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| Author | : Gilles Deleuze |
| Publisher | : U of Minnesota Press |
| Total Pages | : 366 |
| Release | : 1986 |
| Genre | : Performing Arts |
| ISBN | : 9780816616770 |
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
| Author | : Zeigam Azizov |
| Publisher | : Herbert von Halem Verlag |
| Total Pages | : 218 |
| Release | : 2020-04-23 |
| Genre | : Philosophy |
| ISBN | : 3869625171 |
The Time of the Image is a philosophical exploration of the notion of ›the image‹ and the relationship between the time and image. It includes the understanding of the image as a temporal object, the place of the thought combined with the mimetic faculty the result of which is the translation of fuzzy aggregates that gives rise to imitations as both artistic and political force of resistance and as a new image of thought. This thesis is a philosophical exploration of the image as technics of access to the world in the age of the proliferation. It poses the question of the understanding of the role of the image in the constitution of the subject. How does the proliferation of the image constitute the subject? The question emerges in the situation of the endless proliferation of images that poses this necessity of the distinction between images used in art and images circulated in the culture industry. The line of the argument emerges from the condition of the image being connected to time: they are temporal objects. The crucial relationship between the image and time provides the possibility for the constitution of the subject. This relationship is recorded in images as the ›recorded memory‹. Images are remnants of time and any constitution is the imitation of what is left out as ›a missing dimension of time‹. As a blend of philosophy, cultural theory, and contemporary art this book is based on the reading of Bernard Stiegler's notion that ›technics precedes thought‹, the human is the product of technics, which leaves the formation (trans-individuation) as an open process. It also involves the re-reading of Husserl's understanding of memory, the question of ›derushage‹ (the first assembly in the process of montage) and the new mimesis. Case studies of Harun Farocki's project entitled Workers Leaving the Factory and Chris Marker's film La Jetée are included to sustain the argument that in the hyper-real world of globalisation imitation became the main force of ›acting out‹.
| Author | : Deborah Jowitt |
| Publisher | : Univ of California Press |
| Total Pages | : 436 |
| Release | : 1989-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780520066274 |
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
| Author | : Keith Moxey |
| Publisher | : Duke University Press |
| Total Pages | : 222 |
| Release | : 2013-06-17 |
| Genre | : Art |
| ISBN | : 0822353695 |
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
| Author | : Carolyn Bailey Gill |
| Publisher | : Manchester University Press |
| Total Pages | : 236 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780719058141 |
This fascinating and innovative study explores the lives of people living in early modern Ireland through the books and printed ephemera which they bought, borrowed or stole from others. While the importance of books and printing in influencing the outlook of early modern people is well known, recent years have seen significant changes in our understanding of how writing and print shaped lives, and was in turn shaped by those who appropriated the written word. The author finds that a set of revolutions took place which transformed the lives of the Irish in unexpected ways, and that the rise of writing and the spread of print were central to an understanding of those changes which have previously only been understood to have been the result of conquest and colonisation. This is a book which will be read not only by those interested in the Irish past but by all those who are concerned with the impact of communications media on social change.
| Author | : Damian Sutton |
| Publisher | : U of Minnesota Press |
| Total Pages | : 287 |
| Release | : 2009 |
| Genre | : Photography |
| ISBN | : 0816647380 |
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
| Author | : Abdourrahmane M. Atto |
| Publisher | : John Wiley & Sons |
| Total Pages | : 306 |
| Release | : 2022-01-06 |
| Genre | : Computers |
| ISBN | : 178945056X |
Change Detection and Image Time Series Analysis 1 presents a wide range of unsupervised methods for temporal evolution analysis through the use of image time series associated with optical and/or synthetic aperture radar acquisition modalities. Chapter 1 introduces two unsupervised approaches to multiple-change detection in bi-temporal multivariate images, with Chapters 2 and 3 addressing change detection in image time series in the context of the statistical analysis of covariance matrices. Chapter 4 focuses on wavelets and convolutional-neural filters for feature extraction and entropy-based anomaly detection, and Chapter 5 deals with a number of metrics such as cross correlation ratios and the Hausdorff distance for variational analysis of the state of snow. Chapter 6 presents a fractional dynamic stochastic field model for spatio temporal forecasting and for monitoring fast-moving meteorological events such as cyclones. Chapter 7 proposes an analysis based on characteristic points for texture modeling, in the context of graph theory, and Chapter 8 focuses on detecting new land cover types by classification-based change detection or feature/pixel based change detection. Chapter 9 focuses on the modeling of classes in the difference image and derives a multiclass model for this difference image in the context of change vector analysis.
| Author | : Editors of Time Life Books |
| Publisher | : Life |
| Total Pages | : 0 |
| Release | : 2005-05-17 |
| Genre | : Photography |
| ISBN | : 9781932994032 |
For nearly seven decades, LIFE has been the leader in presenting the world's greatest photography, and now, with this exciting new volume, the tradition continues - but with a unique twist. Here, in concise and engaging vignettes, the editors of LIFE reveal the circumstances behind the pictures, explain what the photographers were looking for and discuss why certain images have become immortal.
| Author | : Kevin Lynch |
| Publisher | : MIT Press |
| Total Pages | : 212 |
| Release | : 1964-06-15 |
| Genre | : Architecture |
| ISBN | : 9780262620017 |
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
| Author | : Gilles Deleuze |
| Publisher | : A&C Black |
| Total Pages | : 377 |
| Release | : 2013-12-19 |
| Genre | : Philosophy |
| ISBN | : 147251260X |
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
