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| Author | : |
| Publisher | : |
| Total Pages | : 48 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9788809779303 |
| Author | : Paolo Rusconi |
| Publisher | : Giunti Editore |
| Total Pages | : 240 |
| Release | : 2012-09-26 |
| Genre | : Art |
| ISBN | : 8809781449 |
The exhibition recreates the complex relationship between the arts and the Fascist regime in the decade before World War II. This dramatic era was blighted by propaganda and persecution, but it was also a time when the freer spirits proved capable of sowing the seeds of modernity, particularly in the fields of architecture, town planning, design, photography and graphic art; while in the spheres of painting and sculpture, how can anyone forget the names of Funi, Savinio, de Chirico, Wildt, Donghi, Sironi, Fontana, Licini, Severini or Guttuso? This richly illustrated catalogue with its highly original format explores and analyses the many fascinating different aspects of the era.
| Author | : Kay Bea Jones |
| Publisher | : Routledge |
| Total Pages | : 693 |
| Release | : 2020-04-30 |
| Genre | : Architecture |
| ISBN | : 1000061442 |
Today, nearly a century after the National Fascist Party came to power in Italy, questions about the built legacy of the regime provoke polemics among architects and scholars. Mussolini’s government constructed thousands of new buildings across the Italian Peninsula and islands and in colonial territories. From hospitals, post offices and stadia to housing, summer camps, Fascist Party Headquarters, ceremonial spaces, roads, railways and bridges, the physical traces of the regime have a presence in nearly every Italian town. The Routledge Companion to Italian Fascist Architecture investigates what has become of the architectural and urban projects of Italian fascism, how sites have been transformed or adapted and what constitutes the meaning of these buildings and cities today. The essays include a rich array of new arguments by both senior and early career scholars from Italy and beyond. They examine the reception of fascist architecture through studies of destruction and adaptation, debates over reuse, artistic interventions and even routine daily practices, which may slowly alter collective understandings of such places. Paolo Portoghesi sheds light on the subject from his internal perspective, while Harald Bodenschatz situates Italy among period totalitarian authorities and their symbols across Europe. Section editors frame, synthesize and moderate essays that explore fascism’s afterlife; how the physical legacy of the regime has been altered and preserved and what it means now. This critical history of interpretations of fascist-era architecture and urban projects broadens our understanding of the relationships among politics, identity, memory and place. This companion will be of interest to students and scholars in a range of fields, including Italian history, architectural history, cultural studies, visual sociology, political science and art history.
| Author | : James Thrall Soby |
| Publisher | : Arno Press |
| Total Pages | : 170 |
| Release | : 1972 |
| Genre | : Art |
| ISBN | : |
| Author | : Joshua Arthurs |
| Publisher | : Cornell University Press |
| Total Pages | : 233 |
| Release | : 2013-09-20 |
| Genre | : History |
| ISBN | : 0801468841 |
The cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini's regime between the two world wars. Italian Fascism's appropriation of the Roman past-the idea of Rome, or romanità- encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on the Roman legionary, the epitome of the virile citizen-soldier. This vision of modernity also transcended Italy's borders, with the Roman Empire providing a foundation for Fascism's own vision of Mediterranean domination and a European New Order. At the same time, romanità also served as a vocabulary of anxiety about modernity. Fears of population decline, racial degeneration and revolution were mapped onto the barbarian invasions and the fall of Rome. Offering a critical assessment of romanità and its effects, Arthurs explores the ways in which academics, officials, and ideologues approached Rome not as a site of distant glories but as a blueprint for contemporary life, a source of dynamic values to shape the present and future.
| Author | : Anna Harwell Celenza |
| Publisher | : Cambridge University Press |
| Total Pages | : 269 |
| Release | : 2017-03-06 |
| Genre | : History |
| ISBN | : 1107169771 |
This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.
| Author | : Raffaele Bedarida |
| Publisher | : Taylor & Francis |
| Total Pages | : 320 |
| Release | : 2022-06-28 |
| Genre | : Art |
| ISBN | : 1000595803 |
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.
| Author | : Hannah Black |
| Publisher | : Capricious Publishing |
| Total Pages | : 136 |
| Release | : 2021-11-25 |
| Genre | : Fiction |
| ISBN | : 9781734656237 |
"This intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake." -Rachel Kushner During a residency on Fire Island, artist and writer Hannah Black decided to tackle a highly daunting project: the 2020 novel. The result of her efforts, Tuesday of September or the End, is a slim, playful work of speculative fiction. Written in the aftermath of the early months of the pandemic and the uprisings of summer 2020, the novel explores the ruptures of the year with a satirical sci-fi bent. Black chronicles the lives of two characters, Bird and Dog, as they contend with rapidly changing political possibilities during the pandemic while the run of Moley Salamanders (i.e. Bernie Sanders) concludes and aliens finally invade earth. Through a galvanic vision of how the riots of 2020 might have turned revolutionary, Black offers a meditation on collective life. This crucial novel invites readers to consider who we are--and, by extension, what we are here for--when our normal referents are muted, deleted and upended. Hannah Black (born 1981) is a New York-based visual artist, critic and writer from Manchester, England. Her work spans video, text and performance and draws from communist, feminist and Afro-pessimist theory. She is the author of Life (2017, with Juliana Huxtable) and Dark Pool Party (2016). Black is represented by the gallery Arcadia Missa in London and Isabella Bortolozzi in Berlin.
| Author | : Adrian R. Duran |
| Publisher | : Routledge |
| Total Pages | : 285 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351555154 |
The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examinations of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy.
| Author | : Paul Corner |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2012-07-19 |
| Genre | : History |
| ISBN | : 0191630616 |
The question of how ordinary people related to totalitarian regimes is still far from being answered. The tension between repression and consensus makes analysis difficult; where one ends and the other begins is never easy to determine. In the case of fascist Italy, recent scholarship has tended to tilt the balance in favour of popular consensus for the regime, identifying in the novel ideological and cultural aspects of Mussolini's rule a 'political religion' which bound the population to the fascist leader. The Party and the People presents a different picture. While not underestimating the force of ideological factors, Paul Corner argues that 'real existing Fascism', as lived by a large part of the population, was in fact an increasingly negative experience and reflected few of those colourful and attractive features of fascist propaganda which have induced more favourable interpretations of the regime. Distinguishing clearly between the fascist project and its realisation, Corner examines the ways in which the fascist party asserted itself at the local level in the widely-differing areas of Italy, at its corruption and malfunctioning, and at the mounting wave of popular resentment against it during the course of the 1930s - resentment and hostility which, in effect, signalled the failure of the project. The Party and the People, based largely on unpublished archival material, concludes by suggesting that the abuse of power by fascists mirrors much wider problems in Italy related to the relationship between the public and the private and to the modes of utilisation of power, both in the past and in the present.
