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The Swastika and the Stage

The Swastika and the Stage
Author: Gerwin Strobl
Publisher: Cambridge University Press
Total Pages: 0
Release: 2009-11-05
Genre: Drama
ISBN: 9780521122726

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Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses.


Swastikas on Stage

Swastikas on Stage
Author: Bernd Weikl
Publisher:
Total Pages: 222
Release: 2015-12-02
Genre:
ISBN: 9783864603051

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The Swastika

The Swastika
Author: Thomas Wilson
Publisher:
Total Pages: 348
Release: 1896
Genre: Industries, Prehistoric
ISBN:

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Echoes of the Holocaust on the American Musical Stage

Echoes of the Holocaust on the American Musical Stage
Author: Jessica Hillman
Publisher: McFarland
Total Pages: 225
Release: 2012-10-16
Genre: Performing Arts
ISBN: 0786492686

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With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronological progression of these musical productions and their subsequent revivals. Despite the abundance of writing on both musical theatre history and on the difficulties of Holocaust representation, history and theatre scholars alike have thus far ignored the intersections of these areas. The academy thereby risks excluding precisely those works that shed the most light on our culture's evolving response to the Shoah, an event that still helps to define American identity. This book redresses this lapse by focusing on the theatrical form seen by the greatest amount of people--musicals--which either trigger or reflect changing American mores.


The Shadow of the Swastika

The Shadow of the Swastika
Author: Unity Theatre Society
Publisher:
Total Pages: 0
Release: 1955*
Genre: Germany (West)
ISBN:

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The swastika

The swastika
Author: Thomas Wilson
Publisher: Рипол Классик
Total Pages: 315
Release: 2000
Genre: History
ISBN: 5878836254

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With observations on the migration of certain industries in prehistoric times. From the report of the U.S. National Museum for 1894, pages 757-1011, with plates 1-25 and figures 1-374.


Courtroom to Revolutionary Stage

Courtroom to Revolutionary Stage
Author: Henning Grunwald
Publisher: Oxford University Press
Total Pages: 265
Release: 2012-09-27
Genre: History
ISBN: 0199609047

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What role did the courts play in the demise of Germany's first democracy and Hitler's rise to power? Courtroom to Revolutionary Stage challenges the orthodox interpretation of Weimar political justice. Henning Grunwald argues that an exclusive focus on reactionary judges and a preoccupation with number-crunching verdicts has obscured precisely that aspect of trials most fascinating to contemporary observers: their drama. Drawing on untapped sources and material previously inaccessible in English, Grunwald shows how an innovative group of party lawyers transformed dry legal proceedings into spectacular ideological clashes. Supported by powerful party legal offices (which have hitherto escaped scholarly notice almost entirely), they developed a sophisticated repertoire of techniques at the intersection of criminal law, politics, and public relations. Harnessing the emotional appeal of tens of thousands of trials, Communists and (emulating them) National Socialists institutionalized party legal aid in order to build their ideological communities. Defendants turned into martyrs, trials into performances of ideological self-sacrifice, and the courtroom into 'revolutionary stage', as one prominent party lawyer put it. It is this political justice as 'revolutionary stage' that most powerfully impacted Weimar political culture. While it helps to explain Weimar's demise, this argument about the theatricality of justice transcends interwar Germany. Trials were compelling not because they offered instruction about the revolutionary struggle, but because in a sense they were the revolutionary struggle. The ideological struggle, their message ran, left no room for fairness, no possibility of a 'neutral platform': justice was unattainable until the Republic was destroyed.


The Political Theatre of David Edgar

The Political Theatre of David Edgar
Author: Janelle Reinelt
Publisher: Cambridge University Press
Total Pages: 325
Release: 2011-07-14
Genre: Drama
ISBN: 1139498290

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David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost, and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life.


The Globalization of Theatre 1870–1930

The Globalization of Theatre 1870–1930
Author: Christopher B. Balme
Publisher: Cambridge University Press
Total Pages: 291
Release: 2019-10-24
Genre: Drama
ISBN: 1108487890

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Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.


The Swastika, the Earliest Known Symbol, and Its Migration

The Swastika, the Earliest Known Symbol, and Its Migration
Author: Thomas Wilson
Publisher: DigiCat
Total Pages: 329
Release: 2022-05-28
Genre: Fiction
ISBN:

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The author of the work derives the origins of what we know as a swastika symbol from the earliest cultures. He studies its origins in the ancient shapes of a cross and brings the comparison of different types of cross symbols, which later evolved in the swastika. Further, the author examines the role of the swastika in the extreme Orient (Japan, Korea, China, and Tibet), the classical Orient (Babylonia, Assyria, Chaldea, and Persia, Phenicia, Lycaonia, Armenia, Caucasus, and Asia Minor - including Troy and mentioning Schliemann), Africa (Egypt, Algeria, Ashantee), classical Occident (Mediterranean - Greece, Cyprus, Rhodes, Milos, and Thera), Europe (the Bronze Age, the Gallo-Roman period, the Anglo-Saxon period, and the swastika on ancient coins), the United States of America (in pre-Columbian times, among the North American Indians, and a "colonial patchwork"), Central America (Nicaragua, Yucatan, and Costa Rica), and South America (Brazil and Paraguay). He shows various artifacts associated with the swastika, including spindle-whorls, coins, vases, and idols. The author also notes the importance of this symbol among both the ancient Buddhists and Hindus. It is generally a very deep and interesting study showing the universalism of the swastika symbol in different cultures of the world.