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The Three Choirs Festival

The Three Choirs Festival
Author: Watkins Shaw
Publisher:
Total Pages: 174
Release: 1954
Genre: Choirs (Music)
ISBN:

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The Three Choirs Festival

The Three Choirs Festival
Author: Anthony Boden
Publisher: Boydell & Brewer
Total Pages: 554
Release: 2017
Genre: Music
ISBN: 1783272090

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Frontcover -- Contents -- List of Illustrations -- Plate Section 1 -- Plate Section 2 -- Plate Section 3 -- Preface -- Acknowledgements -- List of Abbreviations -- List of Cathedral Organists -- 1 Origins -- 2 A Fortuitous and Friendly Proposal -- 3 A Numerous Appearance of Gentry -- 4 'The Musick of my Admiration Handel' -- 5 The Gentlemen and the Players -- 6 Avoiding Shipwreck -- 7 Prima voce -- 8 Favourites and Flops -- 9 Sacred and Profane -- 10 Froissart -- 11 The Unreasonable Man -- 12 The Dream -- 13 Beyond these Voices -- 14 An Essentially English Institution -- 15 The Elgar Festivals -- 16 Dona nobis pacem -- 17 Recovery -- 18 Association -- 19 A New Epoch -- 20 Jubilee -- 21 Theme with Variations -- 22 Houses of the Mind -- 23 'A Gold-Plated Orchestra' -- 24 A New Millennium -- 25 Reorganisation -- 26 An Invitation to the Palace -- Appendix: Three Choirs Festival Timeline -- Select Bibliography -- Index


The Provincial Music Festival in England, 1784–1914

The Provincial Music Festival in England, 1784–1914
Author: Pippa Drummond
Publisher: Routledge
Total Pages: 315
Release: 2016-02-24
Genre: History
ISBN: 1317018761

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A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.


A History of the Oratorio

A History of the Oratorio
Author: Howard E. Smither
Publisher: UNC Press Books
Total Pages: 740
Release: 2012-09-01
Genre: History
ISBN: 0807836613

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The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.


The Oxford Handbook of the British Sermon 1689-1901

The Oxford Handbook of the British Sermon 1689-1901
Author: Keith A. Francis
Publisher: OUP Oxford
Total Pages: 680
Release: 2012-10-04
Genre: Religion
ISBN: 0191612081

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The period 1689-1901 was 'the golden age' of the sermon in Britain. It was the best selling printed work and dominated the print trade until the mid-nineteenth century. Sermons were highly influential in religious and spiritual matters, but they also played important roles in elections and politics, science and ideas and campaigns for reform. Sermons touched the lives of ordinary people and formed a dominant part of their lives. Preachers attracted huge crowds and the popular demand for sermons was never higher. Sermons were also taken by missionaries and clergy across the British empire, so that preaching was integral to the process of imperialism and shaped the emerging colonies and dominions. The form that sermons took varied widely, and this enabled preaching to be adopted and shaped by every denomination, so that in this period most religious groups could lay claim to a sermon style. The pulpit naturally lent itself to controversy, and consequently sermons lay at the heart of numerous religious arguments. Drawing on the latest research by leading sermon scholars, this handbook accesses historical, theological, rhetorical, literary and linguistic studies to demonstrate the interdisciplinary strength of the field of sermon studies and to show the centrality of sermons to religious life in this period.


Nineteenth-Century British Music Studies

Nineteenth-Century British Music Studies
Author: Peter Horton
Publisher: Routledge
Total Pages: 310
Release: 2019-05-23
Genre: Music
ISBN: 0429627173

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Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.


Three Choirs

Three Choirs
Author: Anthony Boden
Publisher: Sutton Publishing
Total Pages: 384
Release: 1992
Genre: Music
ISBN:

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"Three Choirs is the oldest surviving music festival in Europe; the custom of an annual Music Meeting of the cathedral choirs of Gloucester, Hereford and Worcester dates back to the early years of the eighteenth century. Since that time a continuous tradition of music-making, which only two world wars have interrupted, has been maintained in the three cities." "In this book, the first official and in-depth history of Three Choirs for almost forty years, Anthony Boden investigates the origins of the Festival and describes its development, its traditions and the important personalities and events with which it has been linked." "Initially, the Festival consisted of two services and two concerts; gradually the meetings were extended in duration and scope. Throughout its history the Festival has been the occasion of many musical landmarks: Parry's Scenes from Prometheus Unbound, first performed at Gloucester in 1880, has been identified as the work which gave initial impetus to the musical renaissance in England, and ten years later, at Worcester, the creative genius of Edward Elgar was first acknowledged when he conducted the premiere of his Froissart overture. It was also at Gloucester, in 1910, that Ralph Vaughan Williams, making his Three Choirs debut, conducted the first performance of his Tallis Fantasia." "In this important book, extensively researched, Anthony Boden presents a vivid and entertaining history of Three Choirs. The text is augmented by a full bibliography, and appendices containing the Annals of the Three Choirs. Fully illustrated, this comprehensive study will appeal to music lovers and musicians and it will be welcomed by all with a serious interest in music history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Concert Life in Eighteenth-Century Britain

Concert Life in Eighteenth-Century Britain
Author: Susan Wollenberg
Publisher: Routledge
Total Pages: 319
Release: 2017-07-05
Genre: Music
ISBN: 1351571206

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In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.