The Theory of Sound
Author | : John William Strutt Baron Rayleigh |
Publisher | : |
Total Pages | : 526 |
Release | : 1896 |
Genre | : Sound |
ISBN | : |
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Author | : John William Strutt Baron Rayleigh |
Publisher | : |
Total Pages | : 526 |
Release | : 1896 |
Genre | : Sound |
ISBN | : |
Author | : John William Strutt Baron Rayleigh |
Publisher | : |
Total Pages | : 344 |
Release | : 1878 |
Genre | : Music |
ISBN | : |
Author | : John William Strutt Baron Rayleigh |
Publisher | : |
Total Pages | : 528 |
Release | : 1896 |
Genre | : Sound |
ISBN | : |
Author | : John William Strutt (3rd Baron Rayleigh.) |
Publisher | : |
Total Pages | : 374 |
Release | : 1877 |
Genre | : Sound |
ISBN | : |
Author | : Rick Altman |
Publisher | : Psychology Press |
Total Pages | : 308 |
Release | : 1992 |
Genre | : Performing Arts |
ISBN | : 9780415904575 |
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Karen Collins |
Publisher | : MIT Press |
Total Pages | : 248 |
Release | : 2020-09-01 |
Genre | : Science |
ISBN | : 0262362910 |
An introduction to the concepts and principles of sound design practice, with more than 175 exercises that teach readers to put theory into practice. This book offers an introduction to the principles and concepts of sound design practice, from technical aspects of sound effects to the creative use of sound in storytelling. Most books on sound design focus on sound for the moving image. Studying Sound is unique in its exploration of sound on its own as a medium and rhetorical device. It includes more than 175 exercises that enable readers to put theory into practice as they progress through the chapters.
Author | : Baron John William Strutt Rayleigh |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-26 |
Genre | : Music |
ISBN | : 9781015614888 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Casey O'Callaghan |
Publisher | : OUP Oxford |
Total Pages | : 208 |
Release | : 2007-11-01 |
Genre | : Philosophy |
ISBN | : 0191527041 |
Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O'Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind. Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary or sensible qualities, O'Callaghan argues that, on any perceptually plausible account, sounds are events. But this does not imply that sounds are waves that propagate through a medium, such as air or water. Rather, sounds are events that take place in one's environment at or near the objects and happenings that bring them about. This account captures the way in which sounds essentially are creatures of time, and situates sounds in a world populated by items and events that have significance for us. Sounds are not ethereal, mysterious entities. O'Callaghan's account of sounds and their perception discloses far greater variety among the kinds of things we perceive than traditional views acknowledge. But more importantly, investigating sounds and audition demonstrates that considering other sense modalities teaches what we could not otherwise learn from thinking exclusively about the visual. Sounds articulates a powerful account of echoes, reverberation, Doppler effects, and perceptual constancies that surpasses the explanatory richness of alternative theories, and also reveals a number of surprising cross-modal perceptual illusions. O'Callaghan argues that such illusions demonstrate that the perceptual modalities cannot be completely understood in isolation, and that the visuocentric model for theorizing about perception - according to which perceptual modalities are discrete modes of experience and autonomous domains of philosophical and scientific inquiry - ought to be abandoned.
Author | : Avadh Behari Bhatia |
Publisher | : Courier Corporation |
Total Pages | : 450 |
Release | : 1985-01-01 |
Genre | : Science |
ISBN | : 0486649172 |
Standard reference in the field provides a clear, systematically organized introductory review of fundamental concepts for advanced graduate students and research workers. Numerous diagrams. Bibliography.
Author | : John William Strutt Rayleigh |
Publisher | : |
Total Pages | : 382 |
Release | : 1877 |
Genre | : Sound |
ISBN | : |