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| Author | : Mike Thomas |
| Publisher | : Northwestern University Press |
| Total Pages | : 303 |
| Release | : 2012-06-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 0810128446 |
Descriptions of Chicago's Second City comedy theater group as told to the author by troup members and historical information collected by the author.
| Author | : Sam Wasson |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 632 |
| Release | : 2017-12-05 |
| Genre | : Performing Arts |
| ISBN | : 0544558251 |
“Like the best of his subjects, which include Stephen Colbert, Bill Murray and Tina Fey, Wasson has perfect timing.”—Minneapolis Star-Tribune Finalist for the 2017 George Freedley Memorial Award In this richly reported, scene-driven narrative, Sam Wasson charts the meteoric rise of improv from its unlikely beginnings in McCarthy-era Chicago. We witness the chance meeting between Mike Nichols and Elaine May, hang out at the after-hours bar where Dan Aykroyd hosted friends like John Belushi, Bill Murray, and Gilda Radner, and go behind the scenes of cultural landmarks from The Graduate to The Colbert Report. Along the way, we befriend pioneers such as Harold Ramis, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. “Compelling, absolutely unputdownable…And, in case you’re wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told.”—Booklist “One of the most important stories in American popular culture…Wasson may be the first author to explain [improv’s] entire history…a valuable book.”—The New York Times Book Review “Improv Nation masterfully tells a new history of American comedy…It holds the element of surprise—true to the spirit of its subject.”—Entertainment Weekly
| Author | : Nicole Kronzer |
| Publisher | : Abrams |
| Total Pages | : 342 |
| Release | : 2020-04-21 |
| Genre | : Young Adult Fiction |
| ISBN | : 1683358244 |
A funny and timely debut YA about the toxic masculinity at a famous improv comedy camp Seventeen-year-old Zelda Bailey-Cho has her future all planned out: improv camp, then Second City, and finally Saturday Night Live. She’s thrilled when she lands a spot on the coveted varsity team at a prestigious improv camp, which means she’ll get to perform for professional scouts—including her hero, Nina Knightley. But even though she’s hardworking and talented, Zelda’s also the only girl on Varsity, so she’s the target for humiliation from her teammates. And her 20-year-old coach, Ben, is cruel to her at practice and way too nice to her when they’re alone. Zelda wants to fight back, but is sacrificing her best shot at her dream too heavy a price to pay? Equal parts funny and righteous, Unscripted is a moving debut novel that Printz Award winner Nina LaCour calls “a truly special book, written at exactly the right time.”
| Author | : Lisa Rogak |
| Publisher | : Macmillan |
| Total Pages | : 302 |
| Release | : 2011-10-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 1429990546 |
A funny and personal portrait of the comedian who became the headline-making, ground-breaking star of The Colbert Report. "My name is Stephen Colbert, but I actually play someone on television named Stephen Colbert, who looks like me and talks like me, but who says things with a straight face [that] he doesn't mean."—Stephen Colbert No other comedian can generate headlines today the way Stephen Colbert can. With his appearance at a Congressional hearing, his rally in Washington, D.C., his bestselling book, his creation of the now-accepted word truthiness, and of course his popular TV show, nearly everyone (except the poor Congressional fools who agree to be interviewed on his show) has heard of him. Yet all these things are part of a character also named Stephen Colbert. Who is he really? In And Nothing But the Truthiness, biographer Lisa Rogak examines the man behind the character. She reveals the roots of his humor, growing up as the youngest of eleven siblings, and the tragedy that forever altered the family. She charts his early years earning his chops first as a serious acting student and later as a budding impov comic, especially his close connection with Amy Sedaris, which led to the cult TV show Strangers with Candy. And Rogak offers a look inside how The Daily Show works, and the exclusive bond that Colbert and Jon Stewart formed that would lead to Colbert's own rise to celebrity. A behind-the-scenes look into the world of one of the biggest comedians in America, And Nothing But the Truthiness is a terrific read for any resident of Colbert Nation.
| Author | : Paul Pringle |
| Publisher | : Celadon Books |
| Total Pages | : 259 |
| Release | : 2022-07-19 |
| Genre | : True Crime |
| ISBN | : 1250824095 |
"Pringle’s fast-paced book is a master class in investigative journalism... when institutions collude to protect one another, reporting may be our last best hope for accountability." —The New York Times For fans of Spotlight and Catch and Kill comes a nonfiction thriller about corruption and betrayal radiating across Los Angeles from one of the region's most powerful institutions, a riveting tale from a Pulitzer-prize winning journalist who investigated the shocking events and helped bring justice in the face of formidable odds. On a cool, overcast afternoon in April 2016, a salacious tip arrived at the L.A. Times that reporter Paul Pringle thought should have taken, at most, a few weeks to check out: a drug overdose at a fancy hotel involving one of the University of Southern California’s shiniest stars—Dr. Carmen Puliafito, the head of the prestigious medical school. Pringle, who’d long done battle with USC and its almost impenetrable culture of silence, knew reporting the story wouldn’t be a walk in the park. USC is one of the biggest employers in L.A., and it casts a long shadow. But what he couldn’t have foreseen was that this tip would lead to the unveiling of not one major scandal at USC but two, wrapped in a web of crimes and cover-ups. The rot rooted out by Pringle and his colleagues at The Times would creep closer to home than they could have imagined—spilling into their own newsroom. Packed with details never before disclosed, Pringle goes behind the scenes to reveal how he and his fellow reporters triumphed over the city’s debased institutions, in a narrative that reads like L.A. noir. This is L.A. at its darkest and investigative journalism at its brightest.
