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The Theatre and Ideology of Terence MacSwiney

The Theatre and Ideology of Terence MacSwiney
Author: Gabriel Doherty
Publisher: Atrium
Total Pages: 320
Release: 2022-06-15
Genre:
ISBN: 9781782055037

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Terence MacSwiney is most famous as the central figure in one of the great hunger strikes in world history, which culminated in his death in October 1920, aged 41, in Brixton prison, London, after a fast of 74 days. For many years prior to his demise, however, he had been an active participant in the intense cultural and political debates that characterised Irish life in the late nineteenth and early twentieth centuries. In these exchanges MacSwiney employed a variety of literary forms to express his support for the political separation of Ireland from Britain and the promotion of indigenous culture. These writings, regrettably, were overshadowed by the manner of his death, and for the most part have been unavailable to the public ever since. The volume seeks to re-awaken interest in this aspect of MacSwiney's contribution to Irish life by making these texts available in a single volume for the first time. They cover the span of his adult life, from 1900 onwards: firstly as a published poet; subsequently as a dramatist, and finally as a prose writer. While his work as a member of Dáil Éireann, Lord Mayor of Cork and Commandant of the Cork no 1 Brigade of the IRA, meant that he had much less time to devote to his writings in the last eighteen months of his life, the last texts included here date from shortly before the arrest and imprisonment that provoked his hunger strike. The collection encompasses both published and unpublished material, the latter only previously available in archives. Following a general introduction that outlines the principal stages of MacSwiney's life, each of the major categories of his literary output -- poetry, drama and prose -- are presented in turn and accompanied by introductions that analyse and contextualise the texts.


The Art and Ideology of Terence MacSwiney

The Art and Ideology of Terence MacSwiney
Author: GABRIEL. BRENNAN DOHERTY (FIONA. BUTTIMER, NEIL.)
Publisher:
Total Pages: 0
Release: 2022
Genre: Irish drama
ISBN: 9781782055068

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"Terence MacSwiney's vital contribution to Irish theatre historiography; a re-evaluation of his complex relationship with Irish theatre; the discovery of another voice in Irish theatre and drama"--


Modern Irish Theatre

Modern Irish Theatre
Author: Mary Trotter
Publisher: John Wiley & Sons
Total Pages: 244
Release: 2013-05-08
Genre: Literary Criticism
ISBN: 0745654479

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Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.


Ireland in Crisis?

Ireland in Crisis?
Author: Seán Ó Nualláin
Publisher: Cambridge Scholars Publishing
Total Pages: 256
Release: 2013-11-18
Genre: History
ISBN: 1443854271

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The first annual conference of ICIS, the international congress of Irish studies, was held at, and academically sponsored by, the University of California at Berkeley in July 2012. The four main themes of the conference were: Performing Arts; Literature, Language, and Identity; Politics, Technology, and the Economy; and Issues of Intellectual Freedom. These proceedings of this highly successful event, in conjunction with the editor’s Ireland: a colony once again (CSP, 2012), attempt to explore the reinstatement of Irish identity in our present, vastly-changed political and cultural landscape.


Theatre History Studies 2009, Vol. 29

Theatre History Studies 2009, Vol. 29
Author: Rhona Justice-Malloy
Publisher: University of Alabama Press
Total Pages: 269
Release: 2009-08-09
Genre: History
ISBN: 0817355545

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Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre.


Vivid Faces: The Revolutionary Generation in Ireland, 1890-1923

Vivid Faces: The Revolutionary Generation in Ireland, 1890-1923
Author: R. F. Foster
Publisher: W. W. Norton & Company
Total Pages: 435
Release: 2015-01-26
Genre: History
ISBN: 0393245926

