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| Author | : Justin A. Kerswell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Slasher films |
| ISBN | : 9781556520105 |
Packed with reviews of the best (and worst) slasher movies and illustrated with a collection of distinctive and often graphic poster artwork from around the world, this book looks at the political, cultural, and social influences on the slasher movie and its effect.
| Author | : Jim Harper |
| Publisher | : Headpress |
| Total Pages | : 196 |
| Release | : 2004 |
| Genre | : Fiction |
| ISBN | : 9781900486392 |
Combining in-depth analysis with over 200 film reviews, 'Legacy of Blood' is a comprehensive examination of the slasher movie and its conventions to date, from 'Halloweeen' to 'Scream' and beyond.
| Author | : Peter Normanton |
| Publisher | : Hachette UK |
| Total Pages | : 452 |
| Release | : 2012-10-18 |
| Genre | : Performing Arts |
| ISBN | : 1780330413 |
An engrossing A-Z of over 60 gory years of slasher and splatter movies, from Danny Boyle's 28 Days Later to Lucio Fulci's Zombie Flesh Eaters. Here you will find the low-down on over 250 movies with entries from 23 different countries. The index, which includes every movie mentioned in the A-Z and accompanying notes, runs to 540 movies. The book includes the list of video nasties which the UK government attempted to ban.
| Author | : Adam Rockoff |
| Publisher | : McFarland |
| Total Pages | : 223 |
| Release | : 2016-03-04 |
| Genre | : Performing Arts |
| ISBN | : 0786491922 |
John Carpenter’s Halloween, released on October 25, 1978, marked the beginning of the horror film’s most colorful, controversial, and successful offshoot—the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film’s characteristics, conventions, and cinematic devices, such as the “final girl,” the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool’s Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.
| Author | : J. A. Kerswell |
| Publisher | : CompanionHouse Books |
| Total Pages | : 224 |
| Release | : 2018-09 |
| Genre | : Slasher films |
| ISBN | : 9781620083079 |
"A comprehensive look at the slasher movie sub-genre, its highs and lows, its origins, and how it has adapted to survive despite critical attacks"--
| Author | : Sotiris Petridis |
| Publisher | : McFarland |
| Total Pages | : 179 |
| Release | : 2019-05-14 |
| Genre | : Performing Arts |
| ISBN | : 1476674310 |
The term "slasher film" was common parlance by the mid-1980s but the horror subgenre it describes was at least a decade old by then--formerly referred to as "stalker," "psycho" or "slice-'em-up." Examining 74 movies--from The Texas Chainsaw Massacre (1974) to Texas Chainsaw 3D (2013)--the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades. The slasher canon is divided into three eras: the classical (1974-1993), the self-referential (1994-2000) and the neoslasher cycle (2000-2013).
| Author | : J. A. Kerswell |
| Publisher | : New Holland Australia(AU) |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Slasher films |
| ISBN | : 9781847734525 |
The horrorfilm subgenre; slasher is described from the beginning 1978 until 1984, which is considered the pinnacle of this movement.
| Author | : Richard Nowell |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 300 |
| Release | : 2010-12-23 |
| Genre | : Performing Arts |
| ISBN | : 1441143165 |
Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.
| Author | : Jessica Robinson |
| Publisher | : Scarecrow Press |
| Total Pages | : 251 |
| Release | : 2012-06-07 |
| Genre | : Performing Arts |
| ISBN | : 0810885034 |
Horror and slasher films are often dismissed for their apparent lack of sophistication and dearth of redeemable values. However, despite criticism from film snobs who turn up their noses and moralists who look down upon the genre, slasher films are more than just movies filled with gory mayhem. Such films can actually serve a purpose and offer their audiences something more than split skulls and severed heads. In Life Lessons from Slasher Films, Jessica Robinson looks at representative works that have been scaring audiences for decades—from Alfred Hitchcock’s seminal shocker, Psycho, to the cult classic Black Christmas and iconic thrillers like The Texas Chainsaw Massacre, Halloween, Friday the 13th, and Scream. In this book, Robinson examines common themes that have emerged in these films, their various sequels, and countless imitators—a maniacal and seemingly indestructible executioner, sexual encounters that invariably lead to death, increasingly gruesome ways to slaughter helpless victims, and a lone female survivor who finds a way to vanquish the killer—and looks beyond such tropes for what these films can teach us about life. From practical advice (listen to your elders) to moral platitudes (teens never learn), each chapter considers a different “lesson” that these films teach. Robinson discusses how the events portrayed in slasher films can resonate with viewers and perhaps offer constructive advice on how to conduct our lives. A fun read for fans and scholars alike, Life Lessons from Slasher Films offers an entertaining and persuasive look at how life can imitate art, and what art can say about life.
| Author | : Marc Blake |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 270 |
| Release | : 2013-07-18 |
| Genre | : Performing Arts |
| ISBN | : 1441195068 |
Tales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay. Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio's franchises of the '30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.
