Transatlantic Magazine
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Total Pages | : 774 |
Release | : 1872 |
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Author | : |
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Total Pages | : 774 |
Release | : 1872 |
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Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 685 |
Release | : 2023-04-14 |
Genre | : Fiction |
ISBN | : 3382186810 |
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author | : Eric B White |
Publisher | : EUP |
Total Pages | : 0 |
Release | : 2013-03-01 |
Genre | : Literary Criticism |
ISBN | : 9780748645213 |
Provides an alternative account of the modernist transatlantic Engaging with recent studies of modernist journals and the historical avant-garde, Eric White investigates how modernist writers interrogated the relationship between physical places, the printed page, and national identity in the transatlantic print networks of the early twentieth century. He articulates the ways in which artist-run ‘little magazines’ such as Blues, The Dial, Contact, Fire!!, Others, The Little Review, Pagany, S4N, and Secession formed the crucible of transnational modernism and simultaneously ‘located’ its avant-gardes in specific environments. By focusing on the collaborative networks that sprang up within and between these publications, the book delves into correspondence, unpublished manuscripts, and unfinished projects to explore frequently overlooked points of contact between European and American avant-gardes. In the process, it proposes a version of localist modernism that re-inserts figures such as William Carlos Williams, Marianne Moore, Jean Toomer, Alain Locke, Alfred Kreymborg, and Kathleen Tankersley Young back into the ‘global design’ of literary modernism. The book also opens new dialogic channels between the fields of literary, textual, and cultural criticism to challenge the boundaries that traditionally divide modernist literature into ‘exile’ and ‘localist’, or ‘cosmopolitan’ and ‘regionalist’, factions. Key Features: Provides a new account of the literary avant-gardes that questioned the relationship between geographic place, textual space and national identity Complements modernist studies of American expatriates Combines literary-historical, textual, and cultural criticism to deliver a ‘networked’ reading of American modernism in the transatlantic context Proposes a version of ‘localist modernism’ that prioritises issues of geographic and textual ‘location’ in transnational literary studies
Author | : |
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Total Pages | : 754 |
Release | : 1870 |
Genre | : American literature |
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Total Pages | : 694 |
Release | : 1871 |
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Total Pages | : 776 |
Release | : 1906 |
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Author | : Arthur Wellington Brayley |
Publisher | : |
Total Pages | : 882 |
Release | : 1906 |
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Total Pages | : 884 |
Release | : 1928 |
Genre | : Public utilities |
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Author | : Mrs. Henry Wood |
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Total Pages | : 98 |
Release | : 1871 |
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Author | : Jared Gardner |
Publisher | : University of Illinois Press |
Total Pages | : 227 |
Release | : 2012-05-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 025209381X |
Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Jared Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. The Rise and Fall of Early American Magazine Culture reexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.