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The Religious Paintings of Hendrick ter Brugghen

The Religious Paintings of Hendrick ter Brugghen
Author: NatashaT. Seaman
Publisher: Routledge
Total Pages: 198
Release: 2017-07-05
Genre: Art
ISBN: 1351541129

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The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.


The Religious Paintings of Hendrick Ter Brugghen

The Religious Paintings of Hendrick Ter Brugghen
Author: Natasht. Seaman
Publisher: Routledge
Total Pages: 194
Release: 2017-05-31
Genre:
ISBN: 9781138109650

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The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.


The Paintings of Hendrick Ter Brugghen, 1588-1629

The Paintings of Hendrick Ter Brugghen, 1588-1629
Author: Leonard Joseph Slatkes
Publisher:
Total Pages: 506
Release: 2007
Genre: Art
ISBN:

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The Paintings of Hendrick ter Brugghen (1588-1629), is the first major study of this important early seventeenth-century master since Benedict Nicolson's classic monograph of 1958. It comprises two chapters that explore ter Brugghen's development as an artist and the reception of his work among contemporaries, followed by a truly monumental catalogue raisonné of ter Brugghen's 89 authentic paintings, 54 pictures associated with the artist and/or his workshop, 141 rejected works, 42 lost works, and lastly, 10 drawings that have been linked to ter Brugghen directly or related to his paintings. Already celebrated during his lifetime, and avidly collected by elite cognescenti in the Dutch Republic and abroad, ter Brugghen executed a dazzling variety of paintings, ranging from Bible subjects and saints, to fascinating mythological images, as well as scenes of daily life, including musicians. Although his knowledge of paintings by Caravaggio that he had seen during his early sojourn in Rome always remained acute, these experiences were continually tempered by his awareness of older Northern European artistic traditions and conventions, with the result that ter Brugghen created pictures whose subject matter and style are fascinating, and at times, unique. Until his untimely death in August of 2003, Leonard J. Slatkes was Distinguished Professor of Art History at Queens College of the City University of New York, NY. He was an internationally renowned expert on the art of the Dutch Caravaggisti, to whom he had devoted many essays, books, and exhibition catalogues. Slatkes had begun conducting research on ter Brugghen's paintings in the 1960's, with the expectation of eventually publishing a new monograph on the artist. Wayne Franits, a former student of Slatkes's, is currently Professor of Fine Arts at Syracuse University, Syracuse, NY. He has authored numerous publications on seventeenth-century Dutch and Flemish art.


Roman Charity

Roman Charity
Author: Jutta Gisela Sperling
Publisher: transcript Verlag
Total Pages: 431
Release: 2016-10-31
Genre: Art
ISBN: 3839432847

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»Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.


Dutch Paintings of the Seventeenth Century

Dutch Paintings of the Seventeenth Century
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
Total Pages: 0
Release: 1995
Genre: Painting
ISBN: 9780894682117

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Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.


The Bloemaert Effect

The Bloemaert Effect
Author: Liesbeth M. Helmus
Publisher: Michael Imhof Verlag
Total Pages: 0
Release: 2011
Genre: Art, Dutch
ISBN: 9783865687319

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Celebrating the father of the Utrecht School, this record delves into the life of the extraordinary Dutch painter Abraham Bloemaert. A concise biography illustrates how he formed and experienced at least three important styles of art in his time: mannerism, Caravaggism, and classicism, producing works in nearly all possible genres. A presentation of this obscure artist’s accomplishments in a fantastic exhibition, this work demonstrates why Bloemaert had such a wide influence on painting in the northern Netherlands of the 17th century. Exploring his role as a teacher in addition to his exceptional talent for drawing, this book also examines the Utrecht specialty of painting cycles as well as specific pieces by Bloemaert, such as his altarpieces, religious and mythological works, genre scenes, landscapes, and still lifes.


Masters of Light

Masters of Light
Author: Joaneath Ann Spicer
Publisher: Yale University Press
Total Pages: 480
Release: 1997
Genre: Art
ISBN: 9780300073393

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Provides a comprehensive treatment of the achievements of the school of the Dutch Golden Age. The volume is the catalogue for an exhibition at the Fine Arts Museum of San Francisco; the Walters Art Gallery, Baltimore; and the National Gallery, London, (May-July 1998).


JAN VAN BIJLERT.

JAN VAN BIJLERT.
Author: Paul Huys Janssen
Publisher: John Benjamins Publishing Company
Total Pages: 408
Release: 1998
Genre: Art
ISBN:

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This catalogue includes all of van Bijlert's known works - historical scenes, genre paintings, and portraits. Placing van Bijlert in an historical context, the text focuses firstly on the life and career of the painter, and then describes van Bijlert's place in art history.


Utrecht, Caravaggio and Europe

Utrecht, Caravaggio and Europe
Author: Marten Jan Bok
Publisher: Hirmer Verlag GmbH
Total Pages: 0
Release: 2018
Genre: Mannerism (Art)
ISBN: 9783777431338

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"What a shock it must have been for the Utrecht painters Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen when, in Rome, they first saw Caravaggio's breath-takingly unconventional paintings with their own eyes. Under the influence of this great, inspirational master and by exchanging ideas wih the many young artists who poured into the pulsating Italian metropolis around the year 1600, these three men of Utrecht developed their very own, distinctive style by propelling Caravaggio's radical realism to its culmination."--from back cover