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The Roots of Visual Awareness

The Roots of Visual Awareness
Author: C.A. Heywood
Publisher: Elsevier
Total Pages: 349
Release: 2003-10-31
Genre: Psychology
ISBN: 0080498108

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The present volume was assembled in honor of Professor Alan Cowey FRS, and attempts to embrace his wide range of research interests in visual neuroscience. It is divided into four sections. The first contains a group of papers dealing with different fundamental aspects of the visual system, including the control and monitoring of eye movements. The second is concerned with the functional organization of cortical visual areas and their role in visual perception and visually guided action. The third addresses issues concerning color and motion perception, along with broader questions of visual attention; and the effects of selective brain damage on these different aspects of visual experience. The fourth and final section of the volume deals explicitly with questions relating to visual awareness, with particular emphasis on 'blindsight', a topic on which Alan Cowey has worked extensively in recent years, both in humans and in monkeys.


The Roots of Visual Awareness

The Roots of Visual Awareness
Author: Charles A. Heywood
Publisher:
Total Pages: 332
Release: 2004
Genre: Visual cortex
ISBN: 9780444801043

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Visual Perception

Visual Perception
Author: Michael T. Swanston
Publisher: Psychology Press
Total Pages: 308
Release: 2013-02-01
Genre: Psychology
ISBN: 1135431426

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Vision is our most dominant sense, from which we derive most of our information about the world. From the light that enters the eye and the processing in the brain that follows we can sense where things are, how they move and what they are. The first edition of Visual Perception took a refreshingly different approach to perception, starting from the function that vision serves for an active observer in a three-dimensional environment. This fully revised and expanded new edition continues this approach in contrast to the traditional textbook treatment of vision as a catalogue of phenomena. Following a general introduction to the main theoretical approaches, the authors discuss the historical basis of our current knowledge. Placing the study of vision in its historical context, they look at how our ideas have been shaped by art, optics, biology and philosophy as well as psychology. Visual optics and the neurophysiology of vision are also described. The core of the book covers the perception of location, motion and object recognition. There is a new chapter on representation and vision, including a section on the perception of computer generated images. This readable, accessible and truly relevant introduction to the world of perception aims to elicit both independent thought and further study. It will be welcomed by students of visual perception and those with a general interest in the mysteries of vision.


Visual Phenomenology

Visual Phenomenology
Author: Michael Madary
Publisher: MIT Press
Total Pages: 265
Release: 2016-12-10
Genre: Philosophy
ISBN: 0262035456

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Phenomenological and empirical methods of investigating visual experience converge to support the thesis that visual perception is an ongoing process of anticipation and fulfillment. In this book, Michael Madary examines visual experience, drawing on both phenomenological and empirical methods of investigation. He finds that these two approaches—careful, philosophical description of experience and the science of vision—independently converge on the same result: Visual perception is an ongoing process of anticipation and fulfillment. Madary first makes the case for the descriptive premise, arguing that the phenomenology of vision is best described as on ongoing process of anticipation and fulfillment. He discusses visual experience as being perspectival, temporal, and indeterminate; considers the possibility of surprise when appearances do not change as we expect; and considers the content of visual anticipation. Madary then makes the case for the empirical premise, showing that there are strong empirical reasons to model vision using the general form of anticipation and fulfillment. He presents a range of evidence from perceptual psychology and neuroscience, and reinterprets evidence for the two-visual-systems hypothesis. Finally, he considers the relationship between visual perception and social cognition. An appendix discusses Husserlian phenomenology as it relates to the argument of the book. Madary argues that the fact that there is a convergence of historically distinct methodologies itself is an argument that supports his findings. With Visual Phenomenology, he creates an exchange between the humanities and the sciences that takes both methods of investigation seriously.


