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The Sixteenth Century Italian Paintings: Venice 1540-1600

The Sixteenth Century Italian Paintings: Venice 1540-1600
Author: National Gallery (Great Britain)
Publisher: National Gallery Publications Limited
Total Pages: 518
Release: 2004
Genre: Art
ISBN: 9781857099133

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This volume catalogues paintings from Venice made between 1540 and 1600, and includes some of the greatest pictures in the National Gallery, London.


Painting in Sixteenth-century Venice

Painting in Sixteenth-century Venice
Author: David Rosand
Publisher:
Total Pages: 279
Release: 1997
Genre: Language Arts & Disciplines
ISBN: 9780521562867

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A study of sixteenth-century Venetian painting, concentrating on the work of Titian, Veronese, and Tintoretto.


Painting in Renaissance Venice

Painting in Renaissance Venice
Author: Peter Humfrey
Publisher: Yale University Press
Total Pages: 338
Release: 1995-01-01
Genre: Art
ISBN: 9780300067156

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The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.


The Sixteenth Century Italian Paintings

The Sixteenth Century Italian Paintings
Author: National Gallery (Great Britain)
Publisher: National Gallery London
Total Pages: 544
Release: 2004
Genre: Painting
ISBN:

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This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza. For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.


Painting in Italy, 1500-1600

Painting in Italy, 1500-1600
Author: Sydney Joseph Freedberg
Publisher: Yale University Press
Total Pages: 768
Release: 1993-01-01
Genre: Art
ISBN: 9780300055870

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'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.