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The Ritual Theater of Aimé Césaire

The Ritual Theater of Aimé Césaire
Author: Marianne Wichmann Bailey
Publisher: Gunter Narr Verlag
Total Pages: 262
Release: 1992
Genre: Myth in literature
ISBN: 9783823346029

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World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre
Author: Don Rubin
Publisher: Routledge
Total Pages: 644
Release: 2013-10-08
Genre: Performing Arts
ISBN: 1136359281

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This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre
Author: Arthur Holmberg
Publisher: Routledge
Total Pages: 640
Release: 2014-06-03
Genre: Performing Arts
ISBN: 1136118365

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The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre
Author: Irving Brown (Consulting Bibliographer)
Publisher: Routledge
Total Pages: 1344
Release: 2013-10-11
Genre: Performing Arts
ISBN: 1136119086

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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.


Voices of Negritude in Modernist Print

Voices of Negritude in Modernist Print
Author: Carrie Noland
Publisher: Columbia University Press
Total Pages: 345
Release: 2015-04-28
Genre: Literary Collections
ISBN: 0231538642

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Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized—performed, reiterated, and created anew—by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal—and not merely thematic—elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person.


Black Theatre

Black Theatre
Author: Paul Carter Harrison
Publisher: Temple University Press
Total Pages: 436
Release: 2002-11
Genre: Literary Criticism
ISBN: 9781439901151

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An insider's view of Black theatres of the world and how they reflect their culture, concerns, and history.


Authenticity and Legitimacy in Minority Theatre

Authenticity and Legitimacy in Minority Theatre
Author: Patrice Brasseur
Publisher: Cambridge Scholars Publishing
Total Pages: 380
Release: 2010-04-16
Genre: Performing Arts
ISBN: 1443821845

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Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.


French Twentieth Bibliography

French Twentieth Bibliography
Author: Douglas W. Alden
Publisher: Susquehanna University Press
Total Pages: 564
Release: 1995-08
Genre: Reference
ISBN: 9780945636861

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This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.


Decolonising the Intellectual

Decolonising the Intellectual
Author: Jane Hiddleston
Publisher: Oxford University Press
Total Pages: 289
Release: 2014
Genre: History
ISBN: 1781380325

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This book explores the impossible dilemma facing Francophone intellectuals writing in the lead-up to decolonisation: How could they redefine their culture, and the 'humanity' they felt had been denied by the colonial project, in terms that did not replicate the French thinking by which they were formed?


Countermodernism and Francophone Literary Culture

Countermodernism and Francophone Literary Culture
Author: Keith Louis Walker
Publisher: New Americanists
Total Pages: 320
Release: 1999
Genre: Literary Criticism
ISBN:

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An examination of the regional and national commonalites and differences of francophone literary culture.