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The Statues of Constantinople

The Statues of Constantinople
Author: Albrecht Berger
Publisher: Cambridge University Press
Total Pages: 143
Release: 2021-07-15
Genre: History
ISBN: 1108962858

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This Element discusses the ancient statues once set up in Byzantine Constantinople, with a special focus on their popular reception. From its foundation by Constantine the Great in 324, Constantinople housed a great number of statues which stood in the city on streets and public places, or were kept in several collections and in the Hippodrome. Almost all of them, except a number of newly made statues of reigning emperors, were ancient objects which had been brought to the city from other places. Many of these statues were later identified with persons other than those they actually represented, or received an allegorical (sometimes even an apocalyptical) interpretation. When the Crusaders of the Fourth Crusade conquered the city in 1204, almost all of the statues of Constantinople were destroyed or looted.


The Bronze Horseman of Justinian in Constantinople

The Bronze Horseman of Justinian in Constantinople
Author: Elena N. Boeck
Publisher: Cambridge University Press
Total Pages: 481
Release: 2021-04-29
Genre: Architecture
ISBN: 1107197279

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Biography of the medieval Mediterranean's most cross-culturally significant sculptural monument, the tallest in the pre-modern world.


The Urban Image of Late Antique Constantinople

The Urban Image of Late Antique Constantinople
Author: Sarah Bassett
Publisher:
Total Pages: 326
Release: 2004
Genre: Architecture
ISBN:

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This book reconstructs Constantinople's collection of antiquities from its foundation to its fall.


Byzantine Visual Culture Between the Pagan Past and Christian Present

Byzantine Visual Culture Between the Pagan Past and Christian Present
Author: Paroma Chatterjee
Publisher:
Total Pages:
Release: 2021
Genre: ART
ISBN: 9781108984874

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"Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged"--


The Hippodrome of Constantinople

The Hippodrome of Constantinople
Author: Edwin Augustus Grosvenor
Publisher:
Total Pages: 74
Release: 1889
Genre: Istanbul (Turkey)
ISBN:

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The Last Statues of Antiquity

The Last Statues of Antiquity
Author: R. R. R. Smith
Publisher: Oxford University Press
Total Pages: 544
Release: 2016-02-04
Genre: History
ISBN: 0191067598

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Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.


Between the Pagan Past and Christian Present in Byzantine Visual Culture

Between the Pagan Past and Christian Present in Byzantine Visual Culture
Author: Paroma Chatterjee
Publisher: Cambridge University Press
Total Pages: 350
Release: 2022-01-06
Genre: Art
ISBN: 9781108833585

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Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.


The Hippodrome of Constantinople

The Hippodrome of Constantinople
Author: Edwin A. Grosvenor
Publisher: Createspace Independent Pub
Total Pages: 72
Release: 2013-03-11
Genre: Architecture
ISBN: 9781482749816

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TO THE READER. I commit this little work upon the Hippodrome to both the learned and the unlearned in the Antiquities of Constantinople. From the former I ask, and am sure of, charitable and sympathetic judgment, even as they appreciate to the full the labour and difficulty through which one strives to plod his way to the truth concerning the past days of this ancient city. To the latter I trust its perusal may afford a pleasant hour, and above all a stimulus to study themselves this and kindred subjects, of which Constantinople is so suggestive and in which it is so rich. Edwin A. Grosvenor 1889