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| Author | : Elizabeth S. Bolman |
| Publisher | : Yale University Press |
| Total Pages | : 433 |
| Release | : 2016-01-01 |
| Genre | : Architecture |
| ISBN | : 0300212305 |
This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 354 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1588394573 |
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
| Author | : Elizabeth S. Bolman |
| Publisher | : Yale University Press |
| Total Pages | : 348 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 0300092245 |
The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.
| Author | : Bentley Layton |
| Publisher | : OUP Oxford |
| Total Pages | : 340 |
| Release | : 2014-09-18 |
| Genre | : Religion |
| ISBN | : 0191019224 |
This book is the first publication of a very early set of Christian monastic rules from Roman Egypt, accompanied by four preliminary chapters discussing their historical and social context and their character as rules. These rules were found quoted in the writings of the great Egyptian monastic leader Shenoute. Designed for a federation of monks and nuns who banded together about 360 CE—forming the so-called "White Monastery Federation"—the rules date back to the fourth and fifth centuries. New historical evidence is presented for the founding of the Federation. Providing almost the earliest evidence for Christian communal (cenobitic) monasticism, the rules depict many intimate aspects of ascetic practice. Details of monastic daily life are mentioned in passing in the rules, and the author uses these details to describe their picture of monastic life under five general topics: the monastery as a physical plant, the human makeup of the community, ascetic observances, the hierarchy of authority, and the daily liturgy. The book includes a clear English translation of the rules accompanied by the original Coptic text, amounting to five hundred and ninety-five entries.
| Author | : Caroline T. Schroeder |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 246 |
| Release | : 2013-03-01 |
| Genre | : Religion |
| ISBN | : 0812203380 |
Shenoute of Atripe led the White Monastery, a community of several thousand male and female Coptic monks in Upper Egypt, between approximately 395 and 465 C.E. Shenoute's letters, sermons, and treatises—one of the most detailed bodies of writing to survive from any early monastery—provide an unparalleled resource for the study of early Christian monasticism and asceticism. In Monastic Bodies, Caroline Schroeder offers an in-depth examination of the asceticism practiced at the White Monastery using diverse sources, including monastic rules, theological treatises, sermons, and material culture. Schroeder details Shenoute's arduous disciplinary code and philosophical structure, including the belief that individual sin corrupted not only the individual body but the entire "corporate body" of the community. Thus the purity of the community ultimately depended upon the integrity of each individual monk. Shenoute's ascetic discourse focused on purity of the body, but he categorized as impure not only activities such as sex but any disobedience and other more general transgressions. Shenoute emphasized the important practices of discipline, or askesis, in achieving this purity. Contextualizing Shenoute within the wider debates about asceticism, sexuality, and heresy that characterized late antiquity, Schroeder compares his views on bodily discipline, monastic punishments, the resurrection of the body, the incarnation of Christ, and monastic authority with those of figures such as Cyril of Alexandria, Paulinus of Nola, and Pachomius.
| Author | : Alfred Joshua Butler |
| Publisher | : |
| Total Pages | : 436 |
| Release | : 1884 |
| Genre | : Christian antiquities |
| ISBN | : |
| Author | : Anne Leader |
| Publisher | : Indiana University Press |
| Total Pages | : 340 |
| Release | : 2012 |
| Genre | : Architecture |
| ISBN | : 0253355672 |
The Santa Maria di Firenze, the venerable Benedictine abbey located in the heart of Florence, is the subject of this book. Leader's richly illustrated, interdisciplinary study examines the abbey's history during the Renaissance.
| Author | : Darlene L. Brooks Hedstrom |
| Publisher | : Cambridge University Press |
| Total Pages | : 455 |
| Release | : 2017-11-23 |
| Genre | : History |
| ISBN | : 1107161819 |
This book traces changing perceptions of Egypt's monastic landscape through an analysis of archaeological and documentary evidence from late antiquity.
| Author | : Agnieszka Szymańska |
| Publisher | : |
| Total Pages | : 228 |
| Release | : 2017 |
| Genre | : |
| ISBN | : |
This dissertation focuses on the Red Monastery church, an early Byzantine monument located in Egypt. A monastic community which came to be known as the Red Monastery joined an ascetic federation led by the nearby White Monastery. In the fifth century C.E., the monks of the White and Red Monasteries commissioned monumental church buildings. The Red Monastery church is a smaller copy of the White Monastery church. Both are triconch basilicas, and their enclosure walls imitate the external profiles of pharaonic temples. The interior elevations of the two church sanctuaries adopt an architectural type called multistory aedicular façades. These kinds of façades adorned elite public buildings in the eastern Mediterranean region. Although a lot of scholarship has been done on the White Monastery and its famous abbot Shenoute (ca. 346-465 C.E.), the Red Monastery church was almost completely overlooked until recently. Between 2000 and 2015, Elizabeth S. Bolman directed a major multidisciplinary project that focused on the triconch sanctuary of the Red Monastery church. Its ensemble of architectural sculpture, polychromy, and figural paintings is virtually intact. Bolman and Dale Kinney have substantially advanced the state of knowledge about monastic visual culture in late antique Egypt by focusing on the Red Monastery church. My dissertation builds on their conclusions. I have identified a different perspective from which to understand the late antique triconch at the Red Monastery. The category of sacred spectating is the interpretive lens through which I view this building.
| Author | : Abū Ṡāliḣ (al-Armanī.) |
| Publisher | : |
| Total Pages | : 422 |
| Release | : 1895 |
| Genre | : Church buildings |
| ISBN | : |
