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| Author | : Morton Levitt |
| Publisher | : UPNE |
| Total Pages | : 222 |
| Release | : 2006 |
| Genre | : Fiction |
| ISBN | : 9781584655008 |
A wide-ranging response to The Rhetoric of Fiction.
| Author | : Wayne C. Booth |
| Publisher | : University of Chicago Press |
| Total Pages | : 253 |
| Release | : 1974-10-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0226065723 |
When should I change my mind? What can I believe and what must I doubt? In this new "philosophy of good reasons" Wayne C. Booth exposes five dogmas of modernism that have too often inhibited efforts to answer these questions. Modern dogmas teach that "you cannot reason about values" and that "the job of thought is to doubt whatever can be doubted," and they leave those who accept them crippled in their efforts to think and talk together about whatever concerns them most. They have willed upon us a "befouled rhetorical climate" in which people are driven to two self-destructive extremes—defenders of reason becoming confined to ever narrower notions of logical or experimental proof and defenders of "values" becoming more and more irresponsible in trying to defend the heart, the gut, or the gonads. Booth traces the consequences of modernist assumptions through a wide range of inquiry and action: in politics, art, music, literature, and in personal efforts to find "identity" or a "self." In casting doubt on systematic doubt, the author finds that the dogmas are being questioned in almost every modern discipline. Suggesting that they be replaced with a rhetoric of "systematic assent," Booth discovers a vast, neglected reservoir of "good reasons"—many of them known to classical students of rhetoric, some still to be explored. These "good reasons" are here restored to intellectual respectability, suggesting the possibility of widespread new inquiry, in all fields, into the question, "When should I change my mind?"
| Author | : Michaela Bronstein |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2018-04-03 |
| Genre | : Literary Criticism |
| ISBN | : 0190655402 |
How do novels travel through time? How might they endure in a changing world and reach the readers of an unknowable future? Modernist writers were eager to think of their books as reaching audiences they could not yet imagine. In recent years however, scholars of modernism have focused on pinning them down: putting these books in their context and these authors in their place. By looking to the future, scholars fear that looking to the future will make literature disengaged, irresponsible, or apolitical; the worry is that literature cannot escape its own moment without also evading the hard truths of history. Out of Context suggests an alternative to this scholarship, proposing that literature travels through time not by transcending history, but by adapting to historical change. The chapters of this book each pair a modernist author with a later reader. In each case, this future reader is also a novelist--someone who reads with an eye to form and craft, and who puts what they see to new use in their own novels. James Baldwin adapts Henry James's modes of characterization; Ngugi wa Thiong'o repurposes Joseph Conrad's nonchronological narratives; and Ken Kesey builds on William Faulkner's use of multiple perspectives. Reading the modernists through these authors' eyes offers a different perspective on them. Literary forms, in this history, do not have intrinsic political meanings; they have a multitude of political uses. Rather than see modernist literary form, in all its fragmentation and complexity, as a source of disruption and doubt, these later authors use modernist forms to distill doubts into conviction. The experiments of modernist fiction stand revealed as tools not of political critique but of political commitment.
| Author | : David Burchell |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351901788 |
These essays throw new light on the complex relations between science, literature and rhetoric as avenues to discovery in the seventeenth and eighteenth centuries. Scholars from a variety of disciplinary backgrounds examine the agency of early modern poets, playwrights, essayists, philosophers, natural philosophers and artists in remaking their culture and reforming ideas about human understanding. Analyzing the ways in which the works of such diverse writers as Shakespeare, Bacon, Hobbes, Milton, Cavendish, Boyle, Pope and Behn related to contemporary epistemological debates, these essays move us toward a better understanding of interactions between the sciences and the humanities during a seminal phase in the emergence of modern Western thought.
| Author | : Wayne C. Booth |
| Publisher | : University of Chicago Press |
| Total Pages | : 573 |
| Release | : 2010-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 0226065596 |
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."
