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The Scene of Violence

The Scene of Violence
Author: Alison Young
Publisher: Routledge
Total Pages: 313
Release: 2009-12-04
Genre: Law
ISBN: 1134008716

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In the contemporary fascination with images of crime, violence gets under our skin and keeps us enthralled. The Scene of Violence explores the spectator’s encounter with the cinematic scene of violence – rape and revenge, homicide and serial killing, torture and terrorism. Providing a detailed reading of both classical and contemporary films – for example, Kill Bill, Blue Velvet, Reservoir Dogs, The Matrix, Psycho, The Accused, Elephant, Seven, Thelma & Louise, United 93, Zodiac, and No Country for Old Men – Alison Young returns the affective processes of the cinematic image to the study of law, crime and violence. Engaging with legal theory, cultural criminology and film studies, the book unfolds both our attachment to the authority of law and our identification with the illicit. Its original contribution is to bring together the cultural fascination of crime with a nuanced account of what it means to watch cinema. The Scene of Violence shows how the spectator is bound by the laws of film to the judgment of the crime-image.


Fight Write

Fight Write
Author: Carla Hoch
Publisher: Penguin
Total Pages: 240
Release: 2019-06-11
Genre: Language Arts & Disciplines
ISBN: 1440300739

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Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.


The Scene of Violence

The Scene of Violence
Author: Alison Young
Publisher: Routledge
Total Pages: 196
Release: 2009-12-04
Genre: History
ISBN: 1134008724

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A crucial question in the analysis of legal practices concerns the processes of identification with, in and as law – a question of how and by what route law achieves its ends. While it is conventional to interpret the practices of law through the institutional sources of the legal tradition, The Scene of Violence considers how law and legal practices figure in the cultural field; and, specifically, in film.


The Diabolic

The Diabolic
Author: S. J. Kincaid
Publisher: Simon and Schuster
Total Pages: 416
Release: 2016-11-01
Genre: Young Adult Fiction
ISBN: 1481472690

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“The perfect kind of high-pressure adventure.” —TeenVogue.com A New York Times bestseller! Red Queen meets The Hunger Games in this epic novel about what happens when a senator’s daughter is summoned to the galactic court as a hostage, but she’s really the galaxy’s most dangerous weapon in disguise. A Diabolic is ruthless. A Diabolic is powerful. A Diabolic has a single task: Kill in order to protect the person you’ve been created for. Nemesis is a Diabolic, a humanoid teenager created to protect a galactic senator’s daughter, Sidonia. The two have grown up side by side, but are in no way sisters. Nemesis is expected to give her life for Sidonia, and she would do so gladly. She would also take as many lives as necessary to keep Sidonia safe. When the power-mad Emperor learns Sidonia’s father is participating in a rebellion, he summons Sidonia to the Galactic court. She is to serve as a hostage. Now, there is only one way for Nemesis to protect Sidonia. She must become her. Nemesis travels to the court disguised as Sidonia—a killing machine masquerading in a world of corrupt politicians and two-faced senators’ children. It’s a nest of vipers with threats on every side, but Nemesis must keep her true abilities a secret or risk everything. As the Empire begins to fracture and rebellion looms closer, Nemesis learns there is something more to her than just deadly force. She finds a humanity truer than what she encounters from most humans. Amidst all the danger, action, and intrigue, her humanity just might be the thing that saves her life—and the empire.


Crime Scene

Crime Scene
Author: Jonathan Kellerman
Publisher: Ballantine Books
Total Pages: 431
Release: 2018-07-03
Genre: Fiction
ISBN: 1984818317

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NEW YORK TIMES BESTSELLER • A former star athlete turned deputy coroner is drawn into a brutal, complicated murder in this psychological thriller from a father-son writing team that delivers “brilliant, page-turning fiction” (Stephen King). Natural causes or foul play? That’s the question Clay Edison must answer each time he examines a body. Figuring out motives and chasing down suspects aren’t part of his beat—not until a seemingly open-and-shut case proves to be more than meets his highly trained eye. Eccentric, reclusive Walter Rennert lies cold at the bottom of his stairs. At first glance the scene looks straightforward: a once-respected psychology professor, done in by booze and a bad heart. But his daughter Tatiana insists that her father has been murdered, and she persuades Clay to take a closer look at the grim facts of Rennert’s life. What emerges is a history of scandal and violence, and an experiment gone horribly wrong that ended in the brutal murder of a coed. Walter Rennert, it appears, was a broken man—and maybe a marked one. And when Clay learns that a colleague of Rennert’s died in a nearly identical manner, he begins to question everything in the official record. All the while, his relationship with Tatiana is evolving into something forbidden. The closer they grow, the more determined he becomes to catch her father’s killer—even if he has to overstep his bounds to do it. The twisting trail Clay follows will lead him into the darkest corners of the human soul. It’s his job to listen to the tales the dead tell. But this time, he’s part of a story that makes his blood run cold. Praise for Crime Scene “You could drive yourself crazy trying to figure out who wrote what. . . . But whoever came up with the fine line, ‘When I meet new people, they’re usually dead,’ should pat himself on the back.”—The New York Times Book Review “A terrific book . . . Put Crime Scene at the top of your reading pile.”—Bookreporter “A character-driven, intricately plotted whodunit . . . Mystery readers will devour the book and look forward to the next father and son collaboration.”—Press Republican


