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The theater and its double

The theater and its double
Author: Antonin Artaud
Publisher:
Total Pages: 0
Release: 1979
Genre: Theater
ISBN: 9780802141392

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The Theater and Its Double

The Theater and Its Double
Author: Antonin Artaud
Publisher: Grove Press
Total Pages: 174
Release: 1958
Genre: Drama
ISBN: 9780802150301

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A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.


Artaud and His Doubles

Artaud and His Doubles
Author: Kimberly Jannarone
Publisher: University of Michigan Press
Total Pages: 272
Release: 2012-06-26
Genre: Literary Criticism
ISBN: 0472035150

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DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div


The Theatre and Its Double

The Theatre and Its Double
Author: Antonin Artaud
Publisher:
Total Pages: 164
Release: 2010
Genre: Performing Arts
ISBN:

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The Theatre and Its Double

The Theatre and Its Double
Author: Antonin Artaud
Publisher: John Calder Pub Limited
Total Pages: 108
Release: 1993-01-01
Genre: Performing Arts
ISBN: 9780714542348

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Hurlyburly

Hurlyburly
Author: David Rabe
Publisher: Samuel French, Inc.
Total Pages: 188
Release: 1987
Genre: Hollywood (Los Angeles, Calif.)
ISBN: 9780573619816

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Four Hollywood men pursue the American dream in a cocaine-filled, sex-crazed culture.


Heliogabalus

Heliogabalus
Author: Antonin Artaud
Publisher: SCB Distributors
Total Pages: 101
Release: 2020-05-15
Genre: Biography & Autobiography
ISBN: 190992380X

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Antonin Artaud’s novelised biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously his most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, HELIOGABALUS is a powerful concoction of sexual excess, self-deification and terminal violence. Reflecting its author’s preoccupations of the time with the occult, magic, Satan, and a range of esoteric religions, the book shows Artaud at his most lucid as he assembles an entire world-view from raw material of insanity, sexual obsession and anger. Artaud arranges his account of Heliogabalus’s reign around the breaking of corporeal borders and the expulsion of body fluids, often inventing incidents from the Emperor’s life in order to make more explicit his own passionate denunciations of modern existence. No reader of this, Artaud’s most inflammatory work – translated into English here for the very first time – will emerge unscathed from the experience. Translated by Alexis Lykiard and with an introduction by Stephen Barber (author and cultural historian).


A History of the Theater

A History of the Theater
Author: Glynne Wickham
Publisher: Phaidon
Total Pages: 316
Release: 1992
Genre: Literary Criticism
ISBN:

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Outlines the development of drama throughout the world over the last 3000 years, from its origins in primitive dance rituals to the 1990s.


The Theater of Maria Irene Fornes

The Theater of Maria Irene Fornes
Author: Marc Robinson
Publisher: Johns Hopkins University Press
Total Pages: 312
Release: 1999
Genre: Literary Criticism
ISBN:

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Throughout the anthology, textual analysis is balanced with production criticism. Contributors assess Fornes's connection to the various traditions that have claimed her--absurdism, realism, and surrealism, among others. Several critics reveal Fornes's range by delving deeply into individual plays, particularly the landmark Fefu and Her Friends. Her work as a director is captured in rehearsal logs, interviews with her actors, and a sampling of production reviews from 1965 to 1993. The anthology closes with Fornes's own views on her work, in statements and interviews from each stage of her career. More than twenty production photographs accompany the text.


Drive-in Theaters

Drive-in Theaters
Author: Kerry Segrave
Publisher: McFarland
Total Pages: 296
Release: 2012-01-25
Genre: Performing Arts
ISBN: 0786491701

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A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.