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The Social Semiotics of Tattoos

The Social Semiotics of Tattoos
Author: Chris William Martin
Publisher: Bloomsbury Publishing
Total Pages: 224
Release: 2018-12-13
Genre: Social Science
ISBN: 1350056480

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Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice. Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.


The Social Semiotics of Tattoos

The Social Semiotics of Tattoos
Author: Chris William Martin
Publisher: Bloomsbury Publishing
Total Pages: 224
Release: 2018-12-13
Genre: Social Science
ISBN: 1350056499

Download The Social Semiotics of Tattoos Book in PDF, ePub and Kindle

Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice. Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.


Tattoo Culture

Tattoo Culture
Author: Lee Barron
Publisher: Rowman & Littlefield
Total Pages: 206
Release: 2017-05-31
Genre: Social Science
ISBN: 178348828X

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Tattoos are a highly visible social and cultural sight, from TV series that represent the lives of tattoo artists and their interactions with clients, to world-class sports stars and the social actors we meet on a daily basis who display visible tattoo designs. Whereas in the not-to-distant past tattoos were commonly culturally perceived to represent an outward sign of social non-conformity or even deviance, tattoos now increasingly transcend class, gender, and age boundaries and arguably are now more culturally acceptable than they have ever been. But why is this the case, and why do so many social actors elect to wear tattoos? Tattoo Culture explores these questions from historical, cultural and media perspectives, but also from the heart of the culture itself, from the dynamics of the tattoo studio, the work of the artist and the world of the tattoo convention, to the perspective of the social actors who bear designs to investigate the meanings which lie being the images. It critically examines the ways in which tattoos alter social actors’ sense of being and their relationship with time in the semiotic ways with which they communicate, to themselves or to the wider world, key elements of their bodily and personal identity and sense of being.


Tattooed Lives

Tattooed Lives
Author: Chris William Martin
Publisher:
Total Pages:
Release: 2018
Genre:
ISBN:

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This dissertation explores the increasingly popular practice of tattooing from the perspective of tattoo enthusiasts and tattoo artists. While the topic of tattoos and tattooing have been researched by sociologists and cultural theorists in the past, this treatment of the subject uniquely combines the perspectives of symbolic interactionism, social semiotics, and Bauman's ideas about liquid modernity, to help understand the meaning-making semiotic potential of tattoos for enthusiasts and artists within the context of their wider socio-cultural environments. This thesis is informed by in-depth qualitative research data gathered from over a year of ethnographic field research in a tattoo studio. It also offers enthusiast narratives which were gathered from semi-structured interviews. It is important to better understand a practice like tattooing in a post (or liquid) modern era which prizes a more ephemeral existence, especially in relation to fashion, technologies, and human relations. Appreciating the meanings and reasons behind tattoos and tattooing is highly relevant in order to understand why the practice is more common, culturally relevant, and artistic than ever before despite theories of impermanence associated with liquid modernity (Bauman 2000). Indeed, some estimates say that up to 40% of those 18-35 have at least one tattoo and that it is a billion-dollar industry (Pew Research 2008). My results show that despite liquid modern life, tattoo enthusiasts continue to indelibly mark their skin with ink to express (1) self- identity (2) cultural and gender shifts and (3) artistic and emotional connections. From the perspective of tattoo artists, this research shows how artists must demonstrate dramaturgical discipline and navigate symbolic interaction to effectively traverse the cultural shifts occurring in their practice and work with their clients to produce and coconstruct body art. These cultural shifts have led tattooists to become better known as tattoo artists and caused for tattoos to be more artistically demanding and aesthetically sophisticated than ever before.


Tattoo Histories

Tattoo Histories
Author: Sinah Theres Kloß
Publisher: Routledge
Total Pages: 335
Release: 2019-11-25
Genre: History
ISBN: 1000707989

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Tattoo Histories is an edited volume which analyses and discusses the relevance of tattooing in the socio-cultural construction of bodies, boundaries, and identities, among both individuals and groups. Its interdisciplinary approach facilitates historical as well as contemporary perspectives. Rather than presenting a universal, essentialized history of tattooing, the volume’s objective is to focus on the entangled and transcultural histories, narratives, and practices related to tattoos. Contributions stem from various fields, including Archaeology, Art History, Classics, History, Linguistics, Media and Literary Studies, Social and Cultural Anthropology, and Sociology. They advance the current endeavour on the part of tattoo scholars to challenge Eurocentric and North American biases prevalent in much of tattoo research, by including various analyses based in locations such as Malaysia, Israel, East Africa, and India. The thematic focus is on the transformative capacity of tattoos and tattooing, with regard to the social construction of bodies and subjectivity; the (re-)creation of social relationships through the definition of (non-)tattooed others; the formation and consolidation of group identities, traditions, and authenticity; and the conceptualization of art and its relevance to tattoo artist–tattooee relations.


Customizing the Body

Customizing the Body
Author: Clinton Sanders
Publisher: Temple University Press
Total Pages: 272
Release: 2009-08-21
Genre: Art
ISBN: 1592138896

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Tattoos as art, work, decoration and defiance.


