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The Renaissance Antichrist

The Renaissance Antichrist
Author: Jonathan B. Riess
Publisher:
Total Pages: 191
Release: 1995
Genre: Art
ISBN: 9780691040868

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A major monument, Luca Signorelli's Orvieto Cathedral frescoes rendered with vigor and invective the most ambitious consideration of the Apocalypse and the Last Judgment in Italian Renaissance art. In a fresh interpretation of these frescoes, Jonathan Riess explores the intriguing, violent style and complex iconography and places the works in their richly faceted historical setting. Begun by Fra Angelico in 1447 and completed by Signorelli at the turn of the century, the frescoes reflect the turmoil within the Papal States, the suffering brought on by a surge of natural disasters, the fear of the Turks, and the anti-Judaic campaigns of the day. The book centers on the mural depicting the "Rule of Antichrist," the single monumental portrayal of the subject during the Renaissance and a revealing indicator of widespread apocalyptic obsessions. Drawing on historical, theological, literary, and artistic sources, Riess examines the reasons behind the commissioning of the murals and considers the broad meaning of the program. "The Rule of Antichrist," for example, is seen as a "summa" of the doom-laden worlds of Rome and Orvieto and as a blistering condemnation of the political realm. Signorelli's references to Dante, Virgil, and Cicero and to contemporary theology and dramatic performances come into play as Riess interprets the monument as a representation of the struggle between a penitential Christianity and the forces of heresy and tyranny.


The friars and Jews in the Middle Ages and Renaissance

The friars and Jews in the Middle Ages and Renaissance
Author: Susan E. Myers
Publisher: BRILL
Total Pages: 353
Release: 2004
Genre: Social Science
ISBN: 9004113983

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Historians--some specializing in the Middle Ages, some in religion, and some in a particular European country--describe the major areas scholars are working in with regard to the friars' preaching to and writing about the Jews from the early days of the mendicant order about the turn of the 13th century to the 16th century. Their topics include the.


The Antichrist

The Antichrist
Author: Friedrich Nietzsche
Publisher: Courier Dover Publications
Total Pages: 99
Release: 2018-12-19
Genre: Philosophy
ISBN: 0486836193

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One of philosophy's most accessible and easily understood works, this denunciation of Christianity and organized religion consists of 62 brief chapters, each an aphorism that advances the philosopher's argument.


The Antichrist

The Antichrist
Author: Lucas Cranach The Elder
Publisher:
Total Pages: 30
Release: 2011-06
Genre:
ISBN: 9781770832176

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Lucas Cranach the Elder (Lucas Cranach der Altere, 4 October 1472 - 16 October 1553), was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm, becoming a close friend of Martin Luther. He also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. He had a large workshop and many works exist in different versions; his son Lucas Cranach the Younger, and others, continued to create versions of his father's works for decades after his death.


The Roman Monster

The Roman Monster
Author: Lawrence Buck
Publisher: Penn State Press
Total Pages: 396
Release: 2014-02-22
Genre: Religion
ISBN: 1612481078

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In December 1495 the Tiber River flooded the city of Rome causing extensive drowning and destruction. When the water finally receded, a rumor began to circulate that a grotesque monstrosity had been discovered in the muddy detritus—the Roman monster. The creature itself is inherently fascinating, consisting of an eclectic combination of human and animal body parts. The symbolism of these elements, the interpretations that religious controversialists read into them, and the history of the image itself, help to document antipapal polemics from fifteenth-century Rome to the Elizabethan religious settlement. This study examines the iconography of the image of the Roman monster and offers ideological reasons for associating the image with the pre-Reformation Waldensians and Bohemian Brethren. It accounts for the reproduction and survival of the monster's image in fifteenth-century Bohemia and provides historical background on the topos of the papal Antichrist, a concept that Philip Melanchthon associated with the monster. It contextualizes Melanchthon’s tract, “The Pope-Ass Explained,” within the first five years of the Lutheran movement, and it documents the popularity of the Roman monster within the polemical and apocalyptic writings of the Reformation. This is a careful examination and interpretation of all relevant primary documents and secondary historical literature in telling the story of the origins and impact of the most famous monstrous portent of the Reformation era.


