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The Secret Art of Antonin Artaud

The Secret Art of Antonin Artaud
Author: Jacques Derrida
Publisher: MIT Press (MA)
Total Pages: 184
Release: 1998
Genre: Art
ISBN:

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This is the first English translation of two famous texts on Antonin Artaud's drawings and portraits. The book includes a series of haunting photographs of Artaud by Georges Pastier.


Antonin Artaud

Antonin Artaud
Author: Edward Scheer
Publisher: Routledge
Total Pages: 216
Release: 2014-04-04
Genre: Art
ISBN: 1136480528

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This resource collects for the first time some of the best criticism on Artaud's life and work from writers such as Jacques Derrida, Julia Kristeva, Maurice Blanchot, Herbert Blau, Leo Bersani and Susan Sontag. Antonin Artaud was one of the most brilliant artists of the twentieth century. His writing influenced entire generations, from the French post-structuralists to the American beatniks. He was a key figure in the European cinema of the 1920s and '30s, and his drawings and sketches have been displayed in some of the major art galleries of the Western world. Possibly best known for his concept of a 'theatre of cruelty', his legacy has been to re-define the possibilities of live performance. Containing some of the most intellectually adventurous and emotionally passionate writings on Artaud, this book is essential reading for Artaud scholars working in arts disciplines including theatre, film, philosophy, literature and fine art.


Antonin Artaud

Antonin Artaud
Author: Paule Thevenin
Publisher: National Geographic Books
Total Pages: 0
Release: 2019-09-03
Genre: Art
ISBN: 0262039982

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Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896–1948)—stage and film actor, director, writer, and visual artist—was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theatre, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again.This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thévenin and the philosopher Jacques Derrida. “We won't be describing any paintings,” Derrida warns the reader. Derrida struggles with Artaud's peculiar language, punctuating his text with agitated footnotes and asides (asking at one point, “How will they translate this?”). Thévenin offers a more straightforward biographical and historical account. (It was on the walls of her apartment that Derrida first saw Artaud's paintings and drawings.) These two texts were previously published by the MIT Press in The Secret Art of Antonin Artaud without the artwork that is their subject. This book brings together art and text for the first time in English.


Artaud the Moma

Artaud the Moma
Author: Jacques Derrida
Publisher: Columbia University Press
Total Pages: 93
Release: 2017-09-19
Genre: Philosophy
ISBN: 0231543700

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In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Mômo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums, while playing off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida . . . will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida—and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist.


The theater and its double

The theater and its double
Author: Antonin Artaud
Publisher:
Total Pages: 159
Release: 1979
Genre: Theater
ISBN: 9780802141392

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How I Became One of the Invisible, new edition

How I Became One of the Invisible, new edition
Author: David Rattray
Publisher: MIT Press
Total Pages: 425
Release: 2019-09-17
Genre: Literary Collections
ISBN: 1635900727

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The only collection of Rattray's prose: essays that offer a kind of secret history and guidebook to a poetic and mystical tradition. In order to become one of the invisible, it is necessary to throw oneself into the arms of God... Some of us stayed for weeks, some for months, some forever. —from How I Became One of the Invisible Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers. Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.” Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.


Antonin Artaud

Antonin Artaud
Author: Antonin Artaud
Publisher: ABRAMS
Total Pages: 178
Release: 1996
Genre: Art
ISBN:

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Published to accompany exhibition held at the Museum of Modern Art, New York, 3/10/96 - 7/1/97.


Antonin Artaud

Antonin Artaud
Author: Ros Murray
Publisher: Springer
Total Pages: 178
Release: 2014-10-02
Genre: Fiction
ISBN: 1137310588

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This book serves as analysis of the aesthetics of materiality in the multifaceted work of Antonin Artaud, one of Twentieth-Century France's most provocative and influential figures, spanning literature, performance, art, cinema, media and critical theory.


Watchfiends & Rack Screams

Watchfiends & Rack Screams
Author: Antonin Artaud
Publisher:
Total Pages: 356
Release: 1995
Genre: Drama
ISBN:

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Translated by Clayton Eschleman A collection of writings ranging from cogent theoretical works to scatological glossolalia written during and after Artaud's incarceration in an aslum at Rodez creating one of the most powerful outpourings ever recorded.


Artaud and His Doubles

Artaud and His Doubles
Author: Kimberly Jannarone
Publisher: University of Michigan Press
Total Pages: 272
Release: 2012-06-26
Genre: Literary Criticism
ISBN: 0472035150

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DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div