Tatoos: Fashion trend vs. social symbol of communication

Tatoos: Fashion trend vs. social symbol of communication
Author: Kerstin Müller
Publisher: GRIN Verlag
Total Pages: 26
Release: 2004-10-09
Genre: Literary Collections
ISBN: 363831362X

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Seminar paper from the year 2002 in the subject English Language and Literature Studies - Other, grade: 2,0 (B), University of Bayreuth (Faculty for Literature Science and Linguistics), course: HS Dress Codes - Reading Fashion Cultures, language: English, abstract: In 1997, the Hartford Courant published the research results of the American Economic Information Service concerning those economic branches which have shown the highest rates of expansion in 1996. Among expected high-tech branches such as the Internet, for example, one branch, which had up to that point not even been regarded as an economic branch, appeared among first six ranks: the tattoo- ind ustry (Stirn 285). This example clearly shows that tattooing has intensely increased in popularity towards the end of the 20 th century. Tattooing is no longer a rarity, but is present in everyday life. Tattoos can be detected on various kinds of parts on the human body, and the motives appear in uncountable varieties of shape and design, with colours ranging from plain black to gaudy. Tattoos are especially popular among younger people between the age of 15 and 25. In general, the numbers range from seven to twenty million tattooed individuals for the United States, and state about two million for Germany (Stirn 285). These numbers are generally only rough estimations, because there is no reliable method of counting, and the results mainly rely upon accounts of recently developing tattoo associations. The focus of this paper shall lie on the function of the tattoo, namely whether or not the tattoo is just an ephemeral fashion trend or a lasting constituent of the human culture. It shall be analysed in what way tattooing can be regarded as fashion and to what degree it can be considered to be a social symbol in human interaction. First, a general history of tattooing shall be given, because the development is important for the comparison. In order to avoid obscurities concerning the term tattoo or tattooing a short definition shall be given here. According to Finke, several authors differ in their definition of tattoos. Some sources use tattooing as a general topic including all kinds of body modification, such as branding, scarification and body painting (Finke 15-17). In the course of this paper, the term tattoo shall only be used to describe the pemanent embedding of pigments into the skin, excluding scarification, body painting and branding. a The given definition excludes all other forms of body alteration but raises the need to differentiate further. There are tattoos which have not been obtained voluntarily, so-called compulsive tattoos which have been put on prisoners or soldiers throughout history. [...]


Tattoos and Popular Culture

Tattoos and Popular Culture
Author: Lee Barron
Publisher: Emerald Group Publishing
Total Pages: 123
Release: 2020-10-26
Genre: Social Science
ISBN: 1839092173

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The rise of tattoos into the mainstream has been a defining aspect of 21st century western culture. Tattoos and Popular Culture showcases how tattoos have been catapulted from 'deviant' and 'alternative' subculture, into a popular culture, becoming a potent signifier of 'difference' for the millennial generation.


Semiotics and Visual Communication III

Semiotics and Visual Communication III
Author: Evripides Zantides
Publisher: Cambridge Scholars Publishing
Total Pages: 673
Release: 2019-11-12
Genre: Literary Criticism
ISBN: 1527543323

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The chapters in this book consist of selected papers that were presented at the 3rd International Conference and Poster Exhibition on Semiotics and Visual Communication at the Cyprus University of Technology in November 2017. They investigate the theme of the third conference, “The Semiotics of Branding”, and look at branding and brand design as endorsing a reputation and inhabiting a status of almost mythical proportion that has triumphed over the past few decades. Emerging from its forerunner (corporate identity) to incorporate advertising, consumer lifestyles and attitudes, image-rights, market-research, customisation, global expansion, sound and semiotics, and “the consumer-as-the-brand”, the word “branding” currently appears to be bigger than its own umbrella definition. From tribal markers, such as totems, scarifications and tattoos, to emblems of power, language, fashion, architectural space, insignias of communal groups, heraldic devices, religious and political symbols, national flags and the like, a form of branding is at work that responds to the need to determine the presence and interaction of specific groups, persons or institutions through shared codes of meaning.


The Tattoo Project

The Tattoo Project
Author: Deborah Davidson
Publisher: Canadian Scholars
Total Pages: 226
Release: 2016-12-15
Genre: Social Science
ISBN: 1551309459

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Disrupting commonly held notions about who gets tattooed and why, The Tattoo Project describes, illustrates, and celebrates the social significances of commemorative tattoos. Written by scholars from various disciplines, as well as by community members and practitioners, this edited collection considers the meanings people make from their experiences of love, loss, trauma, resilience, and change, and why they choose to inscribe those meanings on their bodies. This methods-based text also examines the process of building a community-contributed digital archive of tattoo photos and stories, the result of which inspired the contributions to this book. Writing at the intersections between the public and the private, the authors consider the production and mobilization of knowledge across communities, disciplines, and space. Featuring beautiful tattoo photography, personal narratives from project participants, and original poetry by Priscila Uppal, The Tattoo Project is a novel read that bridges the gap between academic and popular audiences. This timely collection is a valuable resource for courses across the social sciences and humanities and for anyone interested in tattoos and their significance.