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| Author | : Kathleen Riley |
| Publisher | : Oxford University Press |
| Total Pages | : 411 |
| Release | : 2008-04-24 |
| Genre | : Drama |
| ISBN | : 0199534489 |
A study of the reception of Euripides' tragedy The Madness of Herakles from late antiquity to the present day. Kathleen Riley examines changing ideas of Heraklean madness and, consequently, of the Heraklean hero.
| Author | : Kathleen Riley |
| Publisher | : OUP Oxford |
| Total Pages | : 412 |
| Release | : 2008-04-24 |
| Genre | : Literary Criticism |
| ISBN | : 0191560014 |
Euripides' Herakles, which tells the story of the hero's sudden descent into filicidal madness, is one of the least familiar and least performed plays in the Greek tragic canon. Kathleen Riley explores its reception and performance history from the fifth century BC to AD 2006. Her focus is upon changing ideas of Heraklean madness, its causes, its consequences, and its therapy. Writers subsequent to Euripides have tried to 'reason' or make sense of the madness, often in accordance with contemporary thinking on mental illness. She concurrently explores how these attempts have, in the process, necessarily entailed redefining Herakles' heroism. Riley demonstrates that, in spite of its relatively infrequent staging, the Herakles has always surfaced in historically charged circumstances - Nero's Rome, Shakespeare's England, Freud's Vienna, Cold-War and post-9/11 America - and has had an undeniable impact on the history of ideas. As an analysis of heroism in crisis, a tragedy about the greatest of heroes facing an abyss of despair but ultimately finding redemption through human love and friendship, the play resonates powerfully with individuals and communities at historical and ethical crossroads.
| Author | : Kathleen Riley |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 679 |
| Release | : 2015-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 9004299815 |
Brill's Companion to the Reception of Euripides provides a comprehensive account of the influence and appropriation of all extant Euripidean plays since their inception: from antiquity to modernity, across cultures and civilizations, from multiple perspectives and within a broad range of human experience and cultural trends, namely literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
| Author | : Kathryn Bosher |
| Publisher | : Oxford University Press |
| Total Pages | : 1047 |
| Release | : 2015-11-05 |
| Genre | : History |
| ISBN | : 0191637335 |
The Oxford Handbook of Greek Drama in the Americas is the first edited collection to discuss the performance of Greek drama across the continents and archipelagos of the Americas from the beginning of the nineteenth century to the present. The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the performance arts in the Americas have routinely defied national boundaries. With contributions from classicists, Latin American specialists, theatre and performance theorists, and historians, the Handbook also includes interviews with key writers, including Nobel Laureate Derek Walcott, Charles Mee, and Anne Carson, and leading theatre directors such as Peter Sellars, Carey Perloff, H?ctor Daniel-Levy, and Heron Coelho. This richly illustrated volume seeks to define the complex contours of the reception of Greek drama in the Americas, and to articulate how these different engagements - at local, national, or trans-continental levels, as well as across borders - have been distinct both from each other, and from those of Europe and Asia.
| Author | : Euripides |
| Publisher | : Focus |
| Total Pages | : 110 |
| Release | : 1988 |
| Genre | : Drama |
| ISBN | : |
English translation of Euripides' tragedy in which the hero Heracles, maddened by the gods, murders his wife and children but is returned to sanity by friendship and courage. Includes notes, an introduction on Euripides and the ancient theater, an interpretive essay on the play, and bibliography.
| Author | : Emma Griffiths |
| Publisher | : |
| Total Pages | : 175 |
| Release | : 2006 |
| Genre | : Greek drama (Tragedy) |
| ISBN | : 9781472556783 |
"In Euripides' play we see a very different figure from the Herakles of popular imagination. In his account of Herakles' maddened killing of his children, Euripides emphasises the human to the hero's character, presenting him as a loving father. Herakles is an ideal text for those new to ancient drama, raising many central issues of Greek tragedy. Emma Griffiths analyses the key themes and characters while situating the drama in the wider context of Greek tragedy and mythology. Euripides' approach to drama is illustrated through consideration of the hero's self-awareness, and the reception of the play in later art and literature is discussed as part of an exploration of the 'universality' of tragedy."--Bloomsbury Publishing
| Author | : William Allan |
| Publisher | : Aris and Phillips Classical Te |
| Total Pages | : 231 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 0856687405 |
The Children of Heracles is a powerful and challenging tragedy of exile and supplication. Driven from their homeland by Eurystheus, king of Argos, the children of Heracles flee as fugitives throughout Greece until they are granted protection in Athens.
| Author | : Edith Hall |
| Publisher | : OUP Oxford |
| Total Pages | : 432 |
| Release | : 2010-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 0191572616 |
This is an invaluable introduction to ancient Greek tragedy which discusses every surviving play in detail and provides all the background information necessary for understanding the context and content of the plays. Edith Hall argues that the essential feature of the genre is that it always depicts terrible human suffering and death, but in a way that invites philosophical enquiry into their causes and effects, This enquiry was played out in the bright sunlight of open-air theatre, which became a key marker of the boundary between living and dead. The first half of the book is divided into four chapters which address the social and physical contexts in which the plays were performed, the contribution of the poets, actors, funders, and audiences, the poetic composition of the texts, their performance conventions, main themes, and focus on religion, politics, and the family. The second half consists of individual essays on each of the surviving thirty-three plays by the Greek tragedians, and an account of the recent performance of Greek tragic theatre and tragic fragments. An up-to-date 'Suggestions for further reading' is included.
| Author | : Owen Rees |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 264 |
| Release | : 2022-01-13 |
| Genre | : History |
| ISBN | : 1350188654 |
This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.
