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| Author | : Vidiadhar Surajprasad Naipaul |
| Publisher | : A. Deutsch |
| Total Pages | : 248 |
| Release | : 1958 |
| Genre | : Fiction |
| ISBN | : |
In this book, an old, comically timid and absent-minded man, Surujpat Harbans, runs for office, aided by superstition, bribes, and an aggressive campaign.
| Author | : Vidiadhar Surajprasad Naipaul |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 1985 |
| Genre | : Political fiction, Trinidadian and Tobagonian (English) |
| ISBN | : |
| Author | : Vidiadhar Surajprasad Naipaul |
| Publisher | : Harmondsworth : Penguin |
| Total Pages | : 222 |
| Release | : 1969 |
| Genre | : Caribbean fiction (English) |
| ISBN | : |
In this book, an old, comically timid and absent-minded man, Surujpat Harbans, runs for office, aided by superstition, bribes, and an aggressive compaign.
| Author | : V. S. Naipaul |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1978 |
| Genre | : |
| ISBN | : |
| Author | : Mohit Kumar Ray |
| Publisher | : Atlantic Publishers & Dist |
| Total Pages | : 304 |
| Release | : 2004 |
| Genre | : West Indies |
| ISBN | : 9788126901661 |
V.S. Naipaul Has Claimed That All His Work Is Really One And He Has Been Writing One Big Book All These Years; Also, Considering The World He Has Stepped Into And The World He Has To Look At, He Cannot Be A Professional Novelist In The Old Sense. In Early Youth Naipaul Took Up The Vocation Of A Writer As His Religion And, Since The Beginning Five Decades Ago, Has Drawn On His Intensely Personal Experience Of An Uprooted Person Adrift In The World, His Experience Of The Two Worlds To None Of Which He Could Really Belong An Experience That Imparts The Authentic Voice To His Works Both Non-Fiction And Fiction Enriched By A Distinct Autobiographical Flavour. Naipaul Himself Is Split Into His Characters In Whom Are Manifested Subtle Shades Of His Emotions And Traits. He Is Accidental Man, Dangling Man, History Man And The Mimic Man All Rolled Into One. Naipaul Is Also One Of Literature S Great Travellers, And His Absorption Into The Experience Of Rootlessness, The Alienating Effects Of Colonial Past On Today S Postcolonial People Has Taken Him To Africa, South America, India And All Over The World Not In Search Of Roots But In Search Of Rootlessness, And Has Yielded A Rich Harvest Of Travelogues Which Are About Much More Than Travel.An Author Of A Large Number Of Fictional And Non-Fictional Works, Naipaul Continues To Surprise, Excite, Provoke And Move Readers At Every Turn Of His Literary Voyage. Naipaul Has Unseverable Emotional Bond With India Which Remains For Him An Area Of Pain, An Ache For Which One Has A Great Tenderness Yet From Which He Wishes To Separate Himself. The World Of V.S. Naipaul Is The World Of Two Worlds. The Present Volumes Of Papers On Naipaul, Led By Naipaul S Nobel Lecture, Offer Illuminating Perspectives And Interesting Explorations Into This Rich, Enigmatic, Sad, Hilarious And Fascinating World Of Naipaul.
| Author | : Gillian Dooley |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 164 |
| Release | : 2017-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 161117886X |
An introduction to the uncompromising artistic vision of the internationally acclaimed writer A survey of the life and work of the 2001 Nobel Laureate for Literature, V. S. Naipaul, Man and Writer introduces readers to the writer widely viewed as a curmudgeonly novelist who finds special satisfaction in overturning the vogue presuppositions of his peers. Gillian Dooley takes an expansive look at Naipaul's literary career, from Miguel Street to Magic Seeds. From readings of his fiction, nonfiction, travel books, and volumes of letters, she elucidates the connections between Naipaul's personal experiences as a Hindu Indian from Trinidad living an expatriate life and the precise, euphonious prose with which he is synonymous. Dooley assesses each of Naipaul's major publications in light of his stated intentions and beliefs, and she traces the development of his writing style over a forty-year career. Devoting separate chapters to three of his chief works, A House for Mr. Biswas, In a Free State, and The Enigma of Arrival, she analyzes their critical reception and the primacy of Naipaul's specific narrative style and voice. Dooley emphasizes that it is, above all, Naipaul's refusal to compromise his vision in order to flatter or appease that has made him a controversial writer. At the same time she sees the integrity with which he reports his subjective response to the world as essential to the lasting success of his work.
