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| Author | : Jennifer J. Smith |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2017-09-26 |
| Genre | : Literary Criticism |
| ISBN | : 1474423957 |
Explores the contradictory position of Arabic being both the official language and marginalized in Israel
| Author | : Susan Mann |
| Publisher | : Greenwood |
| Total Pages | : 256 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : |
This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. Choice During the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle. Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers.
| Author | : Patrick Gill |
| Publisher | : Routledge |
| Total Pages | : 405 |
| Release | : 2018-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 1351382136 |
The first major collection of essays on the contemporary British short story cycle, this volume offers in-depth explorations of the genre by comparing its strategies for creating coherence with those of the novel and the short story collection, inquiring after the ties that bind individual short stories into a cycle. A section on theory approaches the form from the point of view of genre theory, cognitive literary studies, and book studies. It is followed by investigations of hitherto neglected aspects of the generic tradition of the British short story cycle and how they relate to the contemporary outlook of the form. Readings of individual contemporary cycles, illustrating the form’s multifaceted uses from the presentation of sexual identities to politics and trauma, make up the third and most substantial part of the volume, placing its focus squarely on the past decades. Unique in its combination of a focus on the literary traditions, politics and markets of the UK with a thorough examination of the genre’s manifold formal and thematic potentials, the volume explores what is at the heart of the short story cycle as a literary form: the constant negotiation between unity and separateness, collective and individual, of coherence and autonomy.
| Author | : James Nagel |
| Publisher | : LSU Press |
| Total Pages | : 316 |
| Release | : 2004-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807129616 |
James Nagel offers the first systematic history and definition of the short-story cycle as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the genre, all praised by critics while uniformly misidentified as novels. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.
| Author | : Forrest L. Ingram |
| Publisher | : Walter de Gruyter |
| Total Pages | : 236 |
| Release | : 2012-05-02 |
| Genre | : Literary Criticism |
| ISBN | : 3110888548 |
| Author | : Maggie Dunn |
| Publisher | : Macmillan Reference USA |
| Total Pages | : 238 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : |
Critics have been aware for years that such literary works as Sherwood Anderson's Winesburg, Ohio, William Faulkner's Go Down, Moses and James Joyce's Dubliners do not fit comfortably into established genres. By proposing the name composite novel and a supportive, comprehensive theory of genre for these works, Maggie Dunn and Ann Morris break new critical ground. In tracing the development of this literary genre in the 19th and 20th centuries throughout the world, the authors offer not only a new way to understand these classics, but also a useful approach to the best contemporary fiction such as N. Scott Momaday's The Way to Rainy Mountain and Laura Esquivel's Like Water for Chocolate.
| Author | : Dominic Head |
| Publisher | : Cambridge University Press |
| Total Pages | : 1082 |
| Release | : 2016-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 1316739147 |
The Cambridge History of the English Short Story is the first comprehensive volume to capture the literary history of the English short story. Charting the origins and generic evolution of the English short story to the present day, and written by international experts in the field, this book covers numerous transnational and historical connections between writers, modes and forms of transmission. Suitable for English literature students and scholars of the English short story generally, it will become a standard work of reference in its field.
| Author | : Michelle Pacht |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 182 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : |
The Subversive Storyteller: The Short Story Cycle and the Politics of Identity in America examines how nineteenth- and twentieth-century American authors adapted and expanded the short story cycle to convey subversive or controversial ideas without alienating readers and threatening their ability to succeed within the literary marketplace. The twelve authors highlighted here come from a wide range of cultural, racial, and geographic backgrounds. Their texts represent different, more advanced stages in the development of the short story cycle as each exploits the fragmentation and inherent lack of cohesion of the genre to reflect the changing realities of life in America during key moments in its history. In tracing the development of the short story cycle through the first two centuries of Americaâ (TM)s literary tradition, The Subversive Storyteller fills a gap in existing scholarship on the genre. It examines how short story cycles by Washington Irving, Nathaniel Hawthorne, Sarah Orne Jewett, Charles W. Chesnutt, Willa Cather, Henry James, Ernest Hemingway, William Faulkner, Flannery Oâ (TM)Connor, Raymond Carver, Maxine Hong Kingston, and Louise Erdrich are held together, the publication history of each text (the parts as well as the whole), the revisions made by both authors and editors, and the state of the literary profession at the time each was written.
| Author | : Alice Munro |
| Publisher | : Vintage |
| Total Pages | : 301 |
| Release | : 2011-12-21 |
| Genre | : Fiction |
| ISBN | : 0307814580 |
“An exhilarating collection” (The New York Times Book Review) of ten blended stories from Nobel Prize–winning author Alice Munro “The rich texture of its narrative and the author’s graceful style make [The Beggar Maid] a considerable accomplishment.”—Joyce Carol Oates, Ms. In this vibrant series of interweaving stories, Alice Munro recreates the evolving bond—one that is both constricting and empowering—between two women in the course of almost forty years. One is Flo, practical, suspicious of other people’s airs, at times dismayingly vulgar. The other is Rose, Flo’s stepdaughter, a clumsy, shy girl who somehow—in spite of Flo’s ridicule and ghastly warnings—leaves the small town she grew up in to achieve her own equivocal success in the larger world.
| Author | : Rebecca Clarkson |
| Publisher | : Affirm Press |
| Total Pages | : 172 |
| Release | : 2017-04-01 |
| Genre | : Fiction |
| ISBN | : 1925475794 |
Everybody thinks they know this story. But do they? If you took a bird’s-eye view of any sprawling Australian regional town, you’d see ordinary Australians living on their ordinary suburban blocks. Get closer. Peer through a window. In the town of Mount Barker, you might see Nathan Hearle obsessively recording the bark of a neighbourhood dog, or the Wheeler family sitting down for a meal and trying to come to terms with a shocking discovery. You might hear tales of fathers and their wayward sons, of widows who can’t forgive themselves, of children longed for and lost, of thwarted lust and of pure love. Within the shadows is an unspeakable crime. Rebekah Clarkson has created a compelling, slow-burning portrait of a town in the midst of major change as it makes the painful transformation from rural idyll to aspirational suburbia. What looked like redemption is now profound loss. What seemed spiteful can now be forgiven. A novel in stories, Barking Dogs is an assured debut from one of Australia’s most respected storytellers.
