhythms, the calypso (along with Jamaican reggae) defines the music of the region. Louis Regis examines the evolution of the political calypso from 1962 to 1987, the period of Trinidad/Tobago's independence from Britain, and presents the text of lyrics from this popular folk-urban musical form. Following the songs and their themes chronologically from 1962 forward, Regis discovers the social history, cultural attitudes, and political commentary embedded within the music. He discusses the uneasy alliance between the performer and the politician, the political moods and postures emphasized in the songs, and the national identity of the calypso. Drawing upon voluminous research, Regis's study brings to light little-known and unrecorded songs. With a concluding chapter on the calypso's artistic and performance elements, it will appeal both to specialists in ethnomusicology and to general readers who enjoy the calypso. Louis Regis, the author of Maestro: The True Master and Black Stalin: The Caribbean Man, is one of the West Indies' foremost authorities on the calypso. He teaches at Pleasantville Senior Comprehensive School in Trinidad.
| Author | : Gordon Rohlehr |
| Publisher | : |
| Total Pages | : 684 |
| Release | : 1990 |
| Genre | : Calypso (Music) |
| ISBN | : |
