The Third Line
Author | : Daniel Helfgot |
Publisher | : |
Total Pages | : 268 |
Release | : 2002-01-01 |
Genre | : Acting in opera |
ISBN | : 9780972174602 |
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Author | : Daniel Helfgot |
Publisher | : |
Total Pages | : 268 |
Release | : 2002-01-01 |
Genre | : Acting in opera |
ISBN | : 9780972174602 |
Author | : Betty Bannerman |
Publisher | : Victor Gollancz |
Total Pages | : 208 |
Release | : 1989-01-01 |
Genre | : Music |
ISBN | : 9780575043916 |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1989 |
Genre | : |
ISBN | : |
Author | : Ronnie Apter |
Publisher | : Bloomsbury Publishing |
Total Pages | : 309 |
Release | : 2016-05-19 |
Genre | : Language Arts & Disciplines |
ISBN | : 1472571908 |
Translating for Singing discusses the art and craft of translating singable lyrics, a topic of interest in a wide range of fields, including translation, music, creative writing, cultural studies, performance studies, and semiotics. Previously, such translation has most often been discussed by music critics, many of whom had neither training nor experience in this area. Written by two internationally-known translators, the book focusses mainly on practical techniques for creating translations meant to be sung to pre-existing music, with suggested solutions to such linguistic problems as those associated with rhythm, syllable count, vocal burden, rhyme, repetition and sound. Translation theory and translations of lyrics for other purposes, such as surtitles, are also covered. The book can serve as a primary text in courses on translating lyrics and as a reference and supplementary text for other courses and for professionals in the fields mentioned. Beyond academia, the book is of interest to professional translators and to librettists, singers, conductors, stage directors, and audience members.
Author | : Daniel Helfgot |
Publisher | : MacMillan Publishing Company |
Total Pages | : 264 |
Release | : 1993 |
Genre | : Music |
ISBN | : |
This text offers clear guidance in making music visual. It proposes that performers study the opera's score third line - movement, focus, facial expression and vocal inflections that can be naturally derived from the interaction of text and music - to transform the score into reality on the stage.
Author | : Clarie Croiza |
Publisher | : |
Total Pages | : |
Release | : 1989 |
Genre | : |
ISBN | : |
Author | : Claudia Angelelli |
Publisher | : John Benjamins Publishing |
Total Pages | : 150 |
Release | : 2004 |
Genre | : Language Arts & Disciplines |
ISBN | : 9789027216717 |
Through the development of a valid and reliable instrument, this book sets out to study the role that interpreters play in the various settings where they work, i.e. the courts, the hospitals, business meetings, international conferences, and schools. It presents interpreters' perceptions and beliefs about their work as well as statements of their behaviors about their practice. For the first time, the administration and results of a survey administered across languages in Canada, Mexico and the United States offer the reader a glimpse of the interpreters' views in their own words. It also discusses the tension between professional ideology and the reality of interpreters at work. This book has implications for the theory and practice of interpreting across settings.
Author | : Mary Dibbern |
Publisher | : |
Total Pages | : 332 |
Release | : 2001 |
Genre | : |
ISBN | : |
Author | : Dinda L. Gorlée |
Publisher | : Rodopi |
Total Pages | : 312 |
Release | : 2005 |
Genre | : Language Arts & Disciplines |
ISBN | : 9042016876 |
Vocal translation is an old art, but the interpretive feeling, skill and craft have expanded into a relatively new area in translation studies. Vocal translation is the translation of the poetic discourse in the hybrid art of the musicopoetic (or poeticomusical) forms, shapes and skills. This symbiotic construct harmonizes together the conflicting roles of music and language in face-to-face singing performances. ...] In opera, folksong, hymn and art song, as well as in operetta, musical song and popular song, we have musical genres allied to a libretto with lyrical text. A libretto is a linguistic textwhich is a pre-existing work of art, but is subordinated to the musical text. The essays in this volume provide interpretive models for the juxtaposition of different orders of the singing sign-events in different languages, extending the meaning and range of the musical and literary concepts, and putting the mixed signs to a true-and-false test.
Author | : Prof. Beverly Roberts Gaventa |
Publisher | : Abingdon Press |
Total Pages | : 1985 |
Release | : 2010-10-01 |
Genre | : Religion |
ISBN | : 1426735502 |
Pastors and students who want a one-volume commentary to complement the New Interpreter's Study Bible will be pleased to find in this resource the quality of scholarship that is a hallmark of other New Interpreter's Bible resources. The portability, accessibility, and affordability of the one-volume commentary will appeal to professors and students as well as lay persons and pastors. This commentary contains articles on all the books of the Bible, including the Apocrypha, as well as numerous general articles on biblical interpretation, geographical and historical setting, religion, text, canon, translation, Bible and preaching/teaching, with bibliographies for each article. Extra value includes: chronology/timeline, table of measures and money, and a subject index. Old Testament Editor: Dr. David L. Petersen, Franklin Nutting Parker Professor of Old Testament, Emory University. Professor Petersen's current research focuses on the book of Genesis and on prophetic literature. An ordained Presbyterian minister, Dr. Petersen has written, coauthored, or coedited a number of scholarly and popular books and articles. He was the senior Old Testament editor for The New Interpreter's Bible. Professor Petersen is a past president of the Society of Biblical Literature. New Testament Editor: Dr. Beverly Roberts Gaventa, Helen H.P. Manson Professor of New Testament Literature and Exegesis, Princeton Theological Seminary. Dr. Gaventa, whose specialties within the field of New Testament are the letters of Paul and Luke-Acts, is widely published. She is a member of the advisory board for the New Testament Library, a new commentary series for Westminster John Knox Press; editor of the Society of Biblical Literature’s Resources for Biblical Studies and a member of the editorial board of its Journal of Biblical Literature; and associate editor of the Catholic Biblical Quarterly.