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"The Sculpture of Reform in North Italy, ca 1095-1130 "

Author: Dorothy F. Glass
Publisher: Routledge
Total Pages: 297
Release: 2017-07-05
Genre: Art
ISBN: 1351540580

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Entirely original in its methodology, this study offers a fresh approach to the study of Romanesque fa?e sculpture. Declining to revisit questions of artistic personalities, artistic style and connoisseurship, Dorothy F. Glass delves instead into the historical and historiographical context for a group of significant monuments erected in Italy between the last decade of the eleventh century and the first third of the twelfth century. In her reading, local culture takes precedence over names, context over connoisseurship; she argues that it was the cultural, intellectual and religious life of the abbeys of San Benedetto Po and Nonantola that provided the framework for the Reformist ethos of much of the sculpture adorning the cathedral of Modena. Glass argues that the monuments are deeply rooted in the concerns of the reform of the church, more commonly known as the Gregorian Reform, that these reform ideas and ideals were first fomented in monastic communities and then adopted by the new cathedrals built in cities that, freed of submission to imperial German rule, had recently rejoined the papal fold. The Sculpture of Reform in North Italy, ca 1095-1130: History and Patronage of Romanesque Fa?es moves scholarship beyond continuously reiterated opinions concerning style, attribution, chronology, origins and influence, instead opening new and fruitful lines of inquiry into the patronage and historical significance of these extraordinary monuments.


From Byzantine to Norman Italy

From Byzantine to Norman Italy
Author: Clare Vernon
Publisher: Bloomsbury Publishing
Total Pages: 249
Release: 2023-01-26
Genre: History
ISBN: 0755635752

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This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.


Early Gothic Column-figure Sculpture in France

Early Gothic Column-figure Sculpture in France
Author: Janet Ellen Snyder
Publisher: Ashgate Publishing, Ltd.
Total Pages: 316
Release: 2011
Genre: Art
ISBN: 9781409400653

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Richly illustrated, this book investigates human figural sculpture installed in church portals of mid-twelfth century France. Janet Snyder takes a close look at sculpture at more than twenty churches, describes represented ensembles, defines the language of textiles and dress, and investigates rationale and significance in context. She analyzes how patrons employed sculpture to express and shape perceived reality, using images of textiles and clothing that had political, economic, and social significances.


Between Prophecy and Apocalypse

Between Prophecy and Apocalypse
Author: Matthew Gabriele
Publisher: Oxford University Press
Total Pages: 159
Release: 2024-02-24
Genre: History
ISBN: 0198895518

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The tenth and eleventh centuries in medieval Europe are commonly seen as a time of uncertainty and loss: an age of lawless aristocrats, of weak political authority, of cultural decline and dissolute monks, and of rampant superstition. It is a period often judged from its margins, compared (mostly negatively) to what came before and what would follow. We impose upon it both a sense of nostalgia and a teleology, as they somehow knowingly foreshadow what is to come. Seeking to complicate this mischaracterisation, which is primarily the invention of nineteenth and early twentieth century historiography, this book maps the movement between two intellectual stances: a shift from prophetic to apocalyptic thinking. Although the roots of this change lay in Late Antiquity, the fulcrum of this transition lies in the tenth and eleventh centuries. Biblical commentators in the fourth and fifth centuries enforced a particular understanding of sacred time that held until the ninth century, when exegetes of the ninth century found in their commentaries a different plan for God's new chosen people. This came into stark relief as the new kingdom of Israel (the Frankish empire under the Carolingians) had splintered in the 840s. God was manifesting his displeasure with the chosen people by fire and sword. What was perhaps unforeseen was that these commentaries that were written in the specific context of the Carolingian Civil War would be heavily copied and read for the next 200 years. Ideas that formed in a world that actively lamented the loss of empire had to be translated to a world that could only dream of that empire. As they spread across Europe, these ideas became the basis for monastic educational practices, and bled into other types of textual production, such as supposedly "secular" histories. Between Prophecy and Apocalypse charts an intellectual transformation triggered when the prescriptions laid out towards the end of the Carolingian empire began to be "realized" in subsequent centuries. Nostalgia entwined with an attentiveness to possible futures and spun together so tightly as to become a double helix. Ultimately, this book will offer a way to understand the central Middle Ages, a period of dynamic intellectual ferment when ideas could inspire action and (seemingly banal) conceptions of time and history could inspire moments of dramatic transformation and horrific violence.


The Grove Encyclopedia of Medieval Art and Architecture

The Grove Encyclopedia of Medieval Art and Architecture
Author: Colum Hourihane
Publisher:
Total Pages: 4064
Release: 2012
Genre: Architecture, Medieval
ISBN: 0195395360

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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.


Sculptural Seeing

Sculptural Seeing
Author: Christopher R. Lakey
Publisher: Yale University Press
Total Pages: 241
Release: 2018-01-01
Genre: Art
ISBN: 0300232144

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Demonstrating the influence of optical science on medieval relief sculpture, this groundbreaking book reveals that the concepts that informed the codification of perspective by Renaissance painters were already being employed by sculptors centuries earlier.


Iconography Beyond the Crossroads

Iconography Beyond the Crossroads
Author: Pamela A. Patton
Publisher: Penn State Press
Total Pages: 483
Release: 2023-03-23
Genre: Art
ISBN: 0271093005

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This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.


Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150

Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150
Author: Karen Rose Mathews
Publisher: BRILL
Total Pages: 246
Release: 2018-01-03
Genre: History
ISBN: 9004360808

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In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.


Reading the Reverse Façade of Reims Cathedral

Reading the Reverse Façade of Reims Cathedral
Author: Donna L. Sadler
Publisher: Ashgate Publishing, Ltd.
Total Pages: 302
Release: 2012
Genre: Art
ISBN: 9781409432432

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Reading the Reverse Façade of Reims Cathedral bestows long overdue scholarly attention on the magnificent sculptural program of the reverse façade at Reims Cathedral, the coronation cathedral of French kings. Donna Sadler reveals how the imagery on the reverse façade not only conforms to a system of memory and mode of medieval narratology, but also articulates a dominant ideological position regarding the interdependence of ecclesiastical and royal powers.