Seeing Motion

Seeing Motion
Author: Romana Karla Schuler
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 304
Release: 2016-01-15
Genre: Art
ISBN: 3110422999

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Die avancierten Kunstschaffenden haben seit jeher innovativen Erfindungen aus dem Bereich der Naturwissenschaften zu den Themen Licht und Perspektive für ihre Darstellungen eingesetzt und dabei nachweislich sogenannte Sehapparate verwendet. Seit Anfang der zwanziger Jahre des 20. Jahrhunderts setzten sich Künstler wie Marcel Duchamp mit Scheinbewegungen auseinander. Aufbauend auf diesen frühen Ideen und künstlerischen Experimenten kam besonders die Scheinkontur durch die Beschäftigung mit Scheinräumlichkeit zu neuem Interesse, vor allem vonseiten der Vertreter der kinetischen Kunst und der Op-Art. Seeing Motion gibt einen Überblick entlang einer historischen Linie, die sich zwischen den Theorien der experimentellen visuellen Wahrnehmungsforschung (Hermann Helmholtz, Ernst Mach, Sigmund Exner, Wilhelm Stern, Vittorio Benussi, Max Wertheim, George Stratton, Ivo Kohler) bis hin zur apparativen Kunst (Alfons Schilling) sowie zur elektronisch-digitalen Kunst (Jeffrey Shaw, Peter Weibel) abzeichnet.


Seeing Motion

Seeing Motion
Author: Walter De Gruyter Incorporated
Publisher: Walter de Gruyter
Total Pages: 320
Release: 2015-09-01
Genre:
ISBN: 9783110423006

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The central focus of this publication is the synthesis of science and art in the field of visual perception, in particular how early 19th century perceptual research into illusions, kinetic illusory figures, and illusory movement influenced the apparative / machine, kinetic art of the 20th century and the computer-generated visual art of the 21st century.


Brain and Visual Perception

Brain and Visual Perception
Author: David H. Hubel M.D.
Publisher: Oxford University Press
Total Pages: 739
Release: 2004-10-14
Genre: Medical
ISBN: 0198039166

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This is the story of a hugely successful and enjoyable 25-year collaboration between two scientists who set out to learn how the brain deals with the signals it receives from the two eyes. Their work opened up a new area of brain research that led to their receiving the Nobel Prize in 1981. The book contains their major papers from 1959 to 1981, each preceded and followed by comments telling how and why the authors went about the study, how the work was received, and what has happened since. It begins with short autobiographies of both men, and describes the state of the field when they started. It is intended not only for neurobiologists, but for anyone interested in how the brain works-biologists, psychologists, philosophers, physicists, historians of science, and students at all levels from high school to graduate level.


Visual Perception

Visual Perception
Author: Vicki Bruce
Publisher: Psychology Press
Total Pages: 448
Release: 1996
Genre: Psychology
ISBN: 9780863774515

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This edition contains over 460 additional references and the treatment of visual psychology in the early chapters has been extensively revised.


Vision and Visual Perception

Vision and Visual Perception
Author: Duco A. Schreuder
Publisher: Archway Publishing
Total Pages: 765
Release: 2014-12-03
Genre: Science
ISBN: 1480812943

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Vision is about insight, and visual perception is about cognition - and they form the foundation of how we see the world. Duco A. Schreuder, a physicist and psychologist, explores the finer details of each in this groundbreaking book that explores human consciousness and perception. Sharing virtually everything he's learned over a varied career spanning more than sixty years, he examines a wide array of topics, including how we understand what we visually process, how we store and retrieve information, the role that neurons play in how what we see, and much more. While Schreuder isn't afraid to disagree with other leading thinkers, he relies on science and focuses on the facts behind it so you can understand lighting, visual perception, engineering design, and applied and experimental physics. Looking is about insight, whereas seeing is about knowledge, and you need to know how each one works to truly understand how humanity views the world. Whether you're an illuminating engineer considering the fundamentals of the trade or a student or professional in an allied discipline, you'll be well served by taking a closer look at Vision and Visual Perception.