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A masterful history of Ireland’s Easter Rising told through the lives of ordinary people who forged a revolutionary generation. On Easter Monday, 1916, Irish rebels poured into Dublin’s streets to proclaim an independent republic. Ireland’s long struggle for self-government had suddenly become a radical and bloody fight for independence from Great Britain. Irish nationalists mounted a week-long insurrection, occupying public buildings and creating mayhem before the British army regained control. The Easter Rising provided the spark for the Irish revolution, a turning point in the violent history of Irish independence. In this highly original history, acclaimed scholar R. F. Foster explores the human dimension of this pivotal event. He focuses on the ordinary men and women, Yeats’s “vivid faces,” who rose “from counter or desk among grey / Eighteenth-century houses” and took to the streets. A generation made, not born, they rejected the inherited ways of the Church, their bourgeois families, and British rule. They found inspiration in the ideals of socialism and feminism, in new approaches to love, art, and belief. Drawing on fresh sources, including personal letters and diaries, Foster summons his characters to life. We meet Rosamond Jacob, who escaped provincial Waterford for bustling Dublin. On a jaunt through the city she might visit a modern art gallery, buy cigarettes, or read a radical feminist newspaper. She could practice the Irish language, attend a lecture on Freud, or flirt with a man who would later be executed for his radical activity. These became the roots of a rich life of activism in Irish and women’s causes. Vivid Faces shows how Rosamond and her peers were galvanized to action by a vertiginous sense of transformation: as one confided to his diary, “I am changing and things around me change.” Politics had fused with the intimacies of love and belief, making the Rising an event not only of the streets but also of the hearts and minds of a generation.


The Contemporary Superhero Film

The Contemporary Superhero Film
Author: Terence McSweeney
Publisher: Columbia University Press
Total Pages: 223
Release: 2020-11-10
Genre: Performing Arts
ISBN: 0231549792

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Audiences around the globe continue to flock to see the latest releases from Marvel and DC studios, making it clear that superhero films resonate with the largest global audience that Hollywood has ever reached. Yet despite dominating theater screens like never before, the superhero genre remains critically marginalized—ignored at best and more often actively maligned. Terence McSweeney examines this global phenomenon, providing a concise and up-to-date overview of the superhero genre. He lays out its narrative codes and conventions, exploring why it appeals to diverse audiences and what it has to say about the world in the first two decades of the twenty-first century. Unpacking the social, ideological, and cultural content of superhero films, he argues that the genre should be considered a barometer of contemporary social anxieties and a reflection of cultural values. McSweeney scrutinizes representations of gender, race, and sexuality as well as how the genre’s conventions relate to and comment on contemporary political debates. Beyond American contributions to the genre, the book also features extensive analysis of superhero films from all over the world, contrasting them with the dominant U.S. model. The book’s presentation of a range of case studies and critical debates is accessible and engaging for students, scholars, and enthusiasts at all levels.


Instabilities in Contemporary British Poetry

Instabilities in Contemporary British Poetry
Author: Alan Robinson
Publisher: Springer
Total Pages: 245
Release: 1988-08-16
Genre: Literary Criticism
ISBN: 1349193976

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The author explores the impact on poetic practice in the 1970s and 1980s of recent theoretical developments, offering a criticism of the work of Seamus Heaney and of poets including Michael Hofmann, reassessing life on Mars and providing retrospective surveys of Fleur Adcock and others.


Identities in Irish Literature

Identities in Irish Literature
Author: Anne MacCarthy
Publisher: Netbiblo
Total Pages: 208
Release: 2004
Genre: English literature
ISBN: 9780972989213

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The book provides a new perspective on the establishment of Irish literature in English. This emerged in the early nineteenth century in an effort to create an independent writing in Ireland. the author explores the activities of these early years to later investigate canon formation in the twentieth century as well as contemporary definitions of Irish writing in English. She finally proposes the existence of another literature in the early twentieth century in Ireland and proffers an explanation for its exclusion from the new canon.


Four Irish Rebel Plays

Four Irish Rebel Plays
Author: James Moran
Publisher:
Total Pages: 318
Release: 2007
Genre: Drama
ISBN:

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Collects together for the first time, plays written by the well-known Irish nationalists Patrick Pearse, Thomas MacDonagh, James Connolly, and Terence MacSwiney. In the months before 1916 MacDonagh staged When the Dawn is Come, and Pearse staged The Master, both works were designed to persuade the Dublin populace to support the advanced nationalist cause. At the same time, MacSwiney staged his play The Revolutionist in order to win the support of Redmondite nationalists in Cork. At Liberty Hall, only three weeks before taking part in the armed revolt of 1916, Connolly staged Under Which Flag? to persuade socialists to join the rebellion. The plays offer important insights into the rebels' political and military thinking. The introduction explains exactly how the plays influenced the Irish revolution between 1916 and 1921 and explores the theatrical influences that affected the rebels. The context of the plays original staging and subsequent influence both inside and outside the playhouse is also covered. The epilogue outlines the varying afterlives that the plays enjoyed once their authors were dead.