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| Author | : Richard C. Trexler |
| Publisher | : BRILL |
| Total Pages | : 232 |
| Release | : 1974 |
| Genre | : History |
| ISBN | : 9789004036994 |
A folk adaptation of the American black spiritual in which the Lord instructs Noah to "build him an arky, arky" out of "hickory barky, barky."
| Author | : Richard C. Trexler |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1974 |
| Genre | : |
| ISBN | : |
| Author | : Richard C. Trexler |
| Publisher | : BRILL |
| Total Pages | : 222 |
| Release | : 2021-10-11 |
| Genre | : History |
| ISBN | : 900447773X |
A folk adaptation of the American black spiritual in which the Lord instructs Noah to "build him an arky, arky" out of "hickory barky, barky."
| Author | : Konrad Eisenbichler |
| Publisher | : University of Toronto Press |
| Total Pages | : 495 |
| Release | : 2011-11-01 |
| Genre | : History |
| ISBN | : 1442613033 |
A study of a religious organization for youths (aged 13-14) founded in Florence in 1411 that is firmly grounded on archival and contemporary documents, and covers a variety of fields of interest.
| Author | : Christopher F. Black |
| Publisher | : Cambridge University Press |
| Total Pages | : 340 |
| Release | : 2003-08-28 |
| Genre | : History |
| ISBN | : 9780521531139 |
Confraternities were - and are - religious brotherhoods for lay people to promote their religious life in common. Though designed to prepare for the afterlife, they were fully involved in the social, political and cultural life of the community and could affect all men and women, as members or as the recipients of charity. Confraternities organised a great range of devotional, cultural and indeed artistic activities in addition to other functions such as the provision of dowries and the escort of condemned men to the scaffold. Other works have studied the local activities of specific confraternities, but this is the first to attempt a broad survey of such organisations across the breadth of early modern Italy. Christopher Black demonstrates clearly the extent, diversity and influence of confraternal behaviour, and shows how such brotherhoods adapted to the religious and social crises of the sixteenth century - thus illuminating current debates about Catholic Reform, the Counter-Reformation, poverty, philanthropy and social control.
| Author | : Robert Muchembled |
| Publisher | : Cambridge University Press |
| Total Pages | : 437 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 0521845467 |
This volume, first published in 2007, examines the role of religion as a vehicle for cultural exchange.
| Author | : F. Thomas Luongo |
| Publisher | : Cornell University Press |
| Total Pages | : 252 |
| Release | : 2018-07-05 |
| Genre | : History |
| ISBN | : 1501728296 |
Saint Catherine of Siena (1347–1380) has become a defining figure in the history of medieval religion and one of the main exemplars of the "feminine turn" in late medieval religious culture. Despite a hagiographical tradition and historiography that has placed Catherine at a mystic remove from the politics of her day, Catherine's public authority was shaped by politics, both locally in Siena and broadly within late-fourteenth-century contests between the papacy and the Republic of Florence for hegemony in central Italy. In The Saintly Politics of Catherine of Siena, F. Thomas Luongo combines literary-critical readings of Catherine's letters—she was the author of one of the largest collections of medieval letters—with political and social analysis. Drawing on a wide range of archival sources, Luongo investigates how Catherine's spiritual authority and sanctity were linked with contemporary political and cultural developments. He shows how the political situation of the church in Italy and a culture that privileged female spirituality and prophetic speech facilitated Catherine's emergence into a public role. The Catherine who emerges from Luongo's well-written pages is a splendid example of what can result when a historian asks fresh questions about a familiar figure's life and brings new materials and methods to bear in formulating answers. The Saintly Politics of Catherine of Siena offers a woman more complex and interesting than the figure portrayed in most contemporary scholarship.
| Author | : Charles Trinkaus |
| Publisher | : Taylor & Francis |
| Total Pages | : 377 |
| Release | : 2024-10-28 |
| Genre | : History |
| ISBN | : 1040244246 |
Charles Trinkaus can be counted among the eminent intellectual and cultural historians of the Renaissance. This new collection of his articles brings together pieces published since 1982. The studies are concerned with Italian Renaissance humanists and philosophers who tended to affirm human capacities to shape earthly existence, despite the traditional limitations proposed by some scholastics and astrologers. Professor Trinkaus holds that, without abandoning their Christian faith, or their acceptance of physical influences from the cosmos, these writers, in their stress on human capacities, were responding to the vigorous activism of their contemporaries in all aspects of their existence. The final four papers also provide a series of reflections on the modern historiography of the Renaissance.
| Author | : Nicholas Terpstra |
| Publisher | : Cambridge University Press |
| Total Pages | : 284 |
| Release | : 2002-08-08 |
| Genre | : History |
| ISBN | : 9780521522618 |
An analysis of the social, political and religious role of confraternities in Renaissance Bologna, first published in 1995.
| Author | : Patrick Paul Macey |
| Publisher | : Oxford University Press |
| Total Pages | : 390 |
| Release | : 1998 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780198166696 |
Fra Girolamo Savonarola had a profound effect on the political and moral life of Florence in the 1490s, and his legacy lived on during the century after his execution in 1498, not just in Florence but in Ferrara and beyond the Alps, as far as Paris, Munich, and London. This study reconstructscontexts and musical settings for the popular tradition of sacred laude that were sung during the Savonarolan carnivals in 1496, 1497, and 1498. It further examines a broad network of patronage for the courtly tradition of Latin motets that provided elaborate musical settings for Savonarola'smeditations on Psalms 30 and 50. The friar's success in Florence can be partially attributed to his adoption of sacred laude (and the tunes of bawdy carnival songs) that had been promoted by Lorenzo de' Medici. The texts of the old carnival songs were suppressed, but the music was adapted to laudewith texts that proclaim the friar's prophecy of castigation and renewal. The citizens could thus internalize Savonarola's message by singing it. Savonarola himself wrote several lauda texts, and their musical settings are reconstructed here, as well as those for an underground tradition of laudewritten to venerate him after his execution. Part II turns to the courtly tradition and the Latin motet. Several Catholic patrons, scattered from Ferrara to France to England, were drawn to the friar's prison meditation on Psalms 30 and 50, and they commissioned elaborate musical settings of the opening words of both. A dozen motets on thefriar's psalm meditations can be traced from composes such as Willaert, Rore, Le Jeune, Lassus, and Byrd. Savonarola's highly personal texts inspired some of the most moving musical setings of the sixteenth century, in spite of the Church's unfavourable attitude toward the friar's disruptiveexample, which had set a precedent for Protestant reformers such as Martin Luther.