Spectacle and Public Performance in the Late Middle Ages and the Renaissance

Spectacle and Public Performance in the Late Middle Ages and the Renaissance
Author:
Publisher: BRILL
Total Pages: 286
Release: 2006-04-01
Genre: History
ISBN: 9047408802

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No volume about the spectacles and public performances of early modern England could pretend to treat comprehensively a body of materials so conspicuously vast. Rather than efforts to survey the territory, these essays are best understood in the original sense of the term as “essays”—as trials, attempts, experiments to open alternative ways of understanding that vast corpus of mystery plays, civic pageants, court masques and professional dramas that constitute its subject. The book crosses traditional period lines, including studies of Medieval as well as Renaissance entertainments. Once more, the essays are not organized according to a single critical or historical methodology. They employ an eclectic range of interpretive practices, reflecting the variety of interpretive approaches now current in the field. Contributors include: Tiffany J. Alkan, Robert W. Barrett, Jr., Sarah Beckwith, Tom Bishop, Peter Cockett, Richard K. Emmerson, Peter Holland, Nora Johnson, Richard C. McCoy, Lauren Shohet, and Robert E. Stillman.


Behold the Antichrist

Behold the Antichrist
Author: Delos Banning Mckown
Publisher: Prometheus Books
Total Pages: 417
Release: 2010-12
Genre: Philosophy
ISBN: 1615925376

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During his long, productive life the great English philosopher and exponent of utilitarianism Jeremy Bentham (1748-1832) wrote not just on political philosophy but also clandestinely on religion. Under the pseudonym of Philip Beauchamp he published an attack on natural religion called "Analysis of the Influence of Natural Religion on the Temporal Happiness of Mankind" and under the pseudonym of Gamaliel Smith he published a book of New Testament criticism called "Not Paul, But Jesus." In addition, Bentham bravely released under his own name" Church-of-Englandism and Its Catechism Examined," a thorough, biting critique of Anglican doctrine. These little-known works are discussed at length by philosopher Delos B. McKown in this informative contribution to Bentham scholarship. McKown introduces these major works on religion, and then presents an extensive synopsis of each. He defends Bentham against the criticisms of opponents where necessary, but does not hesitate to criticize Bentham when he feels he goes astray. McKown also shows how Bentham's attacks on the Christianity of his time, which denigrated human life in the here-and-now for some imagined future postmortem state of glory, fully complemented his utilitarian philosophy of the greatest happiness to the greatest number of people. This thorough analysis of three little-known works by one of philosophy's great minds makes an outstanding contribution to Bentham scholarship and will be of interest to humanists and philosophers of religion.


The Renaissance Battle for Rome

The Renaissance Battle for Rome
Author: Susanna de Beer
Publisher: Oxford University Press
Total Pages: 277
Release: 2024-01-31
Genre: History
ISBN: 0198878907

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The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient Romeâe"a battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domainsâe"power, morality, cityscape and literatureâe"in which ancient Rome represented a particularly powerful example, this book traces the contours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves in their work, acting both as "spin doctors" and "new Romans", while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture as a constant negotiation between appropriating and contesting the idea and ideal of "Rome."


The Antichrist

The Antichrist
Author: Philip C. Almond
Publisher: Cambridge University Press
Total Pages: 341
Release: 2020-10
Genre: Religion
ISBN: 1108479650

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A complete history of the Antichrist, Satan's son, within the context of Western expectations of the end of the world.


Nietzsche and The Antichrist

Nietzsche and The Antichrist
Author: Daniel Conway
Publisher: Bloomsbury Publishing
Total Pages: 280
Release: 2019-01-24
Genre: Religion
ISBN: 1350016896

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This collection both reflects and contributes to the recent surge of philosophical interest in The Antichrist and represents a major contribution to Nietzsche studies. Nietzsche regarded The Antichrist, along with Zarathustra, as his most important work. In it he outlined many epoch-defining ideas, including his dawning realisation of the 'death of God' and the inception of a new, post-moral epoch in Western history. He called the work 'a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed'. One certainly need not share Nietzsche's estimation of his achievement in The Antichrist to conclude that there is something significant going on in this work. Indeed, even if Nietzsche overestimated its transformative power, it would be valuable nonetheless to have a clearer sense of why he thought so highly of this particular book, which is something of an outlier in his oeuvre. Until now, there has been no book that attempts to account with philosophical precision for the multiple themes addressed in this difficult and complex work.