The Story Of Don Miff PDF Download

It is pretty well understood, I presume, that while books are written for the entertainment of the public, a preface has fulfilled its mission if it prove a solace to the author and an edification to the proof-reader thereof. Yet (however it may be with an author) an editor must, it seems, write one. Most mysteriously, then, and I knew not whence or from whom, the manuscript of this work found itself in my study, some time since, accompanied by the request that I should stand sponsor for it. I shall do nothing of the kind. True, the grammar of it will pass muster, I think; and its morals are above reproach; but the way our author has of sailing into everything and everybody quite takes my breath away. Lawyers, military men, professors and students, parsons, agnostics, statesmen, billiard-players, novelists, poetesses, saints and sinners—he girds at them all. I should not have a friend left in the world were it to go abroad that this Mr. J. B. Whacker’s opinions were also mine. If but to enter this disclaimer, therefore, I must needs write a preface. This author of ours, then, is, as you shall find, an actor in the scenes he describes, and is quite welcome to any sentiments he may see fit to put into his own mouth. He entertains, I am free to admit, an unusual number of opinions; more than one man’s share, perhaps; but not one of them is either reader or editor called upon to adopt. It seems fair, too, to warn the eccentric person who shall read this preface, against putting too much faith in the account Mr. Whacker gives of himself. The astounding pedigree to which he lays claim in Chapter I. may be satire, for aught I know; but when he poses as a lawyer, a bachelor, and a ton of a man, weighing (though he does not give the exact figures) not much less than three hundred pounds, he is counting too much on the simplicity of his editor. For the internal evidence of the work itself makes it clear that he is a physician, ever so much married, and nestling amid a very grove of olive branches. He assures us, too, for example (he is never tired of assuring us of something), that he is entirely ignorant of music; yet divides his work not into books (as a Christian should), but into movements; indicating (presumably) the spirit and predominant feeling of each by the opening page of the orchestral score of one of the four numbers of a famous symphony!