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| Author | : Jennifer Greenburg |
| Publisher | : Center for American Places |
| Total Pages | : 124 |
| Release | : 2009 |
| Genre | : Photography |
| ISBN | : |
In this work, photographer Jennifer Greenburg offers a visual tour of a unique global subculture and her own place within it. The individuals her photographs capture are examples of the rockabilly scene, who have fully embraced the aesthetic values of the 1950s.
| Author | : Andrew Shaylor |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Portrait photography |
| ISBN | : 9781858945286 |
For enthusiasts, rockabilly isn’t just a kind of music; it’s a way of life. A raw fusion of rhythm and blues with country and western, rockabilly heralded the start of teenage rebellion in America in the early 1950s. The stripped-down sound witnessed a revival in the 1970s that has continued until today, with modern rockabillies embracing not only the music, but also the clothes, cars and lifestyle of the 1950s youth counterculture. Rockin’ is photographer Andrew Shaylor’s unique portrayal of the contemporary rockabilly scene. Granted exclusive access at events on both sides of the Atlantic, Shaylor captures the raw energy of the music and the commitment of the rockabilly community to authenticity. Featuring the history of the subculture by rockabilly legend Jerry Chatabox, this striking book evokes the passion and intensity of a scene that is as exciting today as it was more than 50 years ago.
| Author | : Max Décharné |
| Publisher | : Profile Books |
| Total Pages | : 336 |
| Release | : 2010-12-09 |
| Genre | : Music |
| ISBN | : 1847652417 |
Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. Dcharn traces the music to its Memphis roots.
| Author | : Salvatore Bellassai |
| Publisher | : Salux SC&S |
| Total Pages | : 100 |
| Release | : 2018-04-22 |
| Genre | : Art |
| ISBN | : |
Wave Of The Rock is a book of non-fiction, in which we will talk about how it can be seen from the same title, of music, mainly of rock music and the musical genres closest to it. More precisely, we will deal with the following musical genres: Foundations of Rock: Rock Blues, Rock and roll, Rock; Evolutions: Hard Rock and Heavy Metal, Melodic Rock (or Soft Rock), Psychedelic Rock, Grunge and Punk Rock, Pop Rock and New Wave, Thrash Metal; Further Evolutions and Transformations: Alternative Rock, Progressive Rock, Gothic Rock, and Electronic Rock. Jumps or references to other genres are not excluded. Everything will be treated with a deep and careful analysis from an instrumental point of view, gradually citing and speaking also of all the greatest protagonists who have marked these genres and indicating their most famous and most beautiful songs. Written by Salvatore Bellassai.
| Author | : Sheree Homer |
| Publisher | : McFarland |
| Total Pages | : 267 |
| Release | : 2015-02-12 |
| Genre | : Music |
| ISBN | : 0786458119 |
Rockabilly, a musical designation coined by Billboard magazine in the mid-1950s, is a rambunctious rhythmic style combining the liveliest elements of country, gospel, and rhythm and blues. Popularized by such performers as Elvis Presley, Buddy Holly and Ricky Nelson, rockabilly has been a major influence on the music of Bob Dylan, the Beatles and Bruce Springsteen (among many others). This book captures the essence of life on the road and in the recording studio through interviews with many of rockabilly's foremost artists. Among those sharing their experiences are Jerry Allison and Sonny Curtis of the Crickets, Sonny Burgess, Wanda Jackson, Glen Glenn, the Collins Kids, Charlie Gracie and Deke Dickerson. Also included are several rare publicity photos.
| Author | : Christine Sprengler |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2023 |
| Genre | : Motion pictures |
| ISBN | : 0190067349 |
"Fractured Fifties: The Cinematic Periodization and Evolution of a Decade presents a two-pronged argument that (1) cinema has helped define the 1950s by contributing in considerable and meaningful ways to the process of periodization and thus a general conception of the decade, and (2) cinema has fractured our sense of the 1950s. It challenges a reductive and fairly cohesive set of tropes with a complex amalgam of representations that also intervene in debates about historiography, historicity, cultural memory, mediation, nostalgia, and periodization. In other words, cinema has fractured our sense of the 1950s, yielding in the process a series of 1950s types or kinds, (e.g., The Leave it to Beaver Fifties, The Jukebox Fifties, and The Cold War Fifties, The Retromediated Fifties, etc.) as well as a wealth of critical insights into myriad pasts, presents, and the evolving relationships between them"--
| Author | : George H. Lewis |
| Publisher | : Popular Press |
| Total Pages | : 358 |
| Release | : 1993 |
| Genre | : Music |
| ISBN | : 9780879725747 |
This collection of essays examines modern country music in America, from its roots to today's music. Contributors look at aspects of the music as diverse as the creation of country culture in the honky tonk; the development of the Nashville music industry; and why country music singers are similar to the English romantic poets. Historians, sociologists, musicologists, folklorists, anthropologists, ethnographers, communication specialists, and journalists are all represented.
| Author | : Jeff Crosby |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Fairy tales |
| ISBN | : 9780823426669 |
Three billy goats outwit a troll that lives under the bridge they must cross on their way to Nanny May's Shimmy Shack.
| Author | : Bill C. Malone |
| Publisher | : University Press of Kentucky |
| Total Pages | : 397 |
| Release | : 2021-10-21 |
| Genre | : Music |
| ISBN | : 0813184347 |
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
| Author | : Nicholas F. Centino |
| Publisher | : University of Texas Press |
| Total Pages | : 219 |
| Release | : 2021-07-13 |
| Genre | : Social Science |
| ISBN | : 1477323341 |
Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these "Razabillies" partaking in a visibly "un-Latino" subculture that's thought of as a white person's fixation everywhere else? As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