| Author | : Tony E. Jackson |
| Publisher | : University of Michigan Press |
| Total Pages | : 236 |
| Release | : 1994 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780472105526 |
"Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to offer a new kind of literary history." "After exposing the seldom-discussed history of the self found in the work of Lacan, Jackson shows that the basic plot structure of realistic novels reveals an unconscious desire to preserve a certain kind of historically institutionalized self, but that the desire of realism to write the most real representation of reality steadily makes the self-preservation more difficult to sustain. Thus in following through on its own desire to prove the certainty of its being, realism eventually discovers its own impossibility. Jackson charts the resistances to and misrecognitions of this discovery as they are revealed in the changes of narrative form from Eliot's last, most ambitious novel, Daniel Deronda, through Conrad's most modernist novels, Lord Jim and Heart of Darkness, to Woolf's Mrs. Dalloway and The Waves. He ends with an appended consideration of the "Cyclops" and "Nausicaa" chapters from Joyces's Ulysses." "While other critics have argued that realism structures a certain self and modernism undoes that self, they have not attempted a historical explanation of why this change should have occurred. Jackson reads the emergence of modernism as a kind of generic self-analysis of realism, analogous to the self-analysis performed by Freud: when realism discovers the significance of its own desire to write the most real representation of reality, it has, in that moment, become modernism. It has grasped its own nature and so fully becomes itself, for the first time, as modernism." "The Subject of Modernism will appeal most obviously to readers of Victorian and modernist fiction, but it will also draw those interested in the history of the novel and in the idea of literary history in general. Finally, because of the way Jackson brings together fiction, psychoanalysis, and history, anyone interested in the history of aesthetics will find here new ways to examine particular art forms."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Megan Quigley |
| Publisher | : Cambridge University Press |
| Total Pages | : 243 |
| Release | : 2015-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 110708959X |
Modernist Fiction and Vagueness examines the development of the modernist novel in relation to changing approaches to philosophy. It argues that the puzzle of vagueness challenged the great thinkers of the early twentieth century and led to dramatic changes in both fiction and philosophy. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, this book posits that literary vagueness should be read as a defining quality of modernist fiction.
| Author | : David M. Ball |
| Publisher | : Northwestern University Press |
| Total Pages | : 245 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0810131137 |
From Herman Melville’s claim that “failure is the true test of greatness” to Henry Adams’s self-identification with the “mortifying failure in [his] long education” and William Faulkner’s eagerness to be judged by his “splendid failure to do the impossible,” the rhetoric of failure has served as a master trope of modernist American literary expression. David Ball’s magisterial study addresses the fundamental questions of language, meaning, and authority that run counter to well-rehearsed claims of American innocence and positivity, beginning with the American Renaissance and extending into modernist and contemporary literature. The rhetoric of failure was used at various times to engage artistic ambition, the arrival of advanced capitalism, and a rapidly changing culture, not to mention sheer exhaustion. False Starts locates a lively narrative running through American literature that consequently queries assumptions about the development of modernism in the United States.
| Author | : David Hayman |
| Publisher | : Cornell University Press |
| Total Pages | : 248 |
| Release | : 1987 |
| Genre | : Fiction |
| ISBN | : 9780801420054 |
| Author | : Allan Johnson |
| Publisher | : Springer |
| Total Pages | : 173 |
| Release | : 2017-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 3319655094 |
This book is about the modernist narrative voice and its correlation to medical, mythological, and psychoanalytic images of emasculation between 1919 and 1945. It shows how special-effects of rhetoric and form inspired by outré modernist developments in psychoanalysis, occultism, and negative philosophy reshaped both narrative structure and the literary depiction of modern masculine identity. In acknowledging early twentieth-century Anglo-American literature’s self-conscious and self-reflexive understanding of the effect of textual production, this engaging new study depicts a history of writers and readers understanding the role of textual absence in the development and chronicling of masculine anxiety and optimism.