Classical Film Violence

Classical Film Violence
Author: Stephen Prince
Publisher: Rutgers University Press
Total Pages: 350
Release: 2003
Genre: Performing Arts
ISBN: 9780813532813

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Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].


Covering Violence

Covering Violence
Author: Roger Simpson
Publisher: Columbia University Press
Total Pages: 324
Release: 2006-07-04
Genre: Language Arts & Disciplines
ISBN: 9780231508568

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Reporting on violence is one of the most problematic features of journalistic practice-the area most frequently criticized by the public and those on the receiving end of that coverage. Now in its second edition, Covering Violence remains a crucial guide for becoming a sensitive and responsible reporter. Discussing such topics as rape and the ethics of interviewing children, the book gives students and journalists a detailed understanding of what is happening "on the scene" of a violent event, including where a reporter can go safely and legally, how to obtain the most useful information, and how best to interview and photograph victims and witnesses. This second edition takes our turbulent postmillennium history into account and emphasizes the consequences of frequent exposure to traumatic events. It offers new chapters on 9/11 and terrorism, the Columbine school shootings, and the photographing of violent events, as well as additional profiles of Vietnamese American, Native American, and African American journalists. More essential than ever, Covering Violence connects journalistic practices to the rapidly expanding body of literature on trauma, post-traumatic stress disorder, and secondary traumatic stress, and pays close attention to current medical and political debates concerning victims' rights.


Intimate Violence

Intimate Violence
Author: Laura E. Tanner
Publisher: Indiana University Press
Total Pages: 188
Release: 1994-11-22
Genre: Literary Criticism
ISBN: 9780253115973

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"Tanner deals with the central question of all narrative texts: how the reader is manipulated into empathy or distance by the text.... This study... is the sort that needs to be redone in every classroom and by every mature reader.... Tanner offers provocative and useful discussions of rape and torture... " -- Choice "This thoughtful and disturbing book raises serious questions about 'the consequences... of reading representations of rape and torture.' " -- American Literature "In this incisive exploration of twentieth-century novels, art, and ads, Laura Tanner explains the mechanisms by which reader and viewer are implicated in violence. Equally effective as a challenge to textual assault is the grace and gentleness of Tanner's own prose. Intimate Violence signals the emergence of an astute and humane critical voice." -- Wendy Steiner Through an examination of such notorious works as The White Hotel and American Psycho, Laura Tanner leads us in a disturbing exploration of the reader's complicity with fictional depictions of intimate violence.


The Anatomy of Violence

The Anatomy of Violence
Author: Adrian Raine
Publisher: Pantheon
Total Pages: 501
Release: 2013
Genre: Law
ISBN: 0307378845

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Provocative and timely: a pioneering neurocriminologist introduces the latest biological research into the causes of--and potential cures for--criminal behavior. With an 8-page full-color insert, and black-and-white illustrations throughout.


Crime Scene Investigation

Crime Scene Investigation
Author: National Institute of Justice (U.S.). Technical Working Group on Crime Scene Investigation
Publisher:
Total Pages: 64
Release: 2000
Genre: Crime scene searches
ISBN:

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This is a guide to recommended practices for crime scene investigation. The guide is presented in five major sections, with sub-sections as noted: (1) Arriving at the Scene: Initial Response/Prioritization of Efforts (receipt of information, safety procedures, emergency care, secure and control persons at the scene, boundaries, turn over control of the scene and brief investigator/s in charge, document actions and observations); (2) Preliminary Documentation and Evaluation of the Scene (scene assessment, "walk-through" and initial documentation); (3) Processing the Scene (team composition, contamination control, documentation and prioritize, collect, preserve, inventory, package, transport, and submit evidence); (4) Completing and Recording the Crime Scene Investigation (establish debriefing team, perform final survey, document the scene); and (5) Crime Scene Equipment (initial responding officers, investigator/evidence technician, evidence collection kits).