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The Rural Cemetery Movement

The Rural Cemetery Movement
Author: Jeffrey Smith
Publisher: Lexington Books
Total Pages: 181
Release: 2017-10-23
Genre: History
ISBN: 1498529011

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When Mount Auburn opened as the first “rural” cemetery in the United States in 1831, it represented a new way for Americans to think about burial sites. It broke with conventional notions about graveyards as places to bury and commemorate the dead. Rather, the founders of Mount Auburn and the spate of similar cemeteries that followed over the next three decades before the Civil War created institutions that they envisioned being used by the living in new ways. Cemeteries became places for leisure, communing with nature, and creating a version of collective memory. In fact, these cemeteries reflected changing values and attitudes of Americans spanning much of the nineteenth century. In the process, they became paradoxical: they were “rural” yet urban, natural yet designed, artistic yet industrial, commemorating the dead yet used by the living. The Rural Cemetery Movement: Places of Paradox in Nineteenth-Century America breaks new ground in the history of cemeteries in the nineteenth century. This book examines these “rural” cemeteries modeled after Mount Auburn that were founded between the 1830s and 1850s. As such, it provides a new way of thinking about these spaces and new paradigm for seeing and visiting them. While they fulfilled the sacred function of burial, they were first and foremost businesses. The landscape and design, regulation of gravestones, appearance, and rhetoric furthered their role as a business that provided necessary services in cities that went well beyond merely burying bodies. They provided urban green spaces and respites from urban life, established institutions where people could craft their roles in collective memory, and served as prototypes for both urban planning and city parks. These cemeteries grew and thrived in the second half of the nineteenth century; for most, the majority of their burials came before 1910. This expansion of cemeteries coincided with profound urban growth in the United States. Unlike their predecessors, founders of these burial grounds intended them to be used in many ways that reflected their views and values about nature, life and death, and relationships. Emphasis on worldly accomplishments increased with industrialization and growth in the United States, which was reflected in changing ways people commemorated their dead during the period under this study. Thus, these cemeteries are a prism through which to understand the values, attitudes, and culture of urban America from mid-century through the Progressive Era.


Grave Landscapes

Grave Landscapes
Author: James R. Cothran
Publisher: Univ of South Carolina Press
Total Pages: 391
Release: 2018-01-31
Genre: Gardening
ISBN: 1611177995

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Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.


Death and Rebirth in a Southern City

Death and Rebirth in a Southern City
Author: Ryan K. Smith
Publisher: JHU Press
Total Pages: 329
Release: 2020-11-17
Genre: History
ISBN: 142143928X

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This exploration of Richmond's burial landscape over the past 300 years reveals in illuminating detail how racism and the color line have consistently shaped death, burial, and remembrance in this storied Southern capital. Richmond, Virginia, the former capital of the Confederacy, holds one of the most dramatic landscapes of death in the nation. Its burial grounds show the sweep of Southern history on an epic scale, from the earliest English encounters with the Powhatan at the falls of the James River through slavery, the Civil War, and the long reckoning that followed. And while the region's deathways and burial practices have developed in surprising directions over these centuries, one element has remained stubbornly the same: the color line. But something different is happening now. The latest phase of this history points to a quiet revolution taking place in Virginia and beyond. Where white leaders long bolstered their heritage and authority with a disregard for the graves of the disenfranchised, today activist groups have stepped forward to reorganize and reclaim the commemorative landscape for the remains of people of color and religious minorities. In Death and Rebirth in a Southern City, Ryan K. Smith explores more than a dozen of Richmond's most historically and culturally significant cemeteries. He traces the disparities between those grounds which have been well-maintained, preserving the legacies of privileged whites, and those that have been worn away, dug up, and built over, erasing the memories of African Americans and indigenous tribes. Drawing on extensive oral histories and archival research, Smith unearths the heritage of these marginalized communities and explains what the city must do to conserve these gravesites and bring racial equity to these arenas for public memory. He also shows how the ongoing recovery efforts point to a redefinition of Confederate memory and the possibility of a rebirthed community in the symbolic center of the South. The book encompasses, among others, St. John's colonial churchyard; African burial grounds in Shockoe Bottom and on Shockoe Hill; Hebrew Cemetery; Hollywood Cemetery, with its 18,000 Confederate dead; Richmond National Cemetery; and Evergreen Cemetery, home to tens of thousands of black burials from the Jim Crow era. Smith's rich analysis of the surviving grounds documents many of these sites for the first time and is enhanced by an accompanying website, www.richmondcemeteries.org. A brilliant example of public history, Death and Rebirth in a Southern City reveals how cemeteries can frame changes in politics and society across time.


Modern Park Cemeteries

Modern Park Cemeteries
Author: Howard Evarts Weed
Publisher:
Total Pages: 188
Release: 1912
Genre: Cemeteries
ISBN:

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The Victorian Celebration of Death

The Victorian Celebration of Death
Author: James Stevens Curl
Publisher: Sutton Pub Limited
Total Pages: 330
Release: 2000
Genre: Social Science
ISBN: 9780750938730

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Professor Curl has fashioned an absorbing, lucid and entertaining book describing the Victorian response to the only certainty in life--death. It includes disposal of the dead, landscaped cemeteries funerals and more.


Changing Attitudes Toward Death

Changing Attitudes Toward Death
Author: Laura L. Graham
Publisher:
Total Pages: 298
Release: 1982
Genre: Cemeteries
ISBN:

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Silent City on a Hill

Silent City on a Hill
Author: Blanche M. G. Linden
Publisher:
Total Pages: 408
Release: 2007
Genre: Architecture
ISBN: 9781952620133

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This award-winning book offers an insightful inquiry into the intellectual and cultural origins of Mount Auburn Cemetery, the first landscape in the United States to be designed in the picturesque style. Inspired by developments in England and France, Mount Auburn, founded in 1831, became the prototype for the "rural cemetery" movement and was an important precursor of many of America's public parks, beginning with New York City's Central Park.


Song of Myself

Song of Myself
Author: Walt Whitman
Publisher: Gildan Media LLC aka G&D Media
Total Pages: 68
Release: 2024-03-20
Genre: Philosophy
ISBN: 1722525053

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One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”