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| Author | : Monica Penick |
| Publisher | : Yale University Press |
| Total Pages | : 257 |
| Release | : 2019-01-01 |
| Genre | : Design |
| ISBN | : 0300234988 |
This fresh look at the Arts and Crafts Movement charts its origins in reformist ideals, its engagement with commercial culture, and its ultimate place in everyday households.
| Author | : Jonathan M. Woodham |
| Publisher | : Oxford Paperbacks |
| Total Pages | : 292 |
| Release | : 1997-04-10 |
| Genre | : Art |
| ISBN | : 9780192842046 |
A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
| Author | : Paul Betts |
| Publisher | : Univ of California Press |
| Total Pages | : 366 |
| Release | : 2004-06-09 |
| Genre | : Architecture |
| ISBN | : 0520941357 |
From the Werkbund to the Bauhaus to Braun, from furniture to automobiles to consumer appliances, twentieth-century industrial design is closely associated with Germany. In this pathbreaking study, Paul Betts brings to light the crucial role that design played in building a progressive West German industrial culture atop the charred remains of the past. The Authority of Everyday Objects details how the postwar period gave rise to a new design culture comprising a sprawling network of diverse interest groups—including the state and industry, architects and designers, consumer groups and museums, as well as publicists and women's organizations—who all identified industrial design as a vital means of economic recovery, social reform, and even moral regeneration. These cultural battles took on heightened importance precisely because the stakes were nothing less than the very shape and significance of West German domestic modernity. Betts tells the rich and far-reaching story of how and why commodity aesthetics became a focal point for fashioning a certain West German cultural identity. This book is situated at the very crossroads of German industry and aesthetics, Cold War politics and international modernism, institutional life and visual culture.
| Author | : Tim Brown |
| Publisher | : Harper Collins |
| Total Pages | : 278 |
| Release | : 2009-09-29 |
| Genre | : Business & Economics |
| ISBN | : 0061937746 |
In Change by Design, Tim Brown, CEO of IDEO, the celebrated innovation and design firm, shows how the techniques and strategies of design belong at every level of business. Change by Design is not a book by designers for designers; this is a book for creative leaders who seek to infuse design thinking into every level of an organization, product, or service to drive new alternatives for business and society.
| Author | : Roman Mars |
| Publisher | : Houghton Mifflin |
| Total Pages | : 405 |
| Release | : 2020 |
| Genre | : ARCHITECTURE |
| ISBN | : 0358126606 |
A beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcast
| Author | : Lynn Spigel |
| Publisher | : University of Chicago Press |
| Total Pages | : 404 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 0226769682 |
From the Publisher: While critics have long disparaged commercial television as a vast wasteland, TV has surprising links to the urbane world of modern art that stretch back to the 1950s and '60s during that era, the rapid rise of commercial television coincided with dynamic new movements in the visual arts-a potent combination that precipitated a major shift in the way Americans experienced the world visually. TV by Design uncovers this captivating story of how modernism and network television converged and intertwined in their mutual ascent during the decades of the cold war. Whereas most histories of television focus on the way older forms of entertainment were recycled for the new medium, Lynn Spigel shows how TV was instrumental in introducing the public to the latest trends in art and design. Abstract expressionism, pop art, art cinema, modern architecture, and cutting-edge graphic design were all mined for staging techniques, scenic designs, and an ever-growing number of commercials. As a result, TV helped fuel the public craze for trendy modern products, such as tailfin cars and boomerang coffee tables, that was vital to the burgeoning postwar economy. And along with influencing the look of television, many artists-including Eero Saarinen, Ben Shahn, Saul Bass, William Golden, and Richard Avedon-also participated in its creation as the networks put them to work designing everything from their corporate headquarters to their company cufflinks. Dizzy Gillespie, Ernie Kovacs, Duke Ellington, and Andy Warhol all stop by in this imaginative and winning account of the ways in which art, television, and commerce merged in the first decades of the TV age.
| Author | : Bill Burnett |
| Publisher | : Knopf |
| Total Pages | : 274 |
| Release | : 2016-09-20 |
| Genre | : Self-Help |
| ISBN | : 110187533X |
#1 NEW YORK TIMES BEST SELLER • At last, a book that shows you how to build—design—a life you can thrive in, at any age or stage • “Life has questions. They have answers.” —The New York Times Designers create worlds and solve problems using design thinking. Look around your office or home—at the tablet or smartphone you may be holding or the chair you are sitting in. Everything in our lives was designed by someone. And every design starts with a problem that a designer or team of designers seeks to solve. In this book, Bill Burnett and Dave Evans show us how design thinking can help us create a life that is both meaningful and fulfilling, regardless of who or where we are, what we do or have done for a living, or how young or old we are. The same design thinking responsible for amazing technology, products, and spaces can be used to design and build your career and your life, a life of fulfillment and joy, constantly creative and productive, one that always holds the possibility of surprise.
| Author | : Richard Hollis |
| Publisher | : Yale University Press |
| Total Pages | : 288 |
| Release | : 2006-01-01 |
| Genre | : Design |
| ISBN | : 9780300106763 |
Originally published: London: Laurence King Pub., 2006.
| Author | : Matthew Wizinsky |
| Publisher | : MIT Press |
| Total Pages | : 347 |
| Release | : 2022-03-15 |
| Genre | : Design |
| ISBN | : 0262543567 |
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism—to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory—fields not usually seen as central to design—he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says—with the next project.
| Author | : Muzej za arhitekturo in oblikovanje |
| Publisher | : Park Publishing (WI) |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Bienale oblikovanja |
| ISBN | : 9783906027678 |
BIO 50 breaks with the traditional system of awards, choosing instead to award collaboration, its process and outcomes. Recognizing the idea that design is a discipline that permeates all layers of contemporary life, BIO launches an unprecedented effort to engage designers and agents from Slovenia and abroad in a collaborative approach that will address themes that affect everyday life. Guided by a group of mentors from various disciplines, eleven teams have tackled the topics Affordable Living Knowing Food Public Water, Public Space Walking the City Hidden Crafts The Fashion System Hacking Households Nanotourism Engine Blocks Observing Space Designing Life Each team has created specific projects that are developed and implemented during the Biennial. Drawing from the complex network generated around BIO 50, "Designing Everyday Life" serves as a reader, compiling written and visual material on the many layers that compose the biennial. Notes, essays, and interviews, along with sketches, photographs, and diagrams, are aggregating the manifold dimensions of each team s collaborative work process, and illuminate strategies and roles for design in a contemporary world. An opening section introduces the topics discussed throughout the different components of the publication, arguing new priorities for the design discipline in contemporary times. Essays and visual material come together to articulate new roles for a discipline that has changed beyond the universe of mass-made products and solutions, and instead inhabits a fundamentally new universe in a series of small-scale, customized scenarios. Exploring the changing definition of design will illuminate its possible future. The concluding chapter reflects on the history and legacy of the world s oldest design event. It uses the history of BIO as an opportunity to explore changes in the last fifty years within the design discipline, western society and everyday life. With contributions by Slovenian and international experts, a series of reflections on BIO as a meeting point for design between East and West in Central Europe allow to extrapolate conclusions about European design in the immediate future. "Designing Everyday Life" also features interviews with Alice Rawsthorn, design critic at New York Times, Konstantin Grcic, industrial designer, and Sasa Machtig, industrial designer. MAO co-produces "Designing Everyday Life" with "Z33," a space for contemporary art based in the Belgian city of Hasselt. Since 2002, Z33 has been realizing projects and exhibitions that encourage visitors to see everyday things in a new way. http: //www.z33.be/en/z33/mission "
