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| Author | : Fiona Murphy |
| Publisher | : Text Publishing |
| Total Pages | : 311 |
| Release | : 2021-03-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1922330515 |
A vivid and essential memoir of deafness, disability and identity by Australian writer Fiona Murphy
| Author | : Roman Jakobson |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 348 |
| Release | : 2020-05-18 |
| Genre | : Foreign Language Study |
| ISBN | : 3112322215 |
No detailed description available for "The Sound Shape of Language".
| Author | : Fiona Murphy |
| Publisher | : Text Publishing |
| Total Pages | : 311 |
| Release | : 2021-03-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1925923916 |
A vivid and essential memoir of deafness, disability and identity by Australian writer Fiona Murphy
| Author | : James W. Moore |
| Publisher | : Butterworth-Heinemann |
| Total Pages | : 140 |
| Release | : 1993 |
| Genre | : Aids to navigation |
| ISBN | : 9780750616997 |
| Author | : Clemens Wöllner |
| Publisher | : Routledge |
| Total Pages | : 473 |
| Release | : 2017-04-07 |
| Genre | : Music |
| ISBN | : 1317173465 |
Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.
| Author | : Andrew Ruzkowski |
| Publisher | : Elj Publications |
| Total Pages | : 52 |
| Release | : 2013-04 |
| Genre | : |
| ISBN | : 9780615795720 |
We think we know language. We think it is ours. The body speaks it. Words are pieces and parts of humans. However, like people, language morphs. Andrew Ruzkowski investigates the complications of language in his long poem A Shape & Sound. The poet explores what words can do to us, in us, and for us. His love of writing, the world, and the beloved take us to a connected space. This long poem begs the reader to explore our collective and individual happenings.
| Author | : Timothy B Layden |
| Publisher | : Lulu.com |
| Total Pages | : 76 |
| Release | : 2010-11-16 |
| Genre | : Art |
| ISBN | : 1446644219 |
The Shape of sounds is a series of sound and visual art developed by synesthetic artistThe work explores how the invisible world of sound can manifest itself in visually through an overlapping of the senses.
| Author | : Victoria Meyers |
| Publisher | : Artifice Incorporated |
| Total Pages | : 144 |
| Release | : 2014 |
| Genre | : Architecture |
| ISBN | : 9781908967299 |
For the past 20 years, Victoria Meyers, a Founding Partner of hanrahanMeyers architects, has crafted an architectural and urban design practice that includes sound as an intimate aspect of the designed environment. Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This sequel to Designing with Light offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers' work with Stephen Vitiello, whose piece A Bell For Every Minute animated the New York High Line project, and her collaborations with composer and sound artist Michael Schumacher. Digital Water i-Pavilion, located opposite Ground Zero in Manhattan, has proved particularly innovative: Schumacher's score, developed especially for the building, has been etched into a glass facade which can be 'played' by the public via an app; onlookers direct their mobile phones at the glass to read and hear the music. Sound is not simply music however, and Meyers reflects upon this in her quest for an understanding of architecture as an auditory environment, through examples of buildings and materials which inspire and possess characteristic sonic properties.
| Author | : Michel Chion |
| Publisher | : Duke University Press |
| Total Pages | : 285 |
| Release | : 2015-12-17 |
| Genre | : Music |
| ISBN | : 082237482X |
First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.
| Author | : John van Opstal |
| Publisher | : Academic Press |
| Total Pages | : 438 |
| Release | : 2016-03-29 |
| Genre | : Science |
| ISBN | : 0128017252 |
The Auditory System and Human Sound-Localization Behavior provides a comprehensive account of the full action-perception cycle underlying spatial hearing. It highlights the interesting properties of the auditory system, such as its organization in azimuth and elevation coordinates. Readers will appreciate that sound localization is inherently a neuro-computational process (it needs to process on implicit and independent acoustic cues). The localization problem of which sound location gave rise to a particular sensory acoustic input cannot be uniquely solved, and therefore requires some clever strategies to cope with everyday situations. The reader is guided through the full interdisciplinary repertoire of the natural sciences: not only neurobiology, but also physics and mathematics, and current theories on sensorimotor integration (e.g. Bayesian approaches to deal with uncertain information) and neural encoding. Quantitative, model-driven approaches to the full action-perception cycle of sound-localization behavior and eye-head gaze control Comprehensive introduction to acoustics, systems analysis, computational models, and neurophysiology of the auditory system Full account of gaze-control paradigms that probe the acoustic action-perception cycle, including multisensory integration, auditory plasticity, and hearing impaired
