The Theatre of the Soul
Author | : Nikolaĭ Nikolaevich Evreinov |
Publisher | : |
Total Pages | : 36 |
Release | : 1915 |
Genre | : Theater |
ISBN | : |
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Author | : Nikolaĭ Nikolaevich Evreinov |
Publisher | : |
Total Pages | : 36 |
Release | : 1915 |
Genre | : Theater |
ISBN | : |
Author | : Nikolaĭ Nikolaevich Evreinov |
Publisher | : |
Total Pages | : 27 |
Release | : 1915 |
Genre | : |
ISBN | : |
Author | : N. N. Evreinov |
Publisher | : |
Total Pages | : 30 |
Release | : 2015-07-21 |
Genre | : Drama |
ISBN | : 9781331923688 |
Excerpt from The Theatre of the Soul; A Monodrama in One Act: Translated by Marie Potapenko and Christopher St. John The Theatre of the Soul; A Monodrama in One Act: Translated By Marie Potapenko and Christopher St. John was written by N. N. Evreinov. This is a 28 page book, containing 5909 words. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : N N 1879-1953 Evreinov |
Publisher | : Franklin Classics |
Total Pages | : 32 |
Release | : 2018-10-14 |
Genre | : |
ISBN | : 9780343043421 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1915 |
Genre | : |
ISBN | : |
Author | : N N Evreinov |
Publisher | : |
Total Pages | : 28 |
Release | : 2020-11-02 |
Genre | : |
ISBN | : 9789354186653 |
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author | : N. n. 1879-1953 Evreinov |
Publisher | : Nabu Press |
Total Pages | : 34 |
Release | : 2014-02 |
Genre | : |
ISBN | : 9781294743361 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : Nikolaĭ Nikolaevich Evreinov |
Publisher | : |
Total Pages | : |
Release | : 1930 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1951 |
Genre | : |
ISBN | : |
D.C. Recreation Department, twenty-third annual one-act play tournament 1951, George Washington University Players present "The Theatre of the Soul," by A. Yevrinov, directed by William Vorenberg.
Author | : Rebecca Beasley |
Publisher | : Oxford University Press |
Total Pages | : 576 |
Release | : 2020-03-31 |
Genre | : Literary Criticism |
ISBN | : 0192522477 |
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class—the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.