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The Satirist

The Satirist
Author:
Publisher:
Total Pages: 44
Release: 1771
Genre: Christian poetry
ISBN:

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Gellius the Satirist

Gellius the Satirist
Author: Wytse Hette Keulen
Publisher: BRILL
Total Pages: 377
Release: 2009
Genre: Literary Criticism
ISBN: 9004169865

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Noting previously unrecognised allusions to literary works and contemporary events, this book presents an original portrait of the miscellanist Aulus Gellius ("Attic Nights") as a satirical writer and a Roman intellectual working within the cultural milieu of Antonine Rome.


George Du Maurier, the Satirist of the Victorians

George Du Maurier, the Satirist of the Victorians
Author: T. Martin Wood
Publisher: Good Press
Total Pages: 141
Release: 2019-12-12
Genre: Fiction
ISBN:

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"George Du Maurier, the Satirist of the Victorians" by T. Martin Wood delves into the life and artistry of George Du Maurier, a prominent satirist of the Victorian era. Wood's insightful analysis examines Du Maurier's caricatures, illustrations, and writings, highlighting his wit and social commentary. The book offers a deeper understanding of Du Maurier's role in shaping Victorian culture and his contribution to the art of satire.


The Satirist

The Satirist
Author: Dan Geddes
Publisher:
Total Pages: 192
Release: 2012-12-02
Genre: American wit and humor
ISBN: 9789081999700

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"Enjoy this hilarious collection of satires, reviews, news, poems, and short stories from The Satirist: America's Most Critical Journal."--P. [4] of cover.


The Satirist

The Satirist
Author: Theodore Draper
Publisher: Routledge
Total Pages: 393
Release: 2017-07-12
Genre: Literary Criticism
ISBN: 1351474634

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Satire takes as its subject the absurdity of human beings, their societies, and the institutions they create. For centuries, satirists themselves, scholars, critics, and psychologists have speculated about the satirist's reasons for writing, temperament, and place in society. The conclusions they have reached are sometimes contradictory, sometimes complementary, sometimes outlandish. In this volume, Leonard Feinberg brings together the major theories about the satirist, to provide in one book a summary of the problems that specialists have examined intensively in numerous books and articles. In part 1, Feinberg examines the major theories about the motivation of the satirist, and then proposes that "adjustment" comes most closely to answering this question. In his view, the satirist resolves his ambivalent relation to society through a playfully critical distortion of the familiar. The personality of the satirist, the apparently paradoxical elements of his nature, the problem of why so many great humorists are sad men, and the contributions of psychoanalysts are explored in part 2, where Feinberg contends that the satirist is not as abnormal as he has sometimes been made to seem, and that if he is a neurotic he shares traits of emotional or social alienation with many others. Part 3 explores the beliefs of satirists and their relation to the environment within which they function, particularly in the contexts of politics, religion, and philosophy. Feinberg stresses the ubiquity of the satirist and suggests that there are a great many people with satiric temperaments who fail to attain literary expression. Ranging with astonishing breadth, both historical and geographical, The Satirist serves as both an introduction to the subject and an essential volume for scholars. Brian A. Connery's introduction provides an overview of Feinberg's career and situates the volume in the intellectual currents in which it was written.


Satirizing the Satirist

Satirizing the Satirist
Author: Stephanie Barbé Hammer
Publisher: Dissertations-G
Total Pages: 164
Release: 1990
Genre: Literary Criticism
ISBN:

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The Practice of Satire in England, 1658–1770

The Practice of Satire in England, 1658–1770
Author: Ashley Marshall
Publisher: JHU Press
Total Pages: 452
Release: 2013-06-28
Genre: Literary Criticism
ISBN: 1421408171

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An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.