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The Role of the Book in Medieval Culture

The Role of the Book in Medieval Culture
Author: Peter Ganz
Publisher: Brepols Pub
Total Pages: 286
Release: 1986-01-01
Genre: Literary Criticism
ISBN: 9782503780030

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In September 1982 a symposium of 'The Role of the Book in Medieval Culture' was held at Christ Church in Oxford. The present two volumes collect papers and chairmen's introductions.


The Book of Kells

The Book of Kells
Author: Carol Farr
Publisher: London ; Toronto : British Library and University of Toronto Press
Total Pages: 196
Release: 1997
Genre: Language Arts & Disciplines
ISBN: 9780802081575

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Created between the seventh and ninth centuries AD, The Book of Kells is one of the great cultural icons of the medieval West. In the past, it has received a great deal of popular and scholarly attention, but only recently has its labyrinth of meaning and references begun to be explored. In "The Book of Kells: Its Function and Audience," Carol Ann Farr builds on the work of liturgists, palaeographers, historians, and art historians to go beyond basic analysis to place The Book of Kells in the wider context of use and audience. Farr situates The Book of Kells as part of an evangelical tradition that used the physical appearance of the gospels as a tool of conversion. By examining the manuscript in its political, social, historical, and religious contexts, she provides a fresh perspective on this most famous of insular illuminated texts. In particular, Farr offers new and convincing readings of two of the most difficult images, the 'Temptation' and so-called 'Arrest'.


The Book of Memory

The Book of Memory
Author: Mary Carruthers
Publisher: Cambridge University Press
Total Pages: 875
Release: 2008-05-01
Genre: Literary Criticism
ISBN: 1107652251

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Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).


Mary Magdalene in Medieval Culture

Mary Magdalene in Medieval Culture
Author: Peter Loewen
Publisher: Routledge
Total Pages: 329
Release: 2014-03-26
Genre: Literary Criticism
ISBN: 1135081921

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This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene’s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.