The ten chief courts of the Sydenham palace
Author | : Crystal palace |
Publisher | : |
Total Pages | : 250 |
Release | : 1854 |
Genre | : |
ISBN | : |
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Author | : Crystal palace |
Publisher | : |
Total Pages | : 250 |
Release | : 1854 |
Genre | : |
ISBN | : |
Author | : Crystal Palace |
Publisher | : Sagwan Press |
Total Pages | : 248 |
Release | : 2015-08-22 |
Genre | : |
ISBN | : 9781298963680 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Crystal Palace |
Publisher | : Nabu Press |
Total Pages | : 248 |
Release | : 2013-12-11 |
Genre | : |
ISBN | : 9781294424437 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : William Harrison Ainsworth |
Publisher | : |
Total Pages | : 272 |
Release | : 1854 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 516 |
Release | : 1854 |
Genre | : English literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 554 |
Release | : 1854 |
Genre | : English literature |
ISBN | : |
Author | : Thomas Campbell |
Publisher | : |
Total Pages | : 516 |
Release | : 1854 |
Genre | : |
ISBN | : |
Author | : Jan Piggott |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 248 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : 9780299200947 |
Built for the Great Exhibition of 1851, the Crystal Palace originally graced London's Hyde Park with Joseph Paxton's remarkable geometric design and groundbreaking use of glass elements, prefiguring the modern movement in architecture. After the exhibition a group of bankers, railway directors, and men of influence moved the structure to a new site in south London, rebuilt it to an even grander scale, and set about its promotion as a "palace for the multitude." Here were exhibitions, concerts, and spectaculars to fill a splendid day out for Londoners of all classes and interests. Filled with plaster casts of great art treasures, life-sized models of dinosaurs, waterworks, and gardens, the Crystal Palace became a center of both education and entertainment from the Victorian era through its destruction by fire in1936. Copublished with C. Hurst & Co., London Wisconsin edition for sale only in North and South America, U.S. territories and dependencies, and the Philippines.
Author | : JohnC. Welchman |
Publisher | : Routledge |
Total Pages | : 304 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549499 |
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Author | : Edward George E.L. Bulwer- Lytton (1st baron.) |
Publisher | : |
Total Pages | : 364 |
Release | : 1854 |
Genre | : |
ISBN | : |