| Author | : Vidiadhar Surajprasad Naipaul |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1968 |
| Genre | : Political culture |
| ISBN | : |
| Author | : V. S. Naipaul |
| Publisher | : Vintage |
| Total Pages | : 254 |
| Release | : 2010-10-20 |
| Genre | : Fiction |
| ISBN | : 0307776514 |
The Nobel Prize-winning author delivers a Dickensian novel that traces the unlikely career of a failed schoolteacher and village masseur who becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. “No one else … seems able to employ prose fiction so deeply as the very voice of exile.” —The New York Review of Books In this slyly funny and lavishly inventive novel—his first—V. S. Naipaul chronicles the ascent of the impecunious village masseur Ganesh Ramsumair. To understand a little better, one has to realize that in the 1940s masseurs were the island’s medical practitioners of choice. As one character observes, “I know the sort of doctors they have in Trinidad. They think nothing of killing two, three people before breakfast.” Ganesh’s journey is variously aided and impeded by a Dickensian cast of rogues and eccentrics. There’s his skeptical wife, Leela, whose schooling has made her excessively, fond. of; punctuation: marks!; and Leela’s father, Ramlogan, a man of startling mood changes and an ever-ready cutlass. There’s the aunt known as The Great Belcher. There are patients pursued by malign clouds or afflicted with an amorous fascination with bicycles. Witty, tender, filled with the sights, sounds, and smells of Trinidad’s dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.
| Author | : Sanjay Krishnan |
| Publisher | : Columbia University Press |
| Total Pages | : 408 |
| Release | : 2020-02-04 |
| Genre | : Literary Criticism |
| ISBN | : 0231550251 |
The author of more than thirty books of fiction and nonfiction and winner of the Nobel Prize in Literature, V. S. Naipaul (1932–2018) is one of the most acclaimed authors of the twentieth century. He is also one of the most controversial. Before settling in England, Naipaul grew up in Trinidad in an Indian immigrant community, and his depiction of colonized peoples has often been harshly judged by critics as unsympathetic, misguided, racist, and sexist. Yet other readers praise his work as containing uncommonly perceptive historical and psychological insight. In V. S. Naipaul’s Journeys, Sanjay Krishnan offers new perspectives on the distinctiveness and power of Naipaul’s writing, as well as his shortcomings, trajectory, and complicated legacy. While recognizing the flaws and prejudices that shaped and limited Naipaul’s life and art, this book challenges the binaries that have dominated discussions of his writing. Krishnan reads Naipaul as self-subverting and self-critical, engaged in describing his own implication in what he saw as the malaise of the postcolonial world. Krishnan brings together close readings of major novels with considerations of Naipaul’s work as a united project, as well as nuanced assessments of Naipaul’s political commentary on ethnic nationalism and religious fundamentalism. Krishnan provides a Naipaul for contemporary times, illustrating how his life and work shed light on debates regarding migration, diversity, sectarianism, displacement, and other global challenges.
| Author | : V. S. Naipaul |
| Publisher | : Vintage Canada |
| Total Pages | : 212 |
| Release | : 2012-11-13 |
| Genre | : Fiction |
| ISBN | : 0307370615 |
To the residents of Miguel Street, a derelict corner of Trinidad’s capital, their neighbourhood is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name;” Man-man, who goes from running for public office to staging his own crucifixion; Big Foot, the dreaded bully with glass tear ducts; and the lovely Mrs. Hereira, in thrall to her monstrous husband. Their lives (and the legends their neighbours construct around them) are rendered by V. S. Naipaul with Dickensian verve and Chekhovian compassion in this tender, funny novel.
