The Theory of Poetry in England
Author | : Richard Pape Cowl |
Publisher | : |
Total Pages | : 346 |
Release | : 1914 |
Genre | : English poetry |
ISBN | : |
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Author | : Richard Pape Cowl |
Publisher | : |
Total Pages | : 346 |
Release | : 1914 |
Genre | : English poetry |
ISBN | : |
Author | : William Webbe |
Publisher | : |
Total Pages | : 106 |
Release | : 1870 |
Genre | : English poetry |
ISBN | : |
Author | : Richard Pape Cowl |
Publisher | : |
Total Pages | : 346 |
Release | : 1914 |
Genre | : English poetry |
ISBN | : |
Author | : Harold Bloom |
Publisher | : |
Total Pages | : 157 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : Jane Partner |
Publisher | : Springer |
Total Pages | : 345 |
Release | : 2018-04-09 |
Genre | : Literary Criticism |
ISBN | : 3319710176 |
This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.
Author | : James Acheson |
Publisher | : State University of New York Press |
Total Pages | : 430 |
Release | : 1996-09-12 |
Genre | : Biography & Autobiography |
ISBN | : 0791494217 |
Devoted to close readings of poets and their contexts from various postmodern perspectives, this book offers a wide-ranging look at the work of feminists and "post feminist" poets, working class poets, and poets of diverse cultural backgrounds, as well as provocative re-readings of such well-established and influential figures as Donald Davie, Ted Hughes, Geoffrey Hill, and Craig Raine. Contributors include many respected theorists and critics, such as Antony Easthope, C.L. Innes, John Matthias, Edward Larrissy, Linda Anderson, Eric Homberger, Alastair Niven, R.K. Meiners, and Cairns Craig, in addition to new writers working from new theoretical perspectives. Their approaches range from cultural theory to poststructuralism; each essayist addresses a general audience while engaging in debates of interest to postgraduates and specialists in the fields of twentieth-century poetry and cultural studies. The book's strength lies in its diversity at every level.
Author | : Richard Pape Cowl |
Publisher | : Kessinger Publishing |
Total Pages | : 336 |
Release | : 2009-04 |
Genre | : Literary Collections |
ISBN | : 9781104403157 |
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author | : Richard Pape Cowl |
Publisher | : |
Total Pages | : |
Release | : 1970 |
Genre | : |
ISBN | : |
Author | : Harold Bloom |
Publisher | : Oxford University Press, USA |
Total Pages | : 212 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : 9780195112214 |
The book remains a central work of criticism for all students of literature.
Author | : Thomas Stearns Eliot |
Publisher | : Harvard University Press |
Total Pages | : 168 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : 9780674931503 |
Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot invites us to "start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is."