| Author | : Mike Thomas |
| Publisher | : Macmillan |
| Total Pages | : 337 |
| Release | : 2014-09-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250027969 |
Examines the life and career of the Saturday Night Live and NewsRadio cast member.
| Author | : Lygia Day Peñaflor |
| Publisher | : Roaring Brook Press |
| Total Pages | : 221 |
| Release | : 2016-08-23 |
| Genre | : Young Adult Fiction |
| ISBN | : 1626723702 |
Hollywood critics agree. Joss Byrd is "fiercely emotional," a young actress with "complete conviction," and a "powerhouse." Joss Byrd is America's most celebrated young actress, and but on the set of her latest project, a gritty indie film called The Locals, Joss's life is far from glamorous. While struggling with her mother's expectations, a crush on her movie brother, and a secret that could end her career, Joss must pull off a performance worthy of a star. When her renowned, charismatic director demands more than she is ready to deliver, Joss must go off-script to stay true to herself.
| Author | : Ellin Stein |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 357 |
| Release | : 2013-06-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 039308437X |
"Smart, knowing, and deeply reported, the definitive history of one of modern American humor’s wellsprings." —Kurt Andersen, author of Fantasyland, host of NPR’s Studio 360 Labor Day, 1969. Two recent college graduates move to New York to edit a new magazine called The National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists including Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted. Its excursions into live shows, records, and radio helped shape the anarchic earthiness of John Belushi, the suave slapstick of Chevy Chase, and the deadpan wit of Bill Murray, and brought them together with other talents such as Harold Ramis, Christopher Guest, and Gilda Radner. A new generation of humorists emerged from the crucible of the Lampoon to help create Saturday Night Live and the influential film Animal House, among many other notable comedy landmarks. Journalist Ellin Stein, an observer of the scene since the early 1970s, draws on a wealth of revealing, firsthand interviews with the architects and impresarios of this comedy explosion to offer crucial insight into a cultural transformation that still echoes today. Brimming with insider stories and set against the roiling political and cultural landscape of the 1970s, That’s Not Funny, That’s Sick goes behind the jokes to witness the fights, the parties, the collaborations—and the competition—among this fraternity of the self-consciously disenchanted. Decades later, their brand of subversive humor that provokes, offends, and often illuminates is as relevant and necessary as ever.
| Author | : C. A. Oakley |
| Publisher | : |
| Total Pages | : 276 |
| Release | : 1975 |
| Genre | : |
| ISBN | : |
| Author | : Amy E. Seham |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 292 |
| Release | : 2009-10-20 |
| Genre | : Social Science |
| ISBN | : 1496802020 |
On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer. American improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike Nichols and Elaine May) and the Second City, which launched the careers of many popular comedians, including Gilda Radner, John Belushi, and Mike Myers. Chicago continues to be a mecca for young performers who travel from faraway places to study improv. At the same time, the techniques of Chicago improv have infiltrated classrooms, workshops, rehearsals, and comedy clubs across North and South America, Europe, Australia, and Japan. Improv's influence is increasingly evident in contemporary films and in interactive entertainment on the internet. Drawing on the experiences of working improvisers, Whose Improv Is It Anyway? provides a never-before-published account of developments beyond Second City's mainstream approach to the genre. This fascinating history chronicles the origins of "the Harold," a sophisticated new "long-form" style of improv developed in the '80s at ImprovOlympic and details the importance and pitfalls of ComedySports. Here also is a backstage glimpse at the Annoyance Theatre, best known on the national scene for its production of The Real Live Brady Bunch. Readers will get the scoop on the recent work of players who, feeling excluded by early improv's "white guys in ties," created such independent groups as the Free Associates and the African American troupe Oui Be Negroes. There is far more to the art of improv than may be suggested by the sketches on Saturday Night Live or the games on Whose Line Is It Anyway? This history, an insider's look at the evolution of improv-comedy in Chicago, reveals the struggles, the laughter, and the ideals of mutual support, freedom, and openness that have inspired many performers. It explores the power games, the gender inequities, and the racial tensions that can emerge in improvised performance, and it shares the techniques and strategies veteran players use to combat these problems. Improv art is revealed to be an art of compromise, a fragile negotiation between the poles of process and product. The result, as shown here, can be exciting, shimmering, magical, and not exclusively the property of any troupe or actor.
