The Roxburghe Ballads: Nos. 23-27, 1895-1901
Author | : William Chappell |
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Total Pages | : 0 |
Release | : 1966 |
Genre | : Ballads, English |
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Author | : William Chappell |
Publisher | : |
Total Pages | : 0 |
Release | : 1966 |
Genre | : Ballads, English |
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Author | : William Chappell |
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Total Pages | : 936 |
Release | : 1966 |
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Author | : William Chappell |
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Release | : 1966 |
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Release | : 1966 |
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Author | : W. (William) Chappell |
Publisher | : Hardpress Publishing |
Total Pages | : 692 |
Release | : 2012-01 |
Genre | : |
ISBN | : 9781290358880 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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Release | : 187? |
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Author | : William Chappell |
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Total Pages | : 643 |
Release | : 1966 |
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Author | : William Chappell |
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Total Pages | : 8 |
Release | : 1872 |
Genre | : Ballads, English |
ISBN | : |
Author | : Roxburghe Ballads |
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Total Pages | : 0 |
Release | : 1873 |
Genre | : Ballads, English |
ISBN | : |
Author | : Kevin Murphy |
Publisher | : Bucknell University Press |
Total Pages | : 319 |
Release | : 2013-01-30 |
Genre | : Literary Collections |
ISBN | : 1611484952 |
Studies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature. Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O’Driscoll, Ruth Perry