The Rhetoric of Music: A Theoretical Synthesis
| Author | : |
| Publisher | : Bailey |
| Total Pages | : 17 |
| Release | : |
| Genre | : |
| ISBN | : 0123456479 |
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Schenker's Argument and the Claims of Music Theory
| Author | : Leslie David Blasius |
| Publisher | : Cambridge University Press |
| Total Pages | : 176 |
| Release | : 1996-10-03 |
| Genre | : Music |
| ISBN | : 0521550858 |
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Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.
Musical-rhetorical Theory
| Author | : Michael A. Nealon |
| Publisher | : |
| Total Pages | : 278 |
| Release | : 1985 |
| Genre | : Music theory |
| ISBN | : |
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The Organ Works of Dietrich Buxtehude (1637-1707) and Musical-rhetorical Analysis and Theory
| Author | : Leon W. Couch |
| Publisher | : |
| Total Pages | : 652 |
| Release | : 2002 |
| Genre | : Doctrine of the affections |
| ISBN | : |
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Throughout history, rhetoricians, philosophers, poets, and musicians have extolled the relationship between language and music. Between the sixteenth and eighteenth centuries, music theorists applied rhetorical principles to melodic design, harmony, and form in order to harness the power of rhetoric in music. Teachers in Germany often instructed their young students to use musical rhetoric in hopes of moving audiences to various passions. This first part of this study summarizes the musica poetica tradition. In the second part, I examine modern adaptations of these historical theories and modern musical-rhetorical analyses of Dietrich Buxtehude's organ works. From these approaches and more modern theories, I synthesize an analytical approach that addresses musical rhetoric in Buxtehude's organ works. The thesis culminates with some exemplary analyses and suggestions for future research.
Wordless Rhetoric
| Author | : Cary C Boshamer Distinguished Professor Mark Evan Bonds |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1991-01-01 |
| Genre | : |
| ISBN | : 9780674733404 |
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The Rhetoric of Music
| Author | : Mortimer Wilson |
| Publisher | : |
| Total Pages | : 68 |
| Release | : 1907 |
| Genre | : Counterpoint |
| ISBN | : |
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Wordless Rhetoric
| Author | : Mark Evan Bonds |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1991 |
| Genre | : Music |
| ISBN | : |
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This study explores evolving ideas of musical form from a historical perspective and sheds light on current conceptualizations of music. The author examines the image--dominant among 18th-century composers and analysts--of music as a language, a kind of wordless discourse, which could move audiences. In his account of these changing perspectives, the author draws on the writings of a broad range of 18th- and 19th-century theorists. His analyses focus on specific sonata form movements by Haydn, Mozart, and Beethoven and are informed by the theoretical premises that characterize the composers' own times. In a final synthesis, the 18th-century rhetorical model - with its focus on the structural function of musical ideas and the role of the listener--emerges as a forerunner of today's listener-orientated and plot theories about musical form. The author makes use of literary theory to develop his innovative evaluation of musical form. In addition to the text, there are several musical examples included.
Music as Discourse
| Author | : Victor Kofi Agawu |
| Publisher | : Oxford University Press |
| Total Pages | : 345 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0190206403 |
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The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself.
Theory, Analysis and Meaning in Music
| Author | : Anthony Pople |
| Publisher | : Cambridge University Press |
| Total Pages | : 248 |
| Release | : 2006-11-02 |
| Genre | : Music |
| ISBN | : 9780521028301 |
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There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.
Musical Rhetoric
| Author | : Patrick Saint-Dizier |
| Publisher | : John Wiley & Sons |
| Total Pages | : 196 |
| Release | : 2014-10-06 |
| Genre | : Technology & Engineering |
| ISBN | : 1848215614 |
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Discourse analysis and rhetoric are very much developed in communication, linguistics, cognitive science and artificial intelligence. Besides theoretical investigations, discourse analysis is central in a number of application areas such as dialogue and negotiation, the semantic web, question answering or authoring systems. Music is also a natural language, more abstract and mathematical, which follows very strict construction principles. However, there is very limited and no recent literature on Music Discourse analysis using computational principles. This book aims at developing a central issue in musical discourse: modeling rhetoric and argumentation. It also contributes to the development of high-level multimedia annotation schemes for non-verbal communication.
