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| Author | : Marilyn Singer |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 45 |
| Release | : 2012 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0547435592 |
A volume of humorous poems about a group of oddball B-list superheroes in need of work introduces such haphazard wannabes as Blunder Woman, Muffy the Vampire Sprayer, and the Bulk.
| Author | : Natalie Zina Walschots |
| Publisher | : HarperCollins |
| Total Pages | : 426 |
| Release | : 2020-09-22 |
| Genre | : Fiction |
| ISBN | : 0062978594 |
“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling author The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet. Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one. So, of course, then she gets laid off. With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks. Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance. It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world. A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.
| Author | : Namita Moolani Mehra |
| Publisher | : Harper Collins |
| Total Pages | : 72 |
| Release | : 2020-10-05 |
| Genre | : Juvenile Fiction |
| ISBN | : 939022182X |
Superfoods for Superheroes features ten fun stories about a little boy (who loves superheroes!) who discovers the surprising superpowers of everyday foods. Each illustrated story is followed by fun facts about the superfood and a kid-friendly recipe. The book aims to help children make healthier food choices, educate families about the power of kid-friendly superfoods, create a positive and meaningful dialogue around healthy eating, break out of the typical informational nature of the health-food category and create an interesting narrative that puts the child at the centre.
| Author | : Jared Bahir Browsh |
| Publisher | : McFarland |
| Total Pages | : 308 |
| Release | : 2021-12-28 |
| Genre | : Performing Arts |
| ISBN | : 1476644209 |
With careers spanning eight decades, William Hanna and Joseph Barbera were two of the most prolific animation producers in American history. In 1940, the two met at MGM and created Tom and Jerry, who would earn 14 Academy Award nominations and seven wins. The growth of television led to the founding of Hanna-Barbera's legendary studio that produced countless hours of cartoons, with beloved characters from Fred Flintstone, George Jetson and Scooby-Doo to the Super Friends and the Smurfs. Prime-time animated sitcoms, Saturday morning cartoons, and Cartoon Network's cable animation are some of the many areas of television revolutionized by the team. Their productions are critical to our cultural history, reflecting ideologies and trends in both media and society. This book offers a complete company history and examines its productions' influences, changing technologies, and enduring cultural legacy, with careful attention to Hanna-Barbera's problematic record of racial and gender representation.
| Author | : Lucas Flint |
| Publisher | : Secret Identity Books |
| Total Pages | : 248 |
| Release | : 2020-05-08 |
| Genre | : Fiction |
| ISBN | : |
After nearly crashing his boss' car, Alex Fry (Beams) finds his relationship with his boss has soured, to the point where he no longer enjoys going to work for him anymore. And when a new superhero in town offers Beams higher pay to work for him, Beams finds the offer almost too tempting to resist. But there is more to this new superhero that meets the eye, and if Beams makes the wrong choice, he might ruin his career—and his life—forever. KEYWORDS: superhero action fiction, superhero fantasy, superhero fiction novel, superhero science fiction, superhero scifi, superhero young adult, superhero city, superhero books, superhero action, superhero books for kids, superheroes, cool superheroes, action adventure books, superhero action adventure books, action adventure fiction, superhero action adventure fiction, young adult action adventure, action adventure young adult, coming of age books
| Author | : Marc Singer |
| Publisher | : University of Texas Press |
| Total Pages | : 311 |
| Release | : 2019-01-09 |
| Genre | : Literary Criticism |
| ISBN | : 1477317090 |
Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.
| Author | : Jon Morris |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2018-10-23 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1683690761 |
Nominated for the 2019 Will Eisner Comic Industry Award for Best Comics-Related Book More than one hundred of the strangest sidekicks in comics history, complete with backstories, vintage art, and colorful commentary. This collection affectionately spotlights forgotten helpers like Thunderfoot (explosive-soled assistant to the Human Bomb), super-pets like Frosting (polar bear pal of space hero Norge Benson), fan favorites like Rick Jones (sidekick to half of the Marvel Universe), and obscure partners of iconic heroes (Superman Junior's career barely got off the ground). Included are pernicious profiles of henchmen and minions, the sidekicks of the supervillain world. Casual comics readers and diehard enthusiasts alike will relish the hilarious commentary and vintage art from obscure old comics.
| Author | : Wred Fright |
| Publisher | : Frighty LLC |
| Total Pages | : 231 |
| Release | : 2022-03-17 |
| Genre | : Fiction |
| ISBN | : |
Superman was first published in 1938, so how come he still looks to be about 25 years old in the stories set in 2022? Ditto for all the other superheroes from The Golden Age Of Comics still being published today. Why isn't Captain America collecting Social Security? Why isn't The Flash using a walker to get around? Why isn't The Human Torch complaining about his hip replacement? Why isn't Wonder Woman deciding what Medicare plan she wants? Why isn't Batman retired? Why isn't Plastic Man stretching his dollars to afford his nursing home bills? Why isn't The Green Lantern The Green Flashlight by now? Er, never mind about that last question. But the answer to the other ones is money. As long as the corporate comics companies can milk money out of them, these characters will be kept forever young, aside from the occasional "imaginary story" or whatnot. But in stunting their growth, only half the story gets told. What does happen when a superhero ages with the times and eventually becomes elderly? What's so super about getting old? Well, it probably beats being dead. Just ask Bucky. Er, never mind. Anyway, leave it to one of America's worstselling authors who hasn't given up yet to venture in and tell the rest of the superhero story. In the case of Harry Fox, the superhero known as Fast Guy, he finds he can't outrace time or death. His worst foe though is an existential crisis brought on by saving the world numerous times only to have it result in a shallow, selfish place populated mainly by morons and jerks, and sometimes even moronic jerks and jerky morons. Living alone in his old ranch house in a town filled with new McMansions, he is wondering what to do with himself and worrying about what will happen to the world when he is gone. And the reader is left wondering if Harry is really a superhero. Although he claims he's saved the world more times than he can remember from nuclear annihilation, he delights in pooping on world leaders, which sounds more like a supervillain, or, at the very least, a person with issues than it does a superhero. Or maybe he's just a lonely old man with a very active imagination. In a world less than super, can a senior citizen still be a hero? Find out in Fast Guy Slows Down!
| Author | : Mark Leigh |
| Publisher | : Nbm Publishing Company |
| Total Pages | : 172 |
| Release | : 1992 |
| Genre | : Humor |
| ISBN | : 9781561630516 |
| Author | : Tricia Jenkins |
| Publisher | : University Press of Kansas |
| Total Pages | : 320 |
| Release | : 2022-01-07 |
| Genre | : Performing Arts |
| ISBN | : 070063276X |
Tricia Jenkins and Tom Secker deliver a highly original exploration of how the government-entertainment complex has influenced the world’s most popular movie genre—superhero films. Superheroes, Movies, and the State sets a new standard for exploring the government-Hollywood relationship as it persuasively documents the critical role different government agencies have played in shaping characters, stories, and even the ideas behind the hottest entertainment products. Jenkins and Secker cover a wide range of US government and quasi-governmental agencies who act to influence the content of superhero movies, including the Department of Defense, the National Academy of Sciences’ Science and Entertainment Exchange and, to a lesser extent, the FBI and the CIA. Superheroes, Movies, and the State deploys a thematic framework to analyze how five of the key themes of our time—militarism, political radicalism and subversion, the exploration of space, the role of science and technology, and representation and identity—manifest in the superhero genre, and the role of the government in molding narratives around these topics. The book includes interviews with both producers and influencer insiders and covers a wide range of superhero products, from 1970s TV shows up to the most recent movie and TV releases, including the first major analysis of the hit Amazon show The Boys. In addition, it is the first deep exploration of NASA’s Hollywood office and the first detailed account of the role of the Science and Entertainment Exchange, which has worked on thousands of products since its creation in 2008 but is little known outside of the industry. Superheroes, Movies, and the State offers an innovative blend of research methods and interpretive frameworks, combining both production histories and deep readings of superhero texts to clearly reveal how the government-entertainment complex works in the world of blockbuster cinema to shape public perceptions of the United States, war, science, and much